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No. 08-653

 

In the Supreme Court of the United States

FEDERAL COMMUNICATIONS COMMISSION
AND UNITED STATES OF AMERICA, PETITIONERS

v.

CBS CORPORATION, CBS BROADCASTING, INC.,
CBS TELEVISION STATIONS, INC., CBS STATIONS GROUP OF TEXAS L.P., AND KUTV HOLDINGS, INC.
ON PETITION FOR A WRIT OF CERTIORARI
TO THE UNITED STATES COURT OF APPEALS
FOR THE THIRD CIRCUIT

PETITION FOR A WRIT OF CERTIORARI

GREGORY G. GARRE
Solicitor General
Counsel of Record
GREGORY G. KATSAS
Assistant Attorney General
MALCOLM L. STEWART
Deputy Solicitor General
ERIC D. MILLER
Assistant to the Solicitor
General
THOMAS M. BONDY
Attorney
Department of Justice
Washington, D.C. 20530-0001
(202) 514-2217
MATTHEW B. BERRY
General Counsel
JOSEPH R. PALMORE
Deputy General Counsel
JACOB M. LEWIS
Associate General Counsel
Federal Communications
Commission
Washington, D.C. 20554

QUESTION PRESENTED

Whether the court of appeals erred in holding that the Federal Communications Commission acted arbi trarily and capriciously under the Administrative Pro cedure Act, 5 U.S.C. 551 et seq., in determining that the most widely viewed broadcast of public nudity in televis ion history fell within the federal prohibitions on broad cast indecency.

In the Supreme Court of the United States

No. 08-653

FEDERAL COMMUNICATIONS COMMISSION
AND UNITED STATES OF AMERICA, PETITIONERS

v.

CBS CORPORATION, CBS BROADCASTING, INC.,
CBS TELEVISION STATIONS, INC., CBS STATIONS
GROUP OF TEXAS L.P., AND KUTV HOLDINGS, INC.
ON PETITION FOR A WRIT OF CERTIORARI
TO THE UNITED STATES COURT OF APPEALS
FOR THE THIRD CIRCUIT

PETITION FOR A WRIT OF CERTIORARI

The Solicitor General, on behalf of the Federal Com munications Commission and the United States of Amer ica, respectfully petitions for a writ of certiorari to re view the judgment of the United States Court of Appeals for the Third Circuit in this case.

OPINIONS BELOW

The opinion of the court of appeals (App., infra, 1a- 82a) is reported at 535 F.3d 167. The orders of the Fed eral Communications Commission (App., infra, 83a- 122a, 123a-183a) are reported at 21 F.C.C.R. 6653 and 21 F.C.C.R. 2760, respectively.

JURISDICTION

The judgment of the court of appeals (App., infra, 184a-185a) was entered on July 21, 2008. On October 9, 2008, Justice Souter extended the time within which to file a petition for a writ of certiorari to and including November 18, 2008. The jurisdiction of this Court is in voked under 28 U.S.C. 1254(1).

STATUTES AND REGULATIONS INVOLVED

Pertinent provisions are set out in the appendix to this petition. App., infra, 186a-189a.

STATEMENT

1. a. Federal law has long forbidden the broadcast of "obscene, indecent, or profane language by means of radio communication." 18 U.S.C. 1464. In 1992, Con gress supplemented that prohibition by directing the Federal Communications Commission (FCC or Commis sion) to "promulgate regulations to prohibit the broad casting of indecent programming" during certain times of the day. Public Telecommunications Act of 1992, Pub. L. No. 102-356, § 16(a), 106 Stat. 954. See Action for Children's Television v. FCC, 58 F.3d 654, 669-670 (D.C. Cir. 1995) (en banc), cert. denied, 516 U.S. 1043 (1996). The FCC's rules currently prohibit licensees of radio and television stations from broadcasting "any material which is indecent" between the hours of "6 a.m. and 10 p.m." 47 C.F.R. 73.3999(b). The Commission does not regulate indecent broadcasts outside that time period. The FCC has authority to enforce the broadcast-inde cency prohibition by, inter alia, imposing civil forfei tures, see 47 U.S.C. 503(b)(1)(B) and (D), or taking vio lations into account during license-renewal proceedings, see 47 U.S.C. 307 (2000 & Supp. V 2005); 47 U.S.C. 309(k).

b. In FCC v. Pacifica Foundation, 438 U.S. 726 (1978), this Court upheld the constitutionality of the FCC's authority to regulate indecent broadcasting. At issue in Pacifica was the midday radio broadcast of George Carlin's monologue "Filthy Words." Responding to a listener complaint, the Commission determined that the broadcast violated Section 1464. Id. at 731-732. This Court held that the Commission's enforcement ac tion was consistent with the First Amendment. Id. at 749-750.

c. For several years after Pacifica, the Commission enforced the indecency prohibition only against "mate rial that closely resembled the George Carlin mono logue," that is, material that "involved the repeated use, for shock value, of words similar or identical to those" used by Carlin. In re Infinity Broad. Corp., 3 F.C.C.R. 930, 930 ¶ 4 (1987) (Infinity Reconsideration Order). In 1987, however, the Commission determined that such a "highly restricted enforcement standard * * * was unduly narrow as a matter of law" because it "focus[ed] exclusively on specific words rather than the generic definition of indecency." Id. at 930 ¶ 5. Accordingly, the Commission concluded that, in enforcing Section 1464, it would apply the generic indecency test articulated in Pacifica, that is, whether the material "describes, in terms patently offensive as measured by contemporary community standards for the broadcast medium, sexual or excretory activities or organs, when there is a reason able risk that children may be in the audience." Id. at 930 ¶¶ 2, 5 (quoting In re Citizen's Complaint Against Pacifica Found. Station WBAI (FM), 56 F.C.C.2d 94, 98 ¶ 11 (1975)).

In making that change, the Commission recognized that "the question of whether material is patently offen sive requires careful consideration of context." Infinity Reconsideration Order, 3 F.C.C.R. at 932 ¶ 16. Despite its renewed emphasis on context, however, the Commis sion stated that "[i]f a complaint focuses solely on the use of expletives * * * deliberate and repetitive use * * * is a requisite to a finding of indecency." In re Pacifica Found., Inc., 2 F.C.C.R. 2698, 2699 ¶ 13 (1987). In contrast, the Commission explained, when offensive material "goes beyond the use of expletives" and in volves "the description or depiction of sexual or excre tory functions," "repetition of specific words or phrases is not necessarily an element critical to a determination of indecency." Ibid. In Action for Children's Television v. FCC, 852 F.2d 1332 (1988) (R.B. Ginsburg, J.), the District of Columbia Circuit held that the Commission had provided a reasoned explanation for its change in enforcement policy, and it rejected a constitutional chal lenge to the Commission's new enforcement standards for indecency.

d. In 2001, the Commission issued a policy statement to provide further guidance concerning the indecency standard. In re Industry Guidance on the Comm'n's Case Law Interpreting 18 U.S.C. § 1464 and Enforce ment Policies Regarding Broad. Indecency, 16 F.C.C.R. 7999 (Industry Guidance). In that statement, the Com mission explained that it applies a two-part test to deter mine whether a broadcast is indecent. First, the mate rial at issue "must fall within the subject matter scope of [the] indecency definition-that is, the material must describe or depict sexual or excretory organs or activi ties." Id. at 8002 ¶ 7. Second, "the broadcast must be patently offensive as measured by contemporary com munity standards for the broadcast medium." Id. at 8002 ¶ 8.

The policy statement reiterated that whether a broadcast is "patently offensive" turns on "the full con text" in which the material is broadcast and is therefore "highly fact-specific." Industry Guidance, 16 F.C.C.R. at 8002-8003 ¶ 9. The Commission set out three "princi pal factors" that it considered "significant" in evaluating patent offensiveness: "(1) the explicitness or graphic nature of the description or depiction of sexual or excre tory organs or activities; (2) whether the material dwells on or repeats at length descriptions of sexual or excre tory organs or activities; [and] (3) whether the material appears to pander or is used to titillate, or whether the material appears to have been presented for its shock value." Id. at 8003 ¶ 10 (emphases omitted).

The Commission stressed that "[e]ach indecency case presents its own particular mix of these, and possibly other, factors, which must be balanced to ultimately de termine whether the material is patently offensive and therefore indecent." Industry Guidance, 16 F.C.C.R. at 8003 ¶ 10. For example, with respect to the second fac tor, the Commission noted that "[r]epetition of and per sistent focus on sexual or excretory material" may "ex acerbate the potential offensiveness of broadcasts," but "even relatively fleeting references may be found inde cent where other factors contribute to a finding of pat ent offensiveness." Id. at 8008-8009 ¶¶ 17, 19.

e. In 2004, the Commission changed its policy con cerning isolated expletives. The previous year, NBC had presented a live broadcast of the Golden Globe Awards, at which the rock singer Bono used the F-Word while receiving an award. The FCC determined that the broadcast was indecent. In re Complaints Against Var ious Broad. Licensees Regarding Their Airing of the "Golden Globe Awards" Program, 19 F.C.C.R. 4975 (2004) (Golden Globe Awards Order). It disavowed, as "no longer good law," "prior Commission and staff ac tion" that had "indicated that isolated or fleeting broad casts of the 'F-Word' * * * are not indecent or would not be acted upon," and it stated "that the mere fact that specific words or phrases are not sustained or repeated does not mandate a finding that material that is other wise patently offensive to the broadcast medium is not indecent." Id. at 4980 ¶ 12.

Two years later, the FCC applied the new policy ar ticulated in the Golden Globes Awards Order when it concluded that two broadcasts of the Billboard Music Awards that included isolated uses of expletives were indecent. In re Complaints Regarding Various Televi sion Broads. Between Feb. 2, 2002 and Mar. 8, 2005, 21 F.C.C.R. 13,299 (2006). The Commission reaffirmed that the fleeting nature of an utterance does not by itself preclude a finding of indecency, reasoning that "cate gorically requiring repeated use of expletives in order to find material indecent" would be "inconsistent with our general approach to indecency enforcement" and its "stress[] [on] the critical nature of context." Id. at 13,308 ¶ 23. The Second Circuit granted petitions for review and vacated that order, concluding that the Com mission had violated the Administrative Procedure Act (APA), 5 U.S.C. 551 et seq., because it had failed to pro vide an adequate explanation for its change in policy. Fox Television Stations, Inc. v. FCC, 489 F.3d 444 (2007), cert. granted, 128 S. Ct. 1647 (No. 07-582) (2008) (argued Nov. 4, 2008).

2. This case arises from the February 1, 2004, broad cast of the Super Bowl XXXVIII halftime show. The 2004 Super Bowl was the most-watched Super Bowl up to that time and was the highest-rated program of the 2003-2004 television season (among children of all ages as well as adults). App., infra, 84a, 113a. The halftime show was produced by MTV Networks, a subsidiary of Viacom, Inc., and was carried live by stations owned by CBS Broadcasting (another Viacom subsidiary), as well as by independently owned stations affiliated with the CBS television network. Id. at 124a-125a & n.2. For the finale of the show, at approximately 8:30 p.m. eastern standard time, Janet Jackson performed a duet with Justin Timberlake entitled "Rock Your Body." Id. at 124a, 127a. During the song, Timberlake repeatedly grabbed Jackson and rubbed against her in a sexually suggestive manner. Id. at 127a. At the close of the per formance, while singing, "gonna have you naked by the end of this song," Timberlake pulled off the right portion of Jackson's bustier, exposing her breast to the televi sion audience. Ibid.

Soon after the incident, CBS issued a statement that expressed its "deep[] regret," emphasized that "[t]he moment did not conform to CBS broadcast standards," and "apologize[d] to anyone who was offended." C.A. App. 101. Viacom's president and chief operating officer subsequently told a congressional committee that "ev eryone at CBS and everyone at MTV was shocked and appalled * * * by what transpired," and that the mate rial "went far beyond what is acceptable standards for our broadcast network." The Broadcast Decency Act of 2004: Hearings on H.R. 3717 Before the Subcomm. on Telecomm. and the Internet of the House Comm. on Energy and Commerce, 108th Cong., 2d Sess. 37 (2004) (statement of Mel Karmazin).

3. a. The Commission received "an unprecedented number" of complaints about the broadcast. In re Com plaints Against Various Television Licensees Concern ing Their Feb. 1, 2004 Broad. of the XXXVIII Super Bowl Halftime Show, 19 F.C.C.R. 19,230, 19,231 ¶ 2 (2004). In response to those complaints, the Commission issued a letter of inquiry asking CBS to provide a tape of the broadcast and information about its production. Id. at 19,231 ¶ 3. After considering CBS's submissions, the Commission issued a notice of apparent liability, concluding that CBS had apparently violated the federal restrictions on broadcast indecency, and proposing a total forfeiture of $550,000 against the television sta tions that the network owned and operated. Id. at 19,240 ¶ 24.

b. After receiving CBS's opposition to the notice of apparent liability, the Commission reaffirmed its tenta tive conclusions in a forfeiture order. App., infra, 123a- 183a. The Commission first found that the material fell within the subject-matter scope of its indecency defini tion because the broadcast of an "exposed female breast" depicted a sexual organ. Id. at 133a. The Com mission then determined, applying its three-factor con textual analysis, that the material was patently offensive as measured by contemporary community standards for the broadcast medium. Id. at 133a-139a.

First, the Commission concluded that the material was graphic and explicit. App., infra, 134a-136a. In reaching that conclusion, the Commission relied on In re Young Broadcasting of San Francisco, Inc., 19 F.C.C.R. 1751 (2004) (Young Broadcasting), released shortly be fore the Super Bowl broadcast, which had found an ap parent indecency violation when a television station briefly aired images of a performer's penis. Stating that "a scene showing nude sexual organs is graphic and ex plicit if the nudity is readily discernible," the Commis sion found that the image of Jackson's breast was "clear and recognizable to the average viewer." App., infra, 135a. The Commission further found that the explicit ness of the image was reinforced by the presence of Jackson and Timberlake (the show's headline perform ers) in the center of the screen and by the fact that Timberlake's dramatic ripping off of Jackson's bustier drew the viewer's attention to what was exposed. Ibid.

Second, the Commission concluded that the broad cast of Jackson's exposed breast was shocking and pan dering. It noted that the exposure occurred just as Timberlake sang "gonna have you naked by the end of this song" and after "repeated references to sexual activ ities" and sexually suggestive choreography. App., in fra, 137a-138a. The display was particularly "shocking to the viewing audience," the Commission stated, be cause it occurred as a result of a man tearing off a woman's clothing "during a prime time broadcast of a sporting event that was marketed as family entertain ment and contained no warning that it would include nudity." Id. at 138a.

Third, the Commission acknowledged that the image of Jackson's breast was displayed only briefly. It con cluded, however, that the "brevity" of the exposure alone did not compel the conclusion that the broadcast was not indecent and, instead, was outweighed by its explicitness and its shocking nature. App., infra, 136a- 137a, 139a.

c. CBS filed a petition for reconsideration. On re consideration, the Commission reaffirmed its conclusion that the broadcast was indecent and that a forfeiture was appropriate. App., infra, 83a-122a.

4. The court of appeals vacated and remanded. App., infra, 1a-82a.

a. The court of appeals held that the Commission's order was invalid under the APA on the ground that it constituted an unexplained departure from a policy "that isolated or fleeting material did not fall within the scope of actionable indecency." App., infra, 9a. The court rejected the Commission's argument that its 2001 policy statement had made clear to broadcasters that "even relatively fleeting references may be found indecent where other factors contribute to a finding of patent of fensiveness." Industry Guidance, 16 F.C.C.R. at 8009 ¶ 19. According to the court, "the 'relatively fleeting references' identified by that sentence are distinguish able from the truly 'fleeting' broadcast material the FCC had included in its fleeting material policy." App., infra, 19a. The court also rejected, as against "the bal ance of the evidence," the Commission's contention that the former exception "extended only to fleeting words and not to fleeting images." Id. at 37a. Reviewing the Commission's precedents, the court held that the Com mission's decisions "treated broadcasted images and words interchangeably," so it "follow[ed] that the Com mission's exception for fleeting material * * * likewise treated images and words alike." Ibid.

According to the court of appeals, the Golden Globe Awards Order, in which the Commission had disavowed any indecency exception for "isolated or fleeting broad casts of the 'F-word,'" 19 F.C.C.R. at 4980 ¶ 12, repre sented the "first time the Commission distinguished be tween formats of broadcast material or singled out any one category of material for special treatment under its fleeting material policy," App., infra, 22a-23a. The court construed the Golden Globe Awards Order to modify the FCC's prior policies only slightly, "by excising only one category of fleeting material-fleeting expletives," thus leaving in effect "a residual policy on other categories of fleeting material-including all broadcast content other than expletives." Id. at 23a (emphasis added).

The court of appeals distinguished the Second Cir cuit's decision in Fox, which involved a challenge to the application of the Commission's indecency standard to the broadcast of isolated expletives. In Fox, the court stated, "the FCC provided an explanation for changing its policy on fleeting expletives," and the "critical ques tion splitting the [Second Circuit] was whether that ex planation was adequate" under the APA. Pet. App. 27a. In this case, however, the court of appeals believed that "the FCC has not offered any explanation-reasoned or otherwise-for changing its policy on fleeting images." Ibid. (emphasis added). Rather, the court explained, "the FCC asserts it never had a policy of excluding fleet ing images from the scope of actionable indecency, and therefore no policy change occurred when it determined that the Halftime Show's fleeting image of [an exposed female] breast was actionably indecent." Ibid. The court of appeals, however, rejected that contention and concluded that the FCC had changed its enforcement policy as to fleeting images.

The court of appeals also dismissed the significance of the notice of apparent liability in Young Broadcast ing. The court recognized that in Young Broadcasting, the Commission had found a television licensee appar ently liable for permitting the broadcast of "less than one second" of nudity. App., infra, 32a. But it dis agreed with the Commission's view that the decision demonstrated the agency's "preexisting * * * policy of treating fleeting images differently from fleeting words." Id. at 33a. Instead, the court concluded that the case was "best understood as the Commission's ini tial effort to abandon its restrained enforcement policy on fleeting material." Id. at 34a.

The court of appeals also questioned the Commis sion's finding that CBS had the requisite mental state to be liable for Jackson and Timberlake's performance dur ing the halftime show. App., infra, 39a. The court sta ted that liability could not be premised on a respondeat superior theory because "Jackson and Timberlake were independent contractors rather than employees of CBS." Id. at 57a. It also rejected the contention that CBS broadcast licensees could be held vicariously liable for violating a non-delegable duty not to broadcast inde cent material. Id. at 57a-67a. Instead, the court deter mined that "[r]ecklessness would appear to suffice as the appropriate scienter threshold for the broadcast indecency regime," id. at 74a, and it suggested that a "broadcaster's failure to use available preventative tech nology, such as a delay mechanism, when airing live pro gramming may, depending on the circumstances, consti tute recklessness," id. at 76a-77a. The court stated that it could not determine, on the existing record, whether CBS had acted recklessly in failing to employ a video de lay technology in this case. Id. at 79a.

The court of appeals accordingly vacated and re manded the Commission's decision, specifying that "[f]urther action by the Commission would be declara tory in nature," because "the agency may not retroac tively penalize CBS." App., infra, 80a.

b. Judge Rendell dissented in part. App., infra, 81a- 82a. She agreed with the majority's conclusion that Commission had acted arbitrarily and capriciously, but she disagreed "with the majority's conclusion that there is a need to remand this case," noting that the agency could instead explain its change in policy "in the next case or issue a declaratory ruling." Id. at 82a. She also disagreed with the majority's decision to discuss, "in dicta," the level of scienter required to establish a viola tion of the Commission's broadcast indecency rules. Id. at 81a.

REASONS FOR GRANTING THE PETITION

The court of appeals erred in overturning the Com mission's determination that CBS's broadcast of the 2004 Super Bowl halftime show violated federal inde cency prohibitions. In holding that the Commission's order in this case reflected an unexplained departure from the FCC's prior enforcement regime, the court relied on a purported "fleeting images" exemption to indecency enforcement that in fact has never existed. In the orders at issue here, the Commission explained that, while it formerly required expletives to be repeated be fore it would treat them as actionably indecent (which accounts for the change in policy at issue in Fox), it had never exempted the broadcast of images-however brief- from federal indecency restrictions. In the de cision below, the court of appeals erroneously construed the Commission's policies on broadcast indecency and, in the process, contravened settled principles governing the review of administrative action and interpretations.

Rather than deferring to the Commission's reason able interpretation of its own precedent, the court of appeals conducted what was in substance a de novo re view of Commission indecency decisions over the past three decades. And even though none of the prior ad ministrative decisions that the court surveyed had ex empted a brief image from indecency enforcement, the court concluded that the FCC's prior exemption for fleeting material had applied to isolated words and im ages interchangeably. By vacating the Commission's order for failure to explain its divergence from a policy that never existed, the judgment below departs from settled administrative-law principles and leaves the Commission powerless to enforce the sanctions it levied against CBS for the most widely-viewed broadcast of public nudity in television history during a time of day when millions of children were watching.

Both this case and FCC v. Fox Television Stations, Inc, No. 07-582 (argued Nov. 4, 2008), concern APA challenges to the FCC's enforcement of broadcast-inde cency prohibitions that were upheld by this Court in Pacifica. Both cases involve the contours of the Commis sion's indecency policies over the past three decades- specifically as applied to offensive material (expletives in Fox, images in this case) that is isolated or fleeting. And both cases involve the deference due to the Commis sion's actions and interpretations under the APA. In light of the substantial overlap between the two cases, the petition for a writ of certiorari should be held pend ing the disposition of Fox. At that time, the Court can determine whether to grant certiorari, vacate the deci sion below, and remand for further consideration in light of its decision in Fox, or instead to grant certiorari and proceed with plenary review.

A. The Decision Below Is Inconsistent With Settled Princi ples of Deference To An Agency's Reasonable Interpre tation Of Its Own Precedent

It is well settled that an agency's interpretation of its own regulations is "of controlling weight unless it is plainly erroneous or inconsistent with the regulation." Bowles v. Seminole Rock & Sand Co., 325 U.S. 410, 414 (1945). Likewise, "[a]n agency's interpretation of its own precedent is entitled to deference" and must be up held if "reasonable." Boca Airport, Inc. v. FAA, 389 F.3d 185, 190 (D.C. Cir. 2004) (brackets in original) (quoting Cassell v. FCC, 154 F.3d 478, 483 (D.C. Cir. 1998)). The Commission's interpretation of its inde cency rules and policies is well supported by its prior guidance and decisions, as well as by the common-sense distinction between words and images. The court of ap peals erred in setting that interpretation aside under the APA.

1. More than two decades ago, the Commission held that "[w]hile speech that is indecent must involve more than an isolated use of an offensive word, * * * repeti tive use of specific words or phrases is not an absolute requirement for a finding of indecency." In re Pacifica Found., Inc., 2 F.C.C.R. at 2699 ¶ 13. Instead, the Com mission stated, "deliberate and repetitive use in a pa tently offensive manner is a requisite to a finding of in decency" only where "a complaint focuses solely on the use of expletives." Ibid. By contrast, "[w]hen a com plaint goes beyond the use of expletives, * * * repeti tion of specific words or phrases is not necessarily an element critical to a determination of indecency." Ibid. Accordingly, "speech involving the description or depic tion of sexual or excretory functions must be examined in context to determine whether it is patently offensive." Ibid.

Those statements made clear that, under the Commis sion's then-existing policy, repetition was essential to a finding of indecency only where expletives were con cerned. By contrast, depictions or verbal descriptions of sexual or excretory functions did not have to be re peated to be found indecent. Because an image is not an expletive-and because an image necessarily "depicts" -the Commission's 1987 decision put broadcasters on notice that the exception to the broadcast indecency re gime for isolated expletives had no application to iso lated indecent images.

The Commission reiterated the distinction between expletives and other types of indecent material in its 2001 policy statement. The FCC first set forth its three- factor test for assessing the patent offensiveness of al legedly indecent programming, noting that one of the factors is "whether the material dwells on or repeats at length descriptions of sexual or excretory organs or ac tivities." Industry Guidance, 16 F.C.C.R. at 8003 ¶ 10 (emphasis omitted). The Commission then explained that the "passing or fleeting" nature of "sexual or excre tory references" would tend to weigh against a finding of indecency," id. at 8008 ¶ 17, while emphasizing that "even relatively fleeting references may be found inde cent where other factors contribute to a finding of pat ent offensiveness," id. at 8009 ¶ 19. The examples the Commission gave of non-indecent brief matter involved the passing use of expletives; the examples of indecent brief matter involved descriptions of sexual activities. Id. at 8008-8010 ¶¶ 17-19.1

Any remaining doubt about the FCC's policy should have been removed by the order in Young Broadcasting, which was issued just days before the 2004 Super Bowl took place. In that case, the Commission proposed to impose a forfeiture on a broadcast licensee for televising "less than a second" of nudity. 19 F.C.C.R. at 1755 ¶ 12. As here, the Commission explained that "although the actual exposure * * * was fleeting," ibid., "the weight of the pandering, titillating and shocking manner of pre sentation, coupled with the graphic and explicit nature of the * * * nudity," made the broadcast indecent. Id. at 1757 ¶ 14.

The court of appeals characterized Young Broadcast ing "as the Commission's initial effort to abandon its restrained enforcement policy on fleeting material." App., infra, 34a. But that simply begged the relevant question by assuming that the Commission's exception for fleeting expletives extended to images in the first place. The court did not explain why the Commission would have decided to "abandon" its policy sub silentio in order to impose a forfeiture in a case involving one local broadcaster. And the Commission did not do so. Rather, the FCC in Young Broadcasting refrained from discussing the categorical exemption for fleeting nudity because no such exemption existed.

2. To support its view that the Commission previ ously recognized an "exception for fleeting material" that "treated images and words alike," App., infra, 37a, the court of appeals observed that the agency had "con sistently applied identical standards and engaged in identical analyses" regardless of whether indecency complaints "were based on words or images," id. at 28a- 29a. The court found the Commission's reliance on Young Broadcasting "unavailing" because, in the court's view, the decision "makes no distinction, express or im plied, between words and images in reaching its inde cency determination." Id. at 33a. The court likewise stated that the Commission had not treated the nudity in a broadcast of the film Schindler's List "differently -factually or legally-from a complaint for indecency based on a spoken utterance." Id. at 29a (citing In re WPBN/WTOM License Subsidiary, Inc., 15 F.C.C.R. 1838 (2000)).

The court of appeals' analysis is flawed. The court's principal error lay in its focus on the Commission's broad analytical framework for evaluating broadcast indecency, which applies equally to words and images, rather than on the agency's specific statements regard ing fleeting material, which have expressly distinguished between expletives and other material. See In re Pacifica Found., Inc., 2 F.C.C.R. at 2699 ¶ 13. Whether material is dwelled upon has always been a relevant fac tor under the Commission's generally applicable three- part test for patent offensiveness, but only in a narrow category of cases-those involving expletives-was rep etition required. That requirement, which until the Golden Globe Awards Order effectively exempted iso lated expletives from indecency enforcement, had no application to other material, including sexually graphic images or nudity. That is why the Commission in Young Broadcasting expressly rejected the contention that the indecent images at issue were "equivalent to other in stances in which the Commission has ruled that fleeting remarks in live, unscripted broadcasts do not meet the indecency definition." 19 F.C.C.R. at 1755 ¶ 12. By fo cusing on the Commission's general indecency frame work, and not specifically on the FCC's treatment of fleeting material, the court ignored the FCC's long standing policy of distinguishing between isolated exple tives and other brief material.2

3. The policy that the court of appeals attributed to the Commission, under which offensive words and im ages were purportedly treated as interchangeable, is also at odds with the court of appeals' own recognition that televised images are qualitatively different from spoken language. See United States v. Martin, 746 F.2d 964, 971-972 (3d Cir. 1984) ("The hackneyed expression, 'one picture is worth a thousand words' fails to convey adequately the comparison between the impact of the televised portrayal of actual events upon the viewer * * * and that of the spoken or written word upon the listener or reader."). Given the power of images, there is no reason to believe that simply because the Commis sion permitted an exemption for isolated expletives, it would allow a parallel exemption for brief displays of sexual organs or activities during times of day when children are in the audience.

4. The broadcast at issue here occurred at a time, and under circumstances, that made virtually certain it would attract a large audience of children and adults. The 2004 Super Bowl, viewed by 90 million Americans, was the most-watched Super Bowl up to that time and the highest-rated program of the 2003-2004 television season among viewers of all ages. The Commission re ceived an "unprecedented number" of complaints about the halftime show, and the act of public indecency that was broadcast to the nation subsequently became the focus of congressional hearings. See pp. 6-7, supra. If left uncorrected, the court of appeals' decision will pre clude the Commission from imposing any sanction for the most widely-viewed violation of the indecency prohi bition in the country's history.

More generally, the Third Circuit's decision in this case calls into question key aspects of the Commission's broadcast-indecency enforcement regime. Specifically, it threatens the Commission's ability to take enforce ment action with respect to any of the numerous pending complaints involving the broadcast of brief images, and perhaps even brief sexually explicit language other than expletives. The court below held that the Commission's Golden Globe Awards Order had excised only "fleeting expletives" from its enforcement exemption, and that "a residual policy on other categories of fleeting mate rial-including all broadcast content other than exple tives-remained in effect." App., infra, 23a. If that reading of the regulatory history were correct, the Com mission would be disabled from taking action against any "fleeting" broadcast indecency that did not involve expletives, such as brief nudity, depictions of sexual in tercourse, or sexually explicit comments, until it at tempted to explain the "change" from its alleged prior policy of immunizing such material from liability. Even if the FCC articulated an explanation of its preferred policy that the court of appeals regarded as adequate, the Commission could not impose or enforce forfeitures with respect to broadcasts that are the subject of pend ing complaints.

B. The Petition Should Be Held Pending This Court's Deci sion In Fox And Disposed Of As Appropriate In Light Of That Decision

In Fox, this Court is currently considering whether the Commission adequately explained its decision to abandon a policy of exempting isolated expletives from indecency enforcement. In making that determination, the Court will presumably consider what that prior pol icy was. Significantly, the order under review in Fox stated that "[i]n evaluating whether material is patently offensive, the Commission's approach has generally been to examine all factors relevant to that determina tion. To the extent that Commission dicta had previ ously suggested that one of these factors-whether ma terial had been repeated-would always be decisive in a certain category of cases, we believe that such dicta was at odds with the Commission's overall enforcement policy and was appropriately disavowed." In re Com plaints Regarding Various Television Broads. Between Feb. 2, 2002 and Mar. 8, 2005, 21 F.C.C.R. at 13,308 ¶ 23 (footnote omitted) (emphasis added). Although the Sec ond Circuit held that the Commission had not suffi ciently explained its departure from prior policy, the court did not disagree with the Commission's description of the earlier policy. Rather, the Second Circuit stated that the Commission's "consistent[]" interpretation had been that "isolated, non-literal, fleeting expletives" were outside its indecency enforcement policies. Fox, 489 F.3d at 455 (emphasis added).

The parties in Fox disagree as to the contours of the FCC's prior policy, and that disagreement may have a direct bearing on the issue presented here. Consistent with the Commission's order in Fox and the view of the Second Circuit, the government maintains that "[u]ntil recently, the Commission made one factor dispositive in its analysis in certain cases by holding that the utter ance of a single vulgar expletive could not be found inde cent, no matter how strongly other contextual factors weighed in favor of such a finding." Gov't Br. at 17, Fox, supra (No. 07-582). If the Court holds that the FCC in Fox properly decided to conform its approach to isolated expletives with its approach to all other broadcast mate rial claimed to be indecent, it will cast serious doubt on, if not necessarily reject, the view of the court below, see App., infra, 37a, that the Commission's prior exemption for fleeting material was not limited to expletives.

At the same time, Fox and the other networks (in cluding CBS) have maintained in Fox that "[t]here was never a per se rule against liability for isolated exple tives," Fox Resp. Br. at 19, Fox, supra (No. 07-582), and that "[c]ontext has always been the touchstone of the FCC's indecency policy, with repetition being merely one aspect of that analysis," id. at 26 (emphasis added); see ibid. (arguing that the suggestion that such an ex emption for isolated expletives existed "is simply incor rect"); NBC Resp. Br. at 53 n.19, Fox, supra (No. 07- 582) ("[T]here has never been an 'automatic exemption to the indecency prohibition for nonrepeated exple tives.'"). That position, too, is inconsistent with the view of the court below that until the Golden Globe Awards Order, "the FCC's policy" included an exemption for all "fleeting broadcast material." App., infra, 18a. As a re sult, even if respondents' position were to prevail in Fox, the Court's decision could cast substantial doubt on the correctness of the decision below.3

CONCLUSION

The petition for a writ of certiorari should be held pending this Court's decision in FCC v. Fox Television Stations, Inc., No. 07-582. The Court then should deter mine whether to grant certiorari, vacate the decision below, and remand the matter for further consideration in light of the decision in Fox, or instead to grant certio rari and to proceed with plenary review.

Respectfully submitted.

GREGORY G. GARRE
Solicitor General
GREGORY G. KATSAS
Assistant Attorney General
MALCOLM L. STEWART
Deputy Solicitor General
ERIC D. MILLER
Assistant to the Solicitor
General
THOMAS M. BONDY
Attorney
MATTHEW B. BERRY
General Counsel
JOSEPH R. PALMORE
Deputy General Counsel
JACOB M. LEWIS
Associate General Counsel
Federal Communications
Commission

NOVEMBER 2008

1 The court of appeals sought to distinguish the examples of fleeting indecent material discussed in the Commission's 2001 policy statement on the ground that they were not "truly 'fleeting.'" App., infra, 19a. Each of the examples highlighted by the Commission, however, in volved statements of only one or two sentences. See Industry Guid ance, 16 F.C.C.R. 8009-8010 ¶ 19.

2 The court of appeals also stated that in refusing to grant a petition to deny a license renewal in In re WGBH Educational Foundation, 69 F.C.C.2d 1250 (1978) (WGBH), "the FCC made no distinction between words and images (nudity or otherwise)." App., infra, 30a-31a. But although the petitioner in that case complained that the licensee had broadcast a variety of allegedly indecent material, including "nudity," WGBH, 69 F.C.C.2d at 1250 ¶ 2, the Commission's order did not discuss the allegation of nudity at all, id. at 1254 ¶ 10 & n.6 (examining the complained-of "words"). Likewise, nothing of significance can be gleaned from the various unpublished staff decisions dismissing indecency complaints involving "some variety of sexually explicit imagery." App., infra, 31a. The Commission is not bound by unpub lished decisions of its staff where, as here, it has not endorsed them. Comcast Corp. v. FCC, 526 F.3d 763, 769 (D.C. Cir. 2008); 47 C.F.R. 0.445(e). More importantly, as the court of appeals recognized, the staff letters "summarily rejected each of these complaints as 'not actionably indecent.'" App., infra, 31a. That the Commission staff used "identical form letters" to announce summary dismissals of indecency complaints says nothing about the staff's analysis, which was not set forth in the letters. Id. at 32a.

3 The government does not seek review of the court of appeals' dis cussion of the level of scienter necessary for the Commission to impose a monetary forfeiture on CBS. App., infra, 39a-79a. As Judge Rendell recognized, those statements by the panel majority were "dicta," given the court's threshold ruling that the Commission's enforcement policy was invalid under the APA. Id. at 81a. Moreover, if this Court were to overturn the court of appeals' judgment that the Commission's order embodied an unacknowledged change in policy, then-even accepting the scienter analysis of the panel majority-the Commission would be free to impose a forfeiture on remand so long as it could demonstrate that CBS "acted recklessly and not merely negligently when it failed to implement a video delay mechanism for the Halftime Show broadcast." Id. at 79a.

 

 

APPENDIX A

UNITED STATES COURT OF APPEALS
FOR THE THIRD CIRCUIT

No. 06-3575

CBS CORPORATION; CBS BROADCASTING INC.;
CBS TELEVISION STATIONS, INC.; CBS STATIONS GROUP OF TEXAS L.P.; AND KUTV HOLDINGS, INC., PETITIONERS

v.

FEDERAL COMMUNICATION COMMISSION;
UNITED STATES OF AMERICA, RESPONDENTS
Argued: Sept. 11, 2007
Filed: July 21, 2008
As Amended: Aug. 6, 2008

OPINION OF THE COURT

Before: SCIRICA, Chief Judge, RENDELL and FUENTES, Circuit Judges.

SCIRICA, Chief Judge.

In this petition for review, CBS appeals orders of the Federal Communications Commission imposing a mone tary forfeiture under 47 U.S.C. § 503(b) for the broad cast of _indecent_ material in violation of 18 U.S.C. § 1464 and 47 C.F.R. § 73.3999. The sanctions stem from CBS's live broadcast of the Super Bowl XXXVIII Halftime Show, in which two performers deviated from the show's script resulting in the exposure of a bare fe male breast on camera, a deceitful and manipulative act that lasted nine-sixteenths of one second. CBS trans mitted the image over public airwaves, resulting in puni tive action by the FCC.

CBS challenges the Commission's orders on constitu tional, statutory, and public policy grounds. Two of the challenges are paramount: (1) whether the Commission acted arbitrarily and capriciously under the Administra tive Procedure Act, 5 U.S.C. § 706, in determining that CBS's broadcast of a fleeting image of nudity was ac tionably indecent; and (2) whether the Commission, in applying three theories of liability-traditional respon deat superior doctrine, an alternative theory of vicarious liability based on CBS's duties as a broadcast licensee, and the _willfulness_ standard of the forfeiture stat ute-properly found CBS violated the indecency provi sions of 18 U.S.C. § 1464 and 47 C.F.R. § 73.3999. We will vacate the FCC's orders and remand for further proceedings consistent with this opinion.

I.

On February 1, 2004, CBS presented a live broadcast of the National Football League's Super Bowl XXXVIII, which included a halftime show produced by MTV Net works.1 Nearly 90 million viewers watched the Halftime Show, which began at 8:30 p.m. Eastern Standard Time and lasted about fifteen minutes. The Halftime Show featured a variety of musical performances by contem porary recording artists, with Janet Jackson as the an nounced headlining act and Justin Timberlake as a _sur prise guest_ for the final minutes of the show.

Timberlake was unveiled on stage near the conclu sion of the Halftime Show. He and Jackson performed his popular song _Rock Your Body_ as the show's finale. Their performance, which the FCC contends involved sexually suggestive choreography, portrayed Timber lake seeking to dance with Jackson, and Jackson alter nating between accepting and rejecting his advances. The performance ended with Timberlake singing, _gon na have you naked by the end of this song,_ and simulta neously tearing away part of Jackson's bustier. CBS had implemented a five-second audio delay to guard against the possibility of indecent language being trans mitted on air, but it did not employ similar precaution ary technology for video images. As a result, Jackson's bare right breast was exposed on camera for nine-six teenths of one second.

Jackson's exposed breast caused a sensation and re sulted in a large number of viewer complaints to the Federal Communications Commission.2 In response, the Commission's Enforcement Bureau issued a letter of inquiry asking CBS to provide more information about the broadcast along with a video copy of the entire Su per Bowl program. CBS supplied the requested materi als, including a script of the Halftime Show, and issued a public statement of apology for the incident. CBS stated Jackson and Timberlake's wardrobe stunt was unscripted and unauthorized, claiming it had no advance notice of any plan by the performers to deviate from the script.

On September 22, 2004, the Commission issued a Notice of Apparent Liability finding CBS had appar ently violated federal law and FCC rules restricting the broadcast of indecent material. After its review, the Commission determined CBS was apparently liable for a forfeiture penalty of $550,000.3 CBS submitted its Op position to the Notice of Apparent Liability on Novem ber 5, 2004.

The Commission issued a forfeiture order over CBS's opposition on March 15, 2006, imposing a forfeiture pen alty of $550,000. In re Complaints Against Various Television Licensees Concerning Their February 1, 2004 Broadcast of the Super Bowl XXXVIII Halftime Show, 21 F.C.C.R. 2760 (2006) (_Forfeiture Order _). Affirming its preliminary findings, the Commission con cluded the Halftime Show broadcast was indecent be cause it depicted a sexual organ and violated _contem porary community standards for the broadcast med ium._ Id. at _ 10. In making this determination, the FCC relied on a contextual analysis to find the broad cast of Jackson's exposed breast was: (1) graphic and explicit, (2) shocking and pandering, and (3) fleeting. Id. at _ 14. It further concluded that the brevity of the im age was outweighed by the other two factors. Id. The standard applied by the Commission is derived from its 2001 policy statement setting forth a two-part test for indecency: (1) _the material must describe or depict sexual or excretory organs or activities,_ and (2) it must be _patently offensive as measured by contemporary community standards for the broadcast medium._ In re Industry Guidance on the Commission's Case Law In terpreting 18 U.S.C. § 1464 and Enforcement Policies Regarding Broadcast Indecency, 16 F.C.C.R. 7999, 8002 __ 7-8 (2001) (emphasis in original). The Commission had informed broadcasters in its 2001 policy statement that in performing the second step of the test-measur ing the offensiveness of any particular broadcast-it would look to three factors: _(1) the explicitness or gra phic nature of the description or depiction of sexual or excretory organs or activities; (2) whether the material dwells on or repeats at length descriptions of sexual or excretory organs or activities; (3) whether the material appears to pander or is used to titillate, or whether the material appears to have been presented for its shock value._ Id. at _ 10 (emphasis omitted).

Additionally, the FCC determined CBS's actions in broadcasting the indecent image were _willful_ and therefore sanctionable by a monetary forfeiture under 47 U.S.C. § 503(b)(1). See id. at _ 15. Adopting the defi nition of _willful_ found in section 312(f)(1) of the Com munications Act,4 the Commission offered three explana- tions for its determination of willfulness. Id. First, the FCC found CBS _acted willfully because it consciously and deliberately broadcast the halftime show, whether or not it intended to broadcast nudity . . . ._ Id. Sec ond, the FCC found CBS acted willfully because it _con sciously and deliberately failed to take reasonable pre cautions to ensure that no actionably indecent material was broadcast._ Id. Finally, the FCC applied a respon deat superior theory in finding CBS vicariously liable for the willful actions of its agents, Jackson and Timber lake. Id.

On April 14, 2006, CBS submitted a Petition for Re consideration under 47 C.F.R. § 1.106, raising several arguments against the Commission's findings and con clusions. In its Order on Reconsideration, the FCC re jected CBS's statutory and constitutional challenges and reaffirmed its imposition of a $550,000 forfeiture. In re Complaints Against Various Television Licensees Con cerning Their February 1, 2004 Broadcast of the Super Bowl XXXVIII Halftime Show, 21 F.C.C.R. 6653 (2006) ("Reconsideration Order_). The Reconsideration Order revised the Commission's approach for determining CBS's liability under the willfulness standard. The Commission reiterated its application of vicarious liabil ity in the form of respondeat superior and its determina tion that CBS was directly liable for failing to take ade quate measures to prevent the broadcast of indecent material. See id. at _ 16. But it abandoned its position that CBS acted willfully under 47 U.S.C. § 503(b)(1) by intentionally broadcasting the Halftime Show irrespec tive of its intent to broadcast the particular content in cluded in the show. Instead, it determined CBS could be liable _given the nondelegable nature of broadcast licens ees' responsibility for their programming._ Id. at _ 23. The Commission has since elaborated on this aspect of the Reconsideration Order, explaining it as a separate theory of liability whereby CBS can be held vicariously liable even for the acts of its independent contractors because it holds non-delegable duties as a broadcast licensee to operate in the public interest and to avoid broadcasting indecent material. See, e.g., FCC Br. at 44-45.

CBS timely filed a petition for review of the Recon sideration Order on July 28, 2006. It challenges the FCC's orders on several grounds, and both parties are supported by briefing from several amici.

II.

Our standard of review of agency decisions is gov erned by the Administrative Procedure Act, 5 U.S.C. § 706. Under the Administrative Procedure Act, we _hold unlawful and set aside agency action, findings, and conclusions_ that are found to be _arbitrary, capricious, an abuse of discretion, or otherwise not in accordance with the law._ Id. § 706(2)(A); see, e.g., Motor Vehicle Mfrs. Ass'n v. State Farm Mut. Auto. Ins. Co., 463 U.S. 29, 41, 103 S. Ct. 2856, 77 L. Ed. 2d 443 (1983).

The scope of review under the _arbitrary and capri cious_ standard is _narrow, and a court is not to substi tute its judgment for that of the agency._ State Farm, 463 U.S. at 43, 103 S. Ct. 2856. Nevertheless, the agency must reach its decision by _examin[ing] the relevant data,_ and it must _articulate a satisfactory explanation for its action including a _rational connection between the facts found and the choice made.__ Id. (quoting Bur lington Truck Lines, Inc. v. United States, 371 U.S. 156, 168, 83 S. Ct. 239, 9 L. Ed. 2d 207 (1962)). We generally find agency action arbitrary and capricious where: the agency has relied on factors which Congress has not intended it to consider, entirely failed to consider an important aspect of the problem, offered an expla nation for its decision that runs counter to the evi dence before the agency, or is so implausible that it could not be ascribed to a difference in view or the product of agency expertise. The reviewing court should not attempt itself to make up for such defi ciencies; we may not supply a reasoned basis for the agency's action that the agency itself has not given.

Id. at 43, 103 S. Ct. 2856 (citing SEC v. Chenery Corp., 332 U.S. 194, 196, 67 S. Ct. 1575, 91 L. Ed. 1995 (1947)).

Our review of the constitutional questions is more searching. In cases raising First Amendment issues, we have _an obligation _to make an independent examina tion of the whole record_ in order to make sure that _the judgment does not constitute a forbidden intrusion on the field of free expression.__ United States v. Various Articles of Merch., Schedule No. 287, 230 F.3d 649, 652 (3d Cir. 2000) (quoting Bose Corp. v. Consumers Union, 466 U.S. 485, 499, 104 S. Ct. 1949, 80 L. Ed. 2d 502 (1984) (citations omitted)).

III.

The FCC possesses authority to regulate indecent broadcast content, but it had long practiced restraint in exercising this authority. During a span of nearly three decades, the Commission frequently declined to find broadcast programming indecent, its restraint punctu ated only by a few occasions where programming con tained indecent material so pervasive as to amount to _shock treatment_ for the audience. Throughout this period, the Commission consistently explained that iso lated or fleeting material did not fall within the scope of actionable indecency.

At the time the Halftime Show was broadcasted by CBS, the FCC's policy on fleeting material was still in effect. The FCC contends its restrained policy applied only to fleeting utterances-specifically, fleeting exple tives-and did not extend to fleeting images. But a re view of the Commission's enforcement history reveals that its policy on fleeting material was never so limited. The FCC's present distinction between words and im ages for purposes of determining indecency represents a departure from its prior policy.

Like any agency, the FCC may change its policies without judicial second-guessing. But it cannot change a well-established course of action without supplying notice of and a reasoned explanation for its policy depar ture. Because the FCC failed to satisfy this require ment, we find its new policy arbitrary and capricious under the Administrative Procedure Act as applied to CBS.

A.

Section 326 of the Communications Act prohibits the FCC from censoring its licensees' broadcasts.5 Subject to this constraint, the FCC retains authority to regulate obscene, indecent, or profane broadcast content. See 18 U.S.C. § 1464 (_Whoever utters any obscene, indecent, or profane language by means of radio communication shall be fined under this title or imprisoned not more than two years, or both._). Indecency and obscenity are distinct categories of speech. See FCC v. Pacifica Found., 438 U.S. 726, 739-41, 98 S. Ct. 3026, 57 L. Ed. 2d 1073 (1978) (plurality opinion) (_Pacifica _). Indecency, unlike obscenity, is protected by the First Amendment. Sable Commc'ns of Cal., Inc. v. FCC, 492 U.S. 115, 126, 109 S. Ct. 2829, 106 L. Ed. 2d 93 (1989). The FCC's au thority to restrict indecent broadcast content is never theless constitutionally permissible because of the un ique nature of the broadcast medium. Pacifica, 438 U.S. at 750-51, 98 S. Ct. 3026; see also id. at 755-56, 98 S. Ct. 3026 (Powell, J., concurring).

Congress authorized the FCC to impose forfeiture penalties for violations of 18 U.S.C. § 1464 in 1960.6 But the FCC did not exercise its authority to find a broad cast statutorily _indecent_ until 1975, when it issued a forfeiture penalty against Pacifica Foundation for broadcasting comedian George Carlin's _Filthy Words_ monologue. See In re Citizen's Complaint Against Pa cifica Found., Station WBAI(FM), N.Y., N.Y., 56 F.C.C. 2d 94 (1975). Carlin's monologue, which Pacifica aired on the radio in an early-afternoon time slot, contained extensive and repetitive use of several vulgar expletives over a period of twelve minutes. See Pacifica, 438 U.S. at 739, 98 S. Ct. 3026.

Pacifica appealed the FCC's forfeiture order to the United States Court of Appeals for the D.C. Circuit. The FCC issued a clarification order while Pacifica's ap peal was pending, expressly limiting its prior forfeiture order to the specific facts of the Carlin monologue. In re a 'Petition for Clarification or Reconsideration_ of a Citizen's Complaint against Pacifica Found., Station WBAI(FM), N.Y., N.Y., 59 F.C.C. 2d 892 (1976) (_Paci fica Clarification Order_). Expressly acknowledging the forfeiture order's potential negative impact on broadcast coverage of live events where _there is no op portunity for journalistic editing,_ the FCC stated its intention to exclude such circumstances from the scope of actionable indecency. Id. at _ 4 n. 1.

Following the Pacifica Clarification Order, the D.C. Circuit reversed the FCC's forfeiture order against Pa cifica as vague and overbroad and found the agency's indecency regime constituted invalid censorship under 47 U.S.C. § 326. Pacifica Found. v. FCC, 556 F.2d 9, 14 (D.C. Cir. 1977). The FCC appealed and the Supreme Court reversed in a narrow plurality opinion. See Pacif ica, 438 U.S. at 726, 98 S. Ct. 3026. The Court rejected Pacifica's statutory argument that the term _indecent_ in 18 U.S.C. § 1464 only covered obscene speech. Pacif ica, 438 U.S. at 739, 98 S. Ct. 3026. But the Court con firmed the general validity of the FCC's indecency re gime, _emphasiz[ing] the narrowness of [its] holding,_ which it confined to the facts of the Carlin monologue. Id. at 750, 98 S. Ct. 3026. Justices Powell and Blackmun concurred in the judgment, writing separately in part to reiterate the narrowness of the decision and to note the Court's holding did not _speak to cases involving the isolated use of a potentially offensive word in the course of a radio broadcast, as distinguished from the verbal shock treatment administered by respondent here._ Id. at 760-61, 98 S. Ct. 3026 (Powell, J., concurring).

Shortly after the Court's ruling in Pacifica, a broad caster's license renewal was challenged on the basis that the broadcaster had aired indecent programming. See In re Application of WGBH Educ. Found., 69 F.C.C.2d 1250 (1978) (_WGBH_). Viewer complaints alleged the broadcaster aired several programs containing nudity and other allegedly offensive material. Id. at _ 2. Dis tinguishing the facts of WGBH from the Court's ruling in Pacifica, the FCC rejected the challenge and denied that Pacifica afforded it any _general prerogative to intervene in any case where words similar or identical to those in Pacifica are broadcast over a licensed radio or television station._ Id. at _ 10. The FCC, noting it _in tend[ed] strictly to observe the narrowness of the Pacif ica holding_ and emphasizing the language in Justice Powell's concurring opinion, id. at _ 10, concluded the single use of an expletive in a program _should not call for us to act under the holding of Pacifica._ Id. at _ 10 n.6.

The FCC's restrained enforcement policy continued in the years following Pacifica. Rejecting another chal lenge to a broadcaster's license renewal based on the airing of allegedly indecent material, the FCC reaf firmed that isolated use of expletives in broadcasts did not constitute actionable indecency under 18 U.S.C. § 1464. See In re Application of Pacifica Found., 95 F.C.C.2d 750 (1983). The complaint alleged the broad caster had on multiple occasions aired programming containing language such as _motherfucker,_ _fuck,_ and _shit._ Id. at _ 16. The FCC held these facts did not constitute a prima facie showing of actionable indecency under 18 U.S.C. § 1464, because the complainant had failed to show the broadcasts amounted to _verbal shock treatment_ as opposed to _isolated use._ Id. at _ 18.

In April 1987, the FCC issued three simultaneous indecency decisions. See In re Pacifica Found., Inc., 2 F.C.C.R. 2698 (1987); In re Regents of the Univ. of Cal., 2 F.C.C.R. 2703 (1987); In re Infinity Broad. Corp., 2 F.C.C.R. 2705 (1987). These decisions reaf firmed the Commission's restrained enforcement policy and reiterated the agency's policy that isolated or fleet ing material would not be considered actionably inde cent. See, e.g., Regents of the Univ. of Cal. at _ 3 (_Speech that is indecent must involve more than an isolated use of an offensive word._).

Later in 1987, reconsidering these decisions, the Commission abandoned the view that only the particular _dirty words_ used in the Carlin monologue could be indecent.7 Instead, the FCC explained it would thereaf ter rely on the broader terms of its generic indecency standard, which defined indecent material as _language that describes, in terms patently offensive as measured by contemporary community standards for the broad cast medium, sexual or excretory activities or organs, when there is a reasonable risk that children may be in the audience._ Id. at __ 2, 5.8 Even so, the FCC af firmed all three decisions on reconsideration, never indi cating disagreement with those decisions' express state ments that isolated or fleeting material could not be ac tionably indecent. Id.

In 2001, the broadcast industry sought clarification of the policies and rules of the FCC's indecency enforce ment regime. Guidance for the industry came in the form of a policy statement issued by the Commission. See Industry Guidance on the Commission's Case Law Interpreting 18 U.S.C. § 1464 and Enforcement Policies Regarding Broadcast Indecency, 16 F.C.C.R. 7999, _ 19 (2001) (_Industry Guidance_). The policy statement in cluded multiple examples of FCC rulings as _case com parisons_ highlighting the factors that had proved sig nificant in prior indecency determinations. One of the factors noted as leading to prior determinations that a program was not actionably indecent was the _fleeting or isolated_ nature of potentially indecent material in the context of the overall broadcast. See id. at __ 17-18.

Soon after the Commission's issuance of the Industry Guidance policy statement, its restrained enforcement policy changed. In an unscripted remark during a live NBC broadcast of the Golden Globe Awards on January 19, 2003, musician Bono said _this is really, really fuck ing brilliant_ while accepting an award. See In re Com plaints Against Various Broadcast Licenses Regarding The Airing of the _Golden Globe Awards_ Program, 19 F.C.C.R. 4975, _ 3 n.4 (2004) (_Golden Globes_). View ers complained to the FCC about Bono's speech, but the Commission's Enforcement Bureau rejected the com plaints in part because the utterance was fleeting and isolated and therefore did _not fall within the scope of the Commission's indecency prohibition._ See In re Complaints Against Various Broadcast Licensees Re garding Their Airing of the _Golden Globe Awards_ Program, 18 F.C.C.R. 19859, _ 6 (FCC Enforcement Bureau 2003). The Enforcement Bureau specifically re affirmed that _fleeting and isolated remarks of this na ture do not warrant Commission action._ Id.

On March 3, 2004, the full Commission reversed the Enforcement Bureau's decision. See generally Golden Globes, supra. Although the FCC acknowledged the existence of its restrained enforcement policy for iso lated or fleeting utterances, it overruled all of its prior cases holding such instances not actionable. Id. at _ 12 (_While prior Commission and staff action have indi cated that isolated or fleeting broadcasts of the _F-Word_ such as that here are not indecent or would not be acted upon, consistent with our decision today we conclude that any such interpretation is no longer good law._). But the Commission made it clear that licensees could not be held liable for broadcasting fleeting or isolated indecent material prior to its Golden Globes decision. See id. at _ 15 & n.40 (declining to impose a forfeiture penalty because _existing precedent would have permit ted [the Golden Globe Awards] broadcast_ and therefore it would be _inappropriate_ to sanction licensees for con duct prior to notice of policy change).9

The FCC's new indecency policy created in Golden Globes was soon challenged by the broadcast industry. On February 21, 2006, the Commission issued an omni bus order resolving multiple indecency complaints against television broadcasters in an effort to _provide substantial guidance to broadcasters and the public about the types of programming that are impermissible under our indecency standard._ In re Complaints Re garding Various Television Broadcasts Between Febru ary 2, 2002 and March 8, 2005, 21 F.C.C.R. 2664, _ 2 (2006) (_Omnibus Order_). The Omnibus Order found four programs indecent and profane: (1) Fox's broad cast of the 2002 Billboard Music Awards, in which per former Cher used an unscripted expletive during her acceptance speech; (2) Fox's broadcast of the 2003 Bill board Music Awards, in which presenter Nicole Richie used two unscripted expletives; (3) ABC's broadcast of various episodes of its NYPD Blue series, in which as sorted characters used scripted expletives; and (4) a CBS broadcast of The Early Show, in which a guest used an unscripted expletive during a live interview. Id. at __ 101, 112 n.64, 125, 137. Applying its policy announced in Golden Globes, the Commission found the broadcasts indecent despite the fleeting and isolated nature of the offending expletives. Id. at __ 104, 116, 129, 140.

As in Golden Globes, the Commission recognized the inequity in retroactively sanctioning the conduct of broadcast licensees. Because the offending broadcasts occurred prior to the issuance of its Golden Globes deci sion, the FCC concluded that existing precedent would have permitted the broadcasts. Id. Accordingly, the FCC did not issue forfeiture orders against any of the licensees. Id. at __ 111, 124, 136, 145.

The networks appealed the Omnibus Order, and the cases were consolidated before the United States Court of Appeals for the Second Circuit. Granting a request by the FCC, the court remanded the matter to allow the Commission an opportunity to address the petitioners' arguments. After soliciting public comment, the FCC issued a new order on November 6, 2006, reaffirming its indecency findings against Fox for the 2002 and 2003 Billboard Music Awards but reversing its finding against CBS for The Early Show broadcast and dismiss ing the complaint against ABC on procedural grounds. See In re Complaints Regarding Various Television Broadcasts Between February 2, 2002 and March 8, 2005, 21 F.C.C.R. 13299 (2006) (_Fox Remand Order_).

The networks' original appeal to the Second Circuit was reinstated on November 8, 2006, and consolidated with a petition for review of the Fox Remand Order. Fox Television Stations, Inc. v. FCC, 489 F.3d 444, 454 (2d Cir. 2007) (_Fox_), cert. granted, ___ U.S. ___, 128 S. Ct. 1647, 170 L. Ed. 2d 352 (2008) (No. 07-582). The court granted motions to intervene by other networks, including CBS, and the networks collectively raised sev eral challenges to the validity of the Fox Remand Order essentially mirroring those raised in this case. See Fox, 489 F.3d at 454.

Undertaking a thorough review of the history of the FCC's indecency regime similar to that which we engage in here, the Second Circuit found the FCC's _consistent enforcement policy_ prior to the Golden Globes decision excluded fleeting or isolated expletives from regulation. Id. at 455. The court concluded _there is no question" that the FCC changed its policy with respect to fleeting expletives, and that the policy _changed with the issu ance of Golden Globes._ Id. (citations omitted). Judge Leval, dissenting in Fox for other reasons, agreed with the majority's conclusion that the FCC changed its posi tion on fleeting utterances, although he considered the change of standard _relatively modest. See id. at 469 (Leval, J., dissenting); see also id. at 470 (Leval, J., dis senting) (stating that the FCC changed its position and finding that the FCC clearly acknowledges that its Gol den Globes and Fox Remand Order rulings were not consistent with its prior standard). We agree that the Golden Globes decision represented a policy departure by the FCC. The extensive history detailed above dem onstrates a consistent and entrenched policy of exclud ing fleeting broadcast material from the scope of action able indecency.

In spite of this history, the FCC contends that by February 1, 2004 (the date of the Halftime Show), a broadcaster in CBS's position should have known that even isolated or fleeting indecent material in program ming could be actionable. Despite its announced rever sal of prior policy in its Golden Globes decision on March 3, 2004, the Commission points to one sentence in its 2001 policy statement to support its position: _[E]ven relatively fleeting references may be found indecent where other factors contribute to a finding of patent of fensiveness._ Industry Guidance at _ 19.10 But when read in its original context rather than as an isolated statement, this sentence does not support the Commis sion's assertion here. The _relatively fleeting refer ences_ identified by that sentence are distinguishable from the truly _fleeting_ broadcast material the FCC had included in its fleeting material policy. The para graph cites, for instance, a notice of apparent liability against WEZB-FM, New Orleans, to exemplify the kind of _relatively fleeting references_ the FCC considered actionably indecent. See id. (citing EZ New Orleans, Inc. WEZB(FM), 12 F.C.C.R. 4147 (FCC 1997) (_WEZB-FM NAL_)). The citation to WEZB-FM NAL specifically describes as indecent an _announcer joke_ involving incest, forceful sexual contact with children, and a reference to cleaning _blood off [a] diaper._ Id. The _announcer joke_ is distinguishable on its face from _fleeting_ material such as a brief glimpse of nudity or isolated use of an expletive. Moreover, the _announcer joke_ was merely one incident among dozens included in a transcript supporting the forfeiture liability determi nation in the WEZB-FM NAL.11

Nevertheless, as it clarified at oral argument, the FCC relies on its 2001 Industry Guidance to contend its policy on fleeting or isolated material _was a policy with respect to cases relying solely on the use of expletives._ As the Commission explained at oral argument, _[t]here was not a policy that all short utterances were exempt._ This reading of the Commission's policy on fleeting ma terial is untenable. Even the FCC's Industry Guidance fails to support such a narrow characterization. See, e.g., Industry Guidance at _ 18 (quoting L.M. Commc'ns of S.C., Inc. (WYBB(FM)), 7 F.C.C.R. 1595 (FCC 1992), for the proposition that _ _a fleeting or isolated utterance . . . , within the context of live and spontaneous pro gramming, does not warrant a Commission sanction.__).

Accordingly, we find the Commission's unsubstanti ated contentions in this regard contradict the lengthy history of the Commission's restrained enforcement pol icy. While _an agency's interpretation of its own prece dent is entitled to deference,_ Cassell v. FCC, 154 F.3d 478, 483 (D.C. Cir. 1998), deference is inappropriate where the agency's proffered interpretation is capri cious. Until its Golden Globes decision in March of 2004, the FCC's policy was to exempt fleeting or isolated ma terial from the scope of actionable indecency. Because CBS broadcasted the Halftime Show prior to Golden Globes, this was the policy in effect when the incident with Jackson and Timberlake occurred.

B.

If the FCC's restrained enforcement policy for fleet ing broadcast material was intact until the Golden Globes decision in March of 2004, our inquiry would end with a simple examination of the chronology of the FCC's actions. CBS broadcasted the Halftime Show more than a month prior to Golden Globes. The Commis sion's orders here would amount to a retroactive applica tion of the new policy it announced in Golden Globes, which would raise due process concerns. The Commis sion has recognized the inequity in such an outcome. See Omnibus Order, supra, at __ 111, 124, 136, 145 (declin ing to issue forfeiture orders because the offending broadcasts occurred prior to the issuance of its Golden Globes decision, and therefore _existing precedent would have permitted [the] broadcasts_); see also Trinity Broad. of Fla., Inc., 211 F.3d at 628 (_Because _[d]ue process requires that parties receive fair notice before being deprived of property,_ we have repeatedly held that _[i]n the absence of notice-for example, where the regulation is not sufficiently clear to warn a party about what is expected of it-an agency may not deprive a par ty of property by imposing civil or criminal liability.__ (citation omitted)).

But the FCC urges another reading of Golden Globes, perhaps less obvious yet still plausible, which in terprets Golden Globes as addressing only the broadcast of fleeting expletives, not other fleeting material such as brief images of nudity. Further, the Commission con tends its fleeting material policy, as initially adopted, was limited to fleeting words and did not extend to fleet ing images. Under this view, Golden Globes would be inapposite here-the Commission's sanction against CBS would be in line with its treatment of images as part of its historical indecency enforcement regime. If, as the FCC contends, Golden Globes was limited to fleeting expletives, then its orders issuing forfeiture penalties in this case did not constitute a retroactive application of the policy change in Golden Globes.

But even if we accept the FCC's interpretation of Golden Globes and read it as only addressing fleeting expletives, the Commission's view of the scope of its fleeting materials policy prior to Golden Globes is unsus tainable. As we will explain, the Commission-before Golden Globes-had not distinguished between catego ries of broadcast material such as images and words. Accordingly, even if, as the FCC contends, Golden Globes only addressed expletives, it nevertheless repre sented the first time the Commission distinguished be tween formats of broadcast material or singled out any one category of material for special treatment under its fleeting material policy. That is, it altered the scope of the FCC's fleeting material policy by excising only one category of fleeting material-fleeting expletives-from the policy. And it therefore did not constitute an abdica tion of its fleeting material policy. Rather, a residual policy on other categories of fleeting material-includ ing all broadcast content other than expletives-re- mained in effect.

Accordingly, subsequent agency action was required to change the fleeting material policy as it applied to broadcast content other than expletives. By targeting another category of fleeting material-fleeting images- in its orders against CBS in this case, the FCC appar ently sought to further narrow or eliminate the fleeting material policy as it existed following Golden Globes. The Commission's determination that CBS's broadcast of a nine-sixteenths of one second glimpse of a bare fe male breast was actionably indecent evidenced the agency's departure from its prior policy. Its orders con stituted the announcement of a policy change-that fleeting images would no longer be excluded from the scope of actionable indecency.

The question is whether the FCC's departure from its prior policy is valid and enforceable as applied to CBS. As noted, agencies are free to change their rules and policies without judicial second-guessing. See, e.g., Chevron, U.S.A., Inc. v. Natural Res. Def. Council, Inc., 467 U.S. 837, 863, 104 S. Ct. 2778, 81 L. Ed. 2d 694 (1984). But an agency cannot ignore a substantial diver sion from its prior policies. See Ramaprakash v. FAA, 346 F.3d 1121, 1124 (D.C. Cir. 2003) (agency must _pro vide a reasoned analysis indicating that prior policies and standards are being deliberately changed, not casu ally ignored_). As the Supreme Court explained in State Farm, an agency must be afforded great latitude to change its policies, but it must justify its actions by ar ticulating a reasoned analysis behind the change:

Petitioner . . . contend[s] that the rescission of an agency rule should be judged by the same standard a court would use to judge an agency's refusal to pro mulgate a rule in the first place-a standard Peti tioner believes considerably narrower than the tradi tional arbitrary and capricious test and _close to the borderline of nonreviewability._ We reject this view. . . . Petitioner's view would render meaningless Congress' authorization for judicial review of orders revoking . . . rules. Moreover, the revocation of an extant regulation is substantially different than a failure to act. Revocation constitutes a reversal of the agency's former views as to the proper course. A _settled course of behavior embodies the agency's informed judgment that, by pursuing that course, it will carry out the policies committed to it by Con gress. There is, then, at least a presumption that those policies will be carried out best if the settled rule is adhered to." Accordingly, _an agency chang ing its course by rescinding a rule is obligated to sup ply a reasoned analysis for the change beyond that which may be required when an agency does not act in the first instance._

463 U.S. at 42-43, 103 S. Ct. 2856 (citations omitted).

The agency's obligation to supply a reasoned analysis for a policy departure requires an affirmative showing on record. It _must examine the relevant data and artic ulate a satisfactory explanation for its action including a _rational connection between the facts found and the choice made.__ Id. at 43, 103 S. Ct. 2856 (quoting Bur lington Truck Lines v. United States, 371 U.S. 156, 168, 83 S. Ct. 239, 9 L. Ed. 2d 207 (1962)). A reviewing court _must _consider whether the decision was based on a consideration of the relevant factors and whether there has been a clear error of judgment.__ Id. (citations omit ted). The agency's actions will then be set aside as _arbitrary and capricious_ if the agency failed to provide a _reasoned explanation_ for its decision to change course. Massachusetts v. EPA, U.S.-, 127 S. Ct. 1438, 1463, 167 L. Ed. 2d 248 (2007); see State Farm, 463 U.S. at 42-43, 103 S. Ct. 2856; Nat'l Cable & Telecomms. Ass'n v. Brand X Internet Servs., 545 U.S. 967, 981, 125 S. Ct. 2688, 162 L. Ed. 2d 820 (2005) (_unexplained in consistency_ in agency practice is a reason for holding a policy reversal _arbitrary and capricious_ under the APA, unless _the agency adequately explains the rea sons for a reversal of policy_).

In Fox, the Second Circuit analyzed the FCC's chan ged policy on fleeting expletives under State Farm,12 but the panel split on the outcome of its analysis. Judge Pooler, writing for the majority, found the policy change arbitrary and capricious because the FCC failed to pro vide a reasoned explanation for the change. Fox, 489 F.3d at 455 (_The Networks contend that the Remand Order is arbitrary and capricious because the FCC has made a 180-degree turn regarding its treatment of _fleeting expletives' without providing a reasoned expla nation justifying the about-face. We agree._). Scrutiniz ing the sufficiency of the Commission's explanation for its policy change, the court rejected the agency's prof fered rationale as _disconnected from the actual policy implemented by the Commission._ Id. at 459 n.8 (cita tion omitted).

Judge Leval, writing in dissent, also applied State Farm, but he disagreed with the amount of deference the majority afforded the FCC's policy decision. Al though he agreed that the FCC was obligated to provide a reasoned explanation for its policy shift, he found the agency's explanation sufficient. As Judge Leval ex plained:

In my view, in changing its position on the repetition of an expletive, the Commission complied with these requirements. It made clear acknowledgment that its Golden Globes and Fox Remand Order rulings were not consistent with its prior standard regarding lack of repetition. It announced the adoption of a new standard. And it furnished a reasoned explana tion for the change. Although one can reasonably disagree with the Commission's new position, its ex planation . . . is not irrational, arbitrary, or capri cious. The Commission thus satisfied the standards of the Administrative Procedure[ ] Act.

Id. at 470 (Leval, J., dissenting).

In this case, State Farm also provides the correct standard of review, but we need not engage in the sub stantive inquiry that divided the Second Circuit panel in Fox. There, as Judge Leval noted in dissent, the FCC provided an explanation for changing its policy on fleet ing expletives. The critical question splitting the court was whether that explanation was adequate under State Farm. Here, unlike in Fox, the FCC has not offered any explanation-reasoned or otherwise-for changing its policy on fleeting images. Rather, the FCC asserts it never had a policy of excluding fleeting images from the scope of actionable indecency, and therefore no policy change occurred when it determined that the Halftime Show's fleeting image of Janet Jackson's breast was actionably indecent. Accordingly, we must determine whether the FCC's characterization of its policy history is accurate. If it is not, then the FCC's policy change must be set aside as arbitrary and capricious, because it has failed to even acknowledge its departure from its former policy let alone supply a _reasoned explanation_ for the change as required by State Farm.

CBS contends the FCC's indecency regime treated words and images alike, so the exception for fleeting material applied with equal force to words and images. The Commission rejects this assertion, contending its prior policy on fleeting material was limited to words alone. Although the FCC acknowledges it had never explicitly distinguished between images and words for the purpose of defining the scope of actionable inde cency, it contends the existence of such a distinction was obvious, even if unstated.13

The Commission's conclusion on the nature and scope of its indecency regime-including its fleeting material policy-is at odds with the history of its actions in regu lating indecent broadcasts. In the nearly three decades between the Supreme Court's ruling in Pacifica and CBS's broadcast of the Halftime Show, the FCC had never varied its approach to indecency regulation based on the format of broadcasted content. Instead, the FCC consistently applied identical standards and engaged in identical analyses when reviewing complaints of poten tial indecency whether the complaints were based on words or images.

In 2000, for example, the FCC rejected a complaint of indecency based on scenes of nudity in a television broadcast of the film _Schindler's List._ In re WPBN/ WTOM License Subsidiary, Inc., 15 F.C.C.R. 1838 (2000). Finding the broadcasted images not actionably indecent, the FCC noted _nudity itself is not per se in decent_ and applied the identical indecency test the agency used to review potentially indecent language. Id. at _ 11. The Commission did not treat the nudity com plaint differently-factually or legally-from a com plaint for indecency based on a spoken utterance. See id. at _ 10 n.5 (_The Supreme Court has observed that contextual assessments may involve (and are not limited to) an examination of whether the actual words or depic tions in context are, for example, vulgar or shocking, a review of the manner in which the words or depictions are portrayed, and an analysis of whether the allegedly indecent material is isolated or fleeting._ (emphasis added)). The Commission even referred in a footnote to its policy towards fleeting material, never suggesting the policy would be inapplicable because the offending broadcast content was an image rather than a word. See id. at _ 5 n.10 (explaining that contextual assessments of whether certain programming is patently offensive, and therefore actionably indecent, _may involve . . . analy sis of whether the allegedly indecent material is isolated or fleeting_).

The Commission took the same approach when re viewing viewer complaints against a television station for multiple broadcasts of programs containing exple tives, nudity, and other allegedly indecent material. See WGBH, supra.14 Categorically denying that the pro gramming in WGBH was actionably indecent,15 the FCC distinguished the facts of WGBH from the Carlin mono logue in Pacifica by invoking its restrained enforcement policy for fleeting or isolated material. See id. at _ 10 (_We intend strictly to observe the narrowness of the Pacifica holding. . . . Justice Powell's concurring opin ion . . . specifically distinguished _the verbal shock treatment [in Pacifica ]_ from _the isolated use of a po tentially offensive word in the course of a radio broad cast._ . . . In the case before us, petitioner has made no comparable showing of abuse by WGBH-TV of its pro gramming discretion._); id. at _ 10 n.6 (finding that WGBH-TV's programs _differ[ed] dramatically from the concentrated and repeated assault involved in Pacif ica_). In its indecency analysis in WGBH, the FCC made no distinction between words and images (nudity or otherwise).

As evidence that the FCC's policy on fleeting mate rial, as it existed at the time of the Halftime Show, did not distinguish between words and images, CBS pre sented several complaints viewers had submitted to the FCC about allegedly indecent broadcasts. CBS Letter Br., submitted pursuant to Fed R. App. P. 28(j) (Aug. 13, 2007). Accompanying each complaint is a corre sponding reply letter by the FCC rejecting the inde cency allegation. Each complaint involves some variety of sexually explicit imagery. One letter, for example, describes the early-evening broadcast of a female adult dancer at a strip club and alleges the broadcast con tained visible scenes of the woman nude from the waist down revealing exposed buttocks and _complete genital nudity_ for approximately five to seven seconds. An other letter describes in part a Sunday-morning televi sion broadcast of the movie _Devices and Desires,_ which included _scenes of a topless woman in bed with her lover, with her breast very clearly exposed, several scenes of a topless woman running on the beach, and several scenes of a nude female corpse, with the breasts clearly exposed._

Citing Pacifica and the indecency standard used to review the broadcast of potentially indecent language, the FCC summarily rejected each of these complaints as _not actionably indecent._ The FCC contends these _form letters_ are irrelevant, as the letters _do not even explain the grounds for the staff's conclusions that the broadcasts were not indecent, much less rely on the _fleeting_ nature of any alleged nudity as a reason for rejecting the complaints._ FCC Letter Br., submitted pursuant to Fed R. App. P. 28(j) (Aug. 27, 2007). But the relevance of the FCC's rejection letters is not found in their specific reasons for finding the images not ac tionably indecent. Rather, the rejection letters illus trate that the FCC used the identical form letters and indecency analyses to address complaints of indecent nudity that it had long used to address complaints of indecent language.

Confronted with this history of FCC enforcement of restrictions on broadcast indecency, the entirety of which reveals no distinction in treatment of potentially indecent images versus words, the FCC nevertheless finds such a distinction evident in its prior decisions. See, e.g., FCC Br. at 26-27. To support this view, the FCC offers its Notice of Apparent Liability for Forfei ture in In re Young Broadcasting of San Francisco, Inc., 19 F.C.C.R. 1751 (2004), issued four days before CBS's broadcast of the Halftime Show. See Reconsider ation Order at __ 10, 36; FCC Br. at 26-27. Young Broadcasting involved a morning news show segment in which two performers from a production titled _Pup petry of the Penis_ appeared in capes but were other wise naked underneath the capes. Young Broadcasting at _ 13. The two men, whose act involved manipulating and stretching their genitalia to simulate various ob jects, performed a demonstration of their act with the agreement of the show's hosts and at the urging of off-camera station personnel. Id. Although the perfor mance was directed away from the camera, the penis of one performer was fully exposed on camera for less than one second as the men turned away to act out their per formance. See id. at __ 12, 13. Based on these facts, the Commission found the station apparently liable for a forfeiture penalty for broadcasting indecent material. Id. at _ 16.

The FCC contends Young Broadcasting was not a departure from its prior indecency regime. Rather, as it explains, Young Broadcasting merely represented the first instance in which the Commission expressly articu lated its preexisting (but unstated) policy of treating fleeting images differently from fleeting words.16 On this view, according to the FCC, Young Broadcasting should have dispelled any doubts about the historical breadth of its fleeting material policy prior to the Halftime Show because it was issued a few days before CBS's broadcast. But Young Broadcasting is unavailing for this purpose. It makes no distinction, express or implied, between words and images in reaching its inde cency determination. To the contrary, it discusses and compares several other FCC determinations on poten tially indecent utterances and depictions, treating the cases interchangeably and ultimately distinguishing those cases' outcomes without any indication that the format of the offending material was a relevant consid eration. See, e.g., id. at _ 12 & n.35; id. at _ 14.17

Accordingly, Young Broadcasting does not support the FCC's assertion here that its policy on fleeting ma terial had always excluded images and applied only to words. Young Broadcasting appears instead to be best understood as the Commission's initial effort to abandon its restrained enforcement policy on fleeting material. While the final disposition of Young Broadcasting was still unresolved,18 the overarching policy departure that the Commission sought to accomplish there was effectu ated by a combination of its Golden Globes order and its orders on appeal here. The Commission's reasoning in Young Broadcasting is therefore illuminating here.

In Young Broadcasting, the Commission distin guished that case's facts from several of its prior orders. But in so doing, the Commission overlooked the fact that application of its fleeting material policy had been a de terminative factor in those prior orders. For example, the licensee in Young Broadcasting cited for support L.M. Communications, 7 F.C.C.R. 1595 (1992), in which the radio broadcast of a single expletive was found not actionably indecent. Young Broadcasting at _ 12 n.35. The FCC found L.M. Communications "distinguishable because there was no finding that the material, in con text, was pandering, titillating or intended to shock the audience." Id. But L.M. Communications made no ref erence to the pandering, titillating or shocking nature of the subject broadcast material. Rather, it determined the material was not actionably indecent because the _broadcast contained only a fleeting and isolated utter ance which, within the context of live and spontaneous programming, does not warrant a Commission sanc tion._ L.M. Commc'ns, 7 F.C.C.R. at 1595.

The Commission's failure to acknowledge the exis tence of its prior policy on fleeting material in Young Broadcasting is illustrative of its approach here. In Young Broadcasting, it read the policy out of existence by substituting new rationales for its prior indecency determinations that had applied the policy. Here, the Commission is foreclosed from adopting the same ap proach by its admission in Golden Globes that the fleet ing material policy existed. So it instead apparently seeks to revise the scope of the policy by contending the policy never included fleeting images. But extensive precedent over thirty years of indecency enforcement demonstrates otherwise.

Our reluctant conclusion that the FCC has advanced strained arguments to avoid the implications of its own fleeting indecency policy was echoed by our sister circuit in Fox:

In [its Omnibus Order], the FCC _reject[s] Fox's suggestion that Nicole Richie's [use of two exple tives] would not have been actionably indecent prior to our Golden Globes decision,_ and would only con cede that it was _not apparent_ that Cher's [use of one expletive] at the 2002 Billboard Music Awards would have been actionably indecent at the time it was broadcast. [Id.] at __ 22, 60. Decisions express ly overruled in Golden Globes were now dismissed as _staff letters and dicta,_ and the Commission even implied that the issue of fleeting expletives was one of first impression for the FCC in Golden Globes. Id. at _ 21 (_[I]n 2004, the Commission itself considered for the first time in an enforcement action whether a single use of an expletive could be considered in decent._).

Fox, 489 F.3d at 456 n.6. When confronted with these troublesome revisionist arguments, the FCC conceded the existence of its prior policy. See id. at 456 (_[I]n its brief to this court, the FCC now concedes that Golden Globes changed the landscape with regard to fleeting expletives." (citations omitted)); see also id. at 470 (Lev al, J., dissenting) (_[The FCC] made clear acknowledg ment that its Golden Globes and Fox Remand Order rulings were not consistent with its prior standard re garding lack of repetition._). But it has made no such concession here. Faced with extensive evidence to the contrary, the Commission nevertheless continues to as sert that its fleeting material policy was limited to words and did not exclude fleeting images from the scope of actionable indecency.

In sum, the balance of the evidence weighs heavily against the FCC's contention that its restrained enforce ment policy for fleeting material extended only to fleet ing words and not to fleeting images. As detailed, the Commission's entire regulatory scheme treated broad casted images and words interchangeably for purposes of determining indecency. Therefore, it follows that the Commission's exception for fleeting material under that regulatory scheme likewise treated images and words alike. Three decades of FCC action support this conclu sion. Accordingly, we find the FCC's conclusion on this issue, even as an interpretation of its own policies and precedent, _counter to the evidence before the agency_ and _so implausible that it could not be ascribed to a difference in view or the product of agency expertise._ State Farm, 463 U.S. at 43, 103 S. Ct. 2856.

Because the Commission fails to acknowledge that it has changed its policy on fleeting material, it is unable to comply with the requirement under State Farm that an agency supply a reasoned explanation for its depar ture from prior policy.19 See id.; cf. Ramaprakash, 346 F.3d at 1125 (_[F]ailure to come to grips with conflicting precedent constitutes an [agency's] inexcusable depar ture from the essential requirement of reasoned decision making._); LeMoyne-Owen College v. NLRB, 357 F.3d 55, 61 (D.C. Cir. 2004) (Roberts, J.) (_[W]here, as here, a party makes a significant showing that analogous cases have been decided differently, the agency must do more than simply ignore that argument. . . . The need for an explanation is particularly acute when an agency is applying a multi-factor test through case-by-case adjudication._). Consequentially, the FCC's new policy of including fleeting images within the scope of action able indecency is arbitrary and capricious under State Farm and the Administrative Procedure Act, and there fore invalid as applied to CBS.

IV.

The FCC's arbitrary and capricious change of policy on the broadcast of fleeting indecent material should be a sufficient ground to decide this case. But if not, it would appear the Commission incorrectly determined CBS's liability for Jackson and Timberlake's Halftime Show performance.20 CBS contends it neither planned Jackson and Timberlake's offensive actions nor knew of the performers' intent to incorporate those actions into their performance. The FCC does not dispute this as sertion, but it nevertheless seeks to hold CBS liable for the performers' actions. The Commission offers three theories of liability. First, the FCC contends the per formers' intent can be imputed to CBS under the com mon law doctrine of respondeat superior. Second, the FCC contends CBS's unique duties as a broadcast li censee permit an extension of vicarious liability beyond the traditional employer-employee scope of respondeat superior. Third, the FCC contends CBS is directly lia ble for the performers' actions because it _willfully_ failed to take adequate measures to guard against a known risk that indecency might occur during the Half time Show.

At this juncture, we do not believe these theories provide grounds for CBS's liability. Jackson and Tim berlake were independent contractors, who are outside the scope of respondeat superior, rather than employees as the FCC found. The First Amendment precludes the FCC from sanctioning CBS for the indecent expressive conduct of its independent contractors without offering proof of scienter as an element of liability. And it is un clear whether the FCC correctly applied a _willfulness_ standard to find CBS liable for failing to prevent the Halftime Show's indecency.

A.

The FCC relies primarily on the traditional agency doctrine of respondeat superior to hold CBS vicariously liable for the actions of Janet Jackson and Justin Timberlake during the Halftime Show. The respondeat superior doctrine provides that _[a]n employer is sub ject to liability for torts committed by employees while acting within the scope of their employment._ Restate ment (Third) of Agency § 2.04 (2006); see also id. § 7.07. The doctrine's _scope is limited to the employment rela tionship and to conduct falling within the scope of that relationship . . . ._ Id. § 2.04 cmt. b. Here, the parties dispute whether the conduct giving rise to liability was performed by CBS's employees. CBS asserts, and the FCC denies, that Jackson and Timberlake were inde pendent contractors and therefore outside the scope of respondeat superior. CBS also contends respondeat superior is an unsuitable theory of liability in the broad cast indecency context and asserts the FCC's _novel_ adoption of it in this case is improper.

The federal statutes restricting broadcast indecency, 18 U.S.C. § 1464, and establishing the FCC's forfeiture penalty scheme, 47 U.S.C. § 503, are silent on vicarious liability. Nevertheless, there is sound authority that CBS may be vicariously liable for the indecent speech or expression of its employees. See Cantrell v. Forest City Pub. Co., 419 U.S. 245, 253-54, 95 S. Ct. 465, 42 L. Ed. 2d 419 (1974) (holding a newspaper publisher _liable under traditional doctrines of respondeat superior_ for a re porter's story that contained knowing falsehoods injuri ous to the privacy of the subjects of the story); Schia vone Constr. Co. v. Time, Inc., 847 F.2d 1069, 1089 n.34 (3d Cir. 1988) (_Because [reporter] Sandy Smith was an employee of Time, Time is responsible for Smith's actual malice under a theory of respondeat superior._ (citing Cantrell, 419 U.S. at 253-54, 95 S. Ct. 465; R. Smolla, Law of Defamation § 3.36 (1986))). Accordingly, if a broadcaster's employee violates the indecency provision of 18 U.S.C. § 1464, as sanctioned through the forfeiture scheme of 47 U.S.C. § 503(b), respondeat superior liabil ity may be permissible.

But even though the respondeat superior doctrine may apply in this context, it is limited to the conduct of employees acting within the scope of their employment. Determining whether CBS may be liable under respon deat superior first requires selection of the applicable legal standard for differentiating an _employee_ from an _independent contractor._ Neither party has adequately analyzed the issue. CBS suggests New York law ap plies, asserting the FCC itself determined in its orders that a choice-of-law provision included in both perform ers' Halftime Show agreements requires application of New York law. But it provides no additional argument in support of applying New York law. The Commission denies it ever made this determination in its orders, in stead urging application of "federal law,_ but without elaborating or specifying the applicable legal standard.

As CBS states, the Commission, in its orders in this case, referenced the choice-of-law provisions in the Jackson and Timberlake performance agreements. See Forfeiture Order at _ 25 n.88; Reconsideration Order at _ 27 n.90. But those references by the Commission, read in context, were not determinations of what law should apply here. Rather, as it asserts, the FCC cited New York law as one non-exhaustive example of _courts ap plying common law agency principles._ Reconsideration Order at _ 27. And its references to the choice-of-law provisions in the performers' agreements were included only for the purpose of adding weight to its citations to New York law in this regard.

Moreover, the choice-of-law provisions in the Jack son and Timberlake performance agreements only select New York contract law. The provisions, which are iden tical in the two agreements, read: _CHOICE OF LAW: This Agreement and all matters or issues collateral thereto shall be governed by the laws of the State of New York applicable to contracts executed and to be performed entirely therein._ The plain text of these contract provisions select _the laws of the State of New York applicable to contracts_-that is, New York con tract law-in all disputes central or collateral to the con tract. Respondeat superior is a principle of agency law. Were the present case a matter of interpreting the con struction or validity of contractual provisions, New York law might well apply. But we read the contract as silent on applicable agency law, and CBS has not offered any further explanation to support a finding to the contrary.

Furthermore, even if the choice-of-law provisions had been inclusively drafted to select all categories of New York law, or if the _matters or issues collateral thereto_ language of the choice-of-law provisions could be interpreted to cover this case, our conclusion would be the same. The regulation of broadcast indecency is the province of the federal government.21 Whether or not an agent was an _employee_ of its principal-for the specific purpose of determining liability under the broadcast indecency regime-depends on the definition the federal government assigns to the term _employee_ under its administrative scheme. No state's law may alter the scope or nature of liability for broadcast inde cency by supplying an alternate definition.

Accordingly, we believe the FCC's contention that _federal law_ applies is correct. Liability here arises under a federal regulatory scheme, and defining the boundaries of permissible vicarious liability under that scheme is likewise a federal matter. To hold otherwise would create opportunities for broadcasters to evade liability for broadcast indecency through artful drafting of contracts and would frustrate the federal govern ment's intention of crafting uniform national rules re stricting the transmission of indecent and obscene mate rial over public airwaves. Cf. Cmty. for Creative Non- Violence v. Reid, 490 U.S. 730, 740, 109 S. Ct. 2166, 104 L. Ed. 2d 811 (1989) (_Establishment of a federal rule of agency, rather than reliance on state agency law, is par ticularly appropriate here given the [Copyright Act of 1976]'s express objective of creating national, uniform copyright law by broadly pre-empting state statutory and common-law copyright regulation._). The question is how to define the scope and substance of the vicarious liability rule here-a uniform federal rule on a broad caster's liability for its own agents' indecent acts.

In analogous situations requiring a determination of vicarious liability under a uniform, nationally-applicable law, the Supreme Court has looked to the general com mon law of agency rather than the law of any particular state:

The Act nowhere defines the terms _employee_ or _scope of employment._ It is, however, well estab lished that where Congress uses terms that have ac cumulated settled meaning under the common law, a court must infer, unless the statute otherwise dic tates, that Congress means to incorporate the estab lished meaning of these terms. In the past, when Congress has used the term _employee_ without de fining it, we have concluded that Congress intended to describe the conventional master-servant relation ship as understood by common-law agency doctrine. . . . [W]hen we have concluded that Congress in tended such terms as _employee,_ _employer,_ and _scope of employment_ to be understood in light of agency law, we have relied on the general common law of agency, rather than on the law of any particu lar State, to give meaning to these terms.

Reid, 490 U.S. at 739-40, 109 S. Ct. 2166 (interpreting use of the term _employee_ in the Copyright Act of 1976, to ascertain whether a work was prepared by an em ployee or independent contractor, which is part of the determination of whether work is _for hire_ under the Act) (internal quotations and citations omitted); see also Nationwide Mut. Ins. Co. v. Darden, 503 U.S. 318, 323 n.3, 112 S. Ct. 1344, 117 L. Ed .2d 581 (1992) (_As in Reid, we construe the term [_employee_ in ERISA, 29 U.S.C. § 1002(6),] to incorporate _the general common law of agency, rather than . . . the law of any particu lar State.__ (quoting Reid, 490 U.S. at 740, 109 S. Ct. 2166)). Unlike in Reid or Darden, here we do not review a statutory scheme in which Congress expressly used the terminology of agency law. The relevant provisions of 18 U.S.C. § 1464 and 47 U.S.C. § 503(b) do not include terms such as _employee_ or _scope of employment._ But the respondeat superior doctrine's application in the broadcast indecency context is premised on the notion that some form of vicarious liability under these statutes was implicitly authorized by Congress.

Drawing on Reid and Darden for guidance, we agree with the FCC that the general common law of agency supplies the appropriate standard for determining whe ther Jackson and Timberlake were employees of CBS where Congress has not provided specific direction on the scope of vicarious liability in this context. In Dar den, the Court described Reid as requiring a _presum ption that Congress means an agency law definition for _employee_ unless it clearly indicates otherwise . . . ._ Darden, 503 U.S. at 325, 112 S. Ct. 1344 (citations omit ted). The Court's rationale is based on Congress's cre ation of vicarious liability without defining the scope of that liability-not whether magic words have been in cluded in the statute:

ERISA's nominal definition of _employee_ as _any individual employed by an employer,_ 29 U.S.C. § 1002(6), is completely circular and explains noth ing. As for the rest of the Act, Darden does not cite, and we do not find, any provision either giving spe cific guidance on the term's meaning or suggesting that construing it to incorporate traditional agency law principles would thwart the congressional design or lead to absurd results. Thus, we adopt a com mon-law test for determining who qualifies as an _employee_ under ERISA, a test we most recently summarized in Reid . . . .

Id. at 323, 112 S. Ct. 1344 (footnote omitted). The Dar den rationale applies with equal force here. Assuming Congress authorized vicarious liability at all under 18 U.S.C. § 1464 and 47 U.S.C. § 503(b), its implicit authori zation by definition lacks specificity. There is little dif ference between implicit adoption of a rule and the ex plicit but _circular_ and uninformative inclusion of agency law terminology in statutory text.

Moreover, the Court in Reid explained that the prac tice of relying on the general common law of agency, rather than the law of any particular state, _reflects the fact that _federal statutes are generally intended to have uniform nationwide application.__ Id. at 740, 109 S. Ct. 2166 (quoting Miss. Band of Choctaw Indians v. Holyfield, 490 U.S. 30, 43, 109 S. Ct. 1597, 104 L. Ed. 2d 29 (1989)). CBS has not offered any reason why this rule should not inform our interpretation of the federal government's regulatory scheme for broadcast inde cency.22 Accordingly, we agree with the FCC that re spondeat superior liability for violations of 18 U.S.C. § 1464, as sanctioned through 47 U.S.C. § 503(b) forfei ture penalties, _should be understood in light of the gen eral common law of agency,_ Reid, 490 U.S. at 741, 109 S. Ct. 2166. And under the common law, respondeat superior is limited to the employer-employee relation ship. United States v. Sw. Cable Co., 392 U.S. 157, 167-68, 88 S. Ct. 1994, 20 L. Ed. 2d 1001 (1968) (foot notes omitted).

In Reid, the Court set forth a test, incorporating the Restatement definition of _employee,_ for determining who qualifies as an _employee_ under the common law:

In determining whether a hired party is an employee under the general common law of agency, we con sider the hiring party's right to control the manner and means by which the product is accomplished. Among the other factors relevant to this inquiry are the skill required; the source of the instrumentalities and tools; the location of the work; the duration of the relationship between the parties; whether the hiring party has the right to assign additional pro jects to the hired party; the extent of the hired par ty's discretion over when and how long to work; the method of payment; the hired party's role in hiring and paying assistants; whether the work is part of the regular business of the hiring party; whether the hiring party is in business; and the tax treatment of the hired party.

Id. at 751-52, 109 S. Ct. 2166 (internal quotations and citations omitted).

While establishing that all of these factors are rele vant and that _no one of these factors is determinative,_ id. at 752, 109 S. Ct. 2166, Reid did not provide guidance on the relative weight each factor should be assigned when performing a balancing analysis. But the Court has indicated that determining the appropriate balance is a case-specific endeavor:

There are innumerable situations which arise in the common law where it is difficult to say whether a particular individual is an employee or an independ ent contractor. . . . In such a situation . . . there is no shorthand formula or magic phrase that can be applied to find the answer, but all of the incidents of the relationship must be assessed and weighed with no one factor being decisive. What is important is that the total factual context is assessed in light of the pertinent common-law agency principles.

NLRB v. United Ins. Co. of Am., 390 U.S. 254, 258, 88 S. Ct. 988, 19 L. Ed. 2d 1083 (1968) (footnote omitted). Oth er courts have followed this approach. See, e.g., Carter v. Helmsley-Spear, Inc., 71 F.3d 77, 85 (2d Cir. 1995) (_[T]he [Reid] factors are weighed by referring to the facts of a given case._ (citing Aymes v. Bonelli, 980 F.2d 857, 861 (2d Cir. 1992))).

Accordingly, all of the Reid factors are relevant, and no one factor is decisive, but the weight each factor should be accorded depends on the context of the case. Some factors will have _little or no significance in deter mining whether a party is an independent contractor or an employee_ on the facts of a particular case. Aymes, 980 F.2d at 861; see Marco v. Accent Publ'g Co., 969 F.2d 1547, 1552 (3d Cir. 1992) (noting that three Reid factors were _indeterminate_ on the facts of the case and according those factors little or no weight in applying Reid's balancing test).23

In the present case, the FCC erred by failing to con sider several important Reid factors when determining whether Jackson and Timberlake were employees of CBS. And rather than balancing those factors it did consider, the Commission focused almost exclusively on CBS's right of control over the performers. See FCC Br. at 42 (_The critical factor of control weighs so heav ily in favor of a conclusion that Jackson and Timberlake were CBS's employees that, as the Commission reason ably determined, consideration of that factor alone is _decisive.__ (citing Reconsideration Order at _ 27)).24 Although the right-to-control factor is usually signifi cant in determining employment status, the Commission assigned it disproportionate, even dispositive, weight here. But Reid stresses contextual balancing, with no one factor decisive. See Marco, 969 F.2d at 1552 (reject ing an application of the Reid test that gave _dispro portionate consideration_ to the factor of control, reiter ating that no single factor is dispositive of employee sta tus, and instructing that _courts should keep this factor [of control] in perspective_). Accordingly, we will review the Reid factors, weighed in light of the context of this case, to determine whether Jackson and Timberlake were employees or independent contractors of CBS.25

Only three factors weigh in favor of a determination that Jackson and Timberlake were employees of CBS. First, CBS is in business, which _increases the possibil ity that it would employ people._ Marco, 969 F.2d at 1551. Second, CBS regularly produces shows for na tional broadcast in the course of its business. Both fac tors are relatively insignificant on balance. See id. (not ing that a hiring party might _easily accomplish its regu lar business by using independent contractors rather than employees_); Aymes, 980 F.2d at 863 (according factor of whether hiring party is in business _negligible_ weight, noting it _will always have very little weight in this analysis_ and _will generally be of little help_).

Third, and most significant to its argument, is the factor the FCC focused on in its orders: CBS's right to control the manner and means by which Jackson and Timberlake accomplished their Halftime Show perfor mance. As the FCC contends, CBS, through its corpo rate affiliates, supervised the Halftime Show and re tained the right to approve all aspects of the show's per formances. But it is undisputed that CBS's actual con trol over the Halftime Show performances did not ex tend to all aspects of the performers' work. The per formers, not CBS, provided their own choreography and retained substantial latitude to develop the visual per formances that would accompany their songs. Similarly, as the FCC notes, CBS personnel reviewed the perform ers' selections of set items and wardrobes, but the per formers retained discretion to make those choices in the first instance and provided some of their own materi als.26

We reviewed a comparable set of facts in Marco, where we held a photographer was an independent con tractor even though the hiring party, a magazine, exer cised significant _control over the details of the work._ Marco, 969 F.2d at 1551. There, the magazine _supplied jewelry, props, models, sketches intended to describe the exact composition of the photographs, and, at some sessions, an Art Director._ Id. Even though the maga zine _controlled . . . the subject matter and composi tion of the images,_ we noted that other aspects of the work-_including the choice of light sources, filters, lenses, camera, perspective, aperture setting, shutter speed, and processing techniques_-were not under the magazine's control. Id. at 1551-52. Moreover, the Art Director-although exercising supervisory control- only supervised _some_ of the sessions, and his _super vision was limited to subject matter, composition, and _mood.__ Id. at 1552.

Here, as in Marco, CBS's control was extensive but not determinative of employment. Even though a princi pal's right to control is an important factor weighing in favor of a determination that an employment relation ship existed, it is not dispositive when considered on balance with the rest of the Reid factors. Of the remain ing factors significant on the facts here,27 all are strong ly indicative of Jackson and Timberlake's independent contractor status. First, it is undisputed that both Jack son and Timberlake were hired for brief, one-time per formances during the Halftime Show; CBS could not assign more work to the performers.28 Second, Jackson and Timberlake selected and hired their own choreogra phers, backup dancers, and other assistants without any involvement on the part of CBS. Third, Jackson and Timberlake were compensated by one-time, lump-sum contractual payments and _promotional considerations_ rather than by salaries or other similar forms of remit tances, without the provision of employee benefits. Fourth, the skill required of a performer hired to sing and dance as the headlining act for the Halftime Show- a performance during a Super Bowl broadcast, as the FCC notes, that attracted nearly 90 million viewers and was the highest-rated show during the 2003-04 television season-is substantial even relative to the job of a gen eral entertainer, which is itself a skilled occupation.

Also weighing heavily in favor of Jackson and Tim berlake's status as independent contractors is CBS's assertion in its briefs, which the FCC does not refute, that it paid no employment tax. Had the performers been employees rather than independent contractors, federal law would have required CBS to pay such taxes. See, e.g., Enochs v. Williams Packing & Nav. Co., 370 U.S. 1, 3, 82 S. Ct. 1125, 8 L. Ed. 2d 292 (1962) (citing statutory provisions requiring employers to pay Social Security taxes of their employees); McDonald v. S. Farm Bureau Life Ins. Co., 291 F.3d 718, 721 (11th Cir. 2002) (explaining the FICA tax scheme, which requires employers to share the FICA tax liabilities of their em ployees but not of their independent contractors).

Finally, there is no evidence that Jackson, Timber lake, or CBS considered their contractual relationships to be those of employer-employee. In Reid, the Court incorporated the Restatement, describing it as _setting forth a nonexhaustive list of factors relevant to deter mining whether a hired party is an employee_ under the common law of agency. 490 U.S. at 752, 109 S. Ct. 2166. Among the factors not explicitly listed in Reid, but in cluded in the Restatement, is the parties' understanding of their contractual relationship. See Restatement (Third) of Agency § 7.07 cmt. f (including as an explicit factor in determining employment status _whether the principal and the agent believe that they are creating an employment relationship_). Although the Commission did not inquire into this factor, it should have been a significant consideration in this case. Under the FCC's rationale, band members contracted to play a one-song set on a talk show or a _one-show-only_ televised concert special presumably would be employees of the broad caster. These performers-who frequently promote their work through brief contractual relationships with media outlets-would be _employees_ of dozens of em ployers every year. Accordingly, it is doubtful that ei ther the performers here or CBS believed their con tracts created employment relationships. Nevertheless, given the lack of a developed record on this factor, we will not accord it significant weight in our analysis.

On balance, the relevant factors here weigh heavily in favor of a determination that Jackson and Timberlake were independent contractors rather than employees of CBS. The Commission erred in according the right-to- control factor disproportionate weight and in treating it as determinative without considering several significant factors weighing against it. Cf. Reid, 490 U.S. at 752, 109 S. Ct. 2166 (_Examining the circumstances of this case in light of these factors, we agree . . . that Reid was not an employee of CCNV but an independent con tractor. True, CCNV members directed enough of Reid's work to ensure that he produced a sculpture that met their specifications. But the extent of control the hiring party exercises over the details of the product is not dispositive. Indeed, all the other circumstances weigh heavily against finding an employment relation ship._). In sum, both performers were acting as inde pendent contractors for the limited purpose of providing entertainment services for one isolated, brief program. Accordingly, the doctrine of respondeat superior does not apply on these facts.

B.

Although vicarious liability is traditionally limited to the employer-employee scope of respondeat superior, the FCC proffers an alternative theory of liability under which CBS may be held vicariously liable for its inde pendent contractors' actions based on its duties as a broadcast licensee. The FCC contends CBS is vicari ously liable for Jackson and Timberlake's actions during the Halftime Show-irrespective of their status as inde pendent contractors-because broadcast licensees hold non-delegable duties to avoid the broadcast of indecent material and to operate in the public interest. CBS dis putes the validity of this theory as applied to them, con tending it functionally creates a strict liability standard for broadcast indecency and therefore unconstitutionally eliminates the scienter element of the indecency provi sions of 18 U.S.C. § 1464 and 47 C.F.R. § 73.3999(b).

1.

Broadcast licensees hold several duties as conditions of maintaining their licenses. There are good reasons to hold a broadcaster strictly liable for complying with li censing rules. Broadcasters have the right and the ca pability to control the manner in which they operate and conduct their business as licensees on the public air waves. It may be argued that anything less than strict liability may relieve broadcasters of responsibility and undermine their willingness to exercise vigilance.

In some contexts, these reasons have led the FCC to adopt and enforce strict liability for broadcasters' viola tions of its rules and regulations. The Commission has cited several of these cases in support of its determina tion of CBS's liability.29 But unlike the facts in this case, all of the cases cited by the FCC address situations in which a third party steps into the shoes of a broadcaster, performing the broadcaster's duties by operating sta tions, maintaining equipment, or otherwise filling the broadcaster's role as a licensee. Essentially, these cases prohibit licensees from avoiding liability by delegating aspects of the operation and control of broadcasting fa cilities or equipment to third-party independent contrac tors.

But the Commission has cited no authority for the proposition that a broadcaster may be vicariously liable for the speech or expression of its independent contrac tors.30 Cases concerning the operation or mainten- ance of broadcasting stations are inapposite to a deter mination of the scope of a licensee's liability for the con tent of its programming. A broadcast licensee's rela tionships with the performers it hires to create the con tent of its broadcasts are as a factual matter signifi cantly different than those in which a third party steps into the licensee's shoes to perform requisite mainte nance on broadcast equipment or similar operational duties. Moreover, the nature of a licensee's duty with respect to broadcast content implicates different legal considerations than do its duties with respect to the op eration of its stations or equipment. Unlike the Commis sion's prior cases on the operational and managerial as pects of broadcasting, the imposition of liability for the content of programming necessarily implicates the First Amendment. For example, an unwitting broadcaster might be held liable for its independent contractor's negligence in monitoring and maintaining a tower an tenna without raising a constitutional question. But the same cannot be said of imposing liability for the speech or expression of independent contractors. Cf. McFar lane, 74 F.3d at 1303 (_[A]ctual malice is a First Amend ment protection predicated on a subjective state of mind, which surely cuts against any extension of vicari ous liability beyond respondeat superior . . . . [W]e doubt that actual malice can be imputed except under respondeat superior . . . ._).

2.

Broadcast licensees' duties with respect to the con tent of broadcast material are defined by statute under 18 U.S.C. § 1464 and by the corresponding agency rule, 47 C.F.R. § 73.3999(b). The Commission correctly as serts that a licensee may not sidestep its obligations under these provisions, including the licensee's duty to avoid the broadcast of indecent material, through rou tine delegation to third parties. And the Commission's practical concerns underscoring the need for strict lia bility are meritorious. But because these provisions sanction the content of speech or expression, the First Amendment precludes a strict liability regime for broad cast indecency. The First Amendment requires that the FCC prove scienter when it seeks to hold a broadcaster liable for indecent material. In the case of scripted or pre-recorded indecent material, the scienter element likely would be satisfied. But when the indecent mate rial is unscripted and occurs during a live broadcast, as in the Halftime Show, a showing of scienter must be made on the evidence.

It is a well-established constitutional requirement that in the few areas where the government may law fully enforce content-based restrictions on speech and expression, liability may not be imposed on a speaker without proof of scienter. See, e.g., In re Grand Jury Matter, Gronowicz, 764 F.2d 983, 988 (3d Cir. 1985) (en banc) (_In the post-publication [punishment of the dis semination of conscious falsehoods] setting, . . . accom odation to the first amendment protection of free ex pression is made by scienter requirements. . . ._). Non-obscene child pornography, for instance, can be restricted when adult pornography cannot because the State's compelling interest in protecting children out weighs conflicting First Amendment interests. New York v. Ferber, 458 U.S. 747, 102 S. Ct. 3348, 73 L. Ed. 2d 1113 (1982); United States v. Cochran, 17 F.3d 56, 58 (3d Cir. 1994). But statutes criminalizing child pornog raphy must require proof of scienter to withstand consti tutional scrutiny. Cochran, 17 F.3d at 58; see Ferber, 458 U.S. at 765, 102 S. Ct. 3348. Proof of scienter is nec essary even where the prohibited category of speech or expression is unprotected by the First Amendment. In Smith v. California, 361 U.S. 147, 80 S. Ct. 215, 4 L. Ed. 2d 205 (1959), the Supreme Court set forth a constitu tional rule that convictions under statutes prohibiting obscenity cannot be sustained without proof of the defen dant's scienter. As the Court discussed in Smith, a con trary rule would risk chilling protected speech. Id. at 153-54, 80 S. Ct. 215. The rule announced in Smith has been reaffirmed repeatedly by the Court. See, e.g., Osborne v. Ohio, 495 U.S. 103, 115, 110 S. Ct. 1691, 109 L. Ed. 2d 98 (1990); Hamling v. United States, 418 U.S. 87, 123, 94 S. Ct. 2887, 41 L. Ed. 2d 590 (1974); Ginsberg v. New York, 390 U.S. 629, 644, 88 S. Ct. 1274, 20 L. Ed. 2d 195 (1968); Mishkin v. New York, 383 U.S. 502, 511, 86 S. Ct. 958, 16 L. Ed. 2d 56 (1966).

The FCC contends its broadcast indecency regime, as a civil enforcement mechanism, is distinguishable from Smith, which reviewed convictions under criminal statutes. But the Supreme Court rejected a similar ar gument in Manual Enterprises, Inc. v. Day, 370 U.S. 478, 82 S. Ct. 1432, 8 L. Ed. 2d 639 (1962). See id. at 492, 82 S. Ct. 1432 (_[T]his Court's ground of decision in Smith v. California . . . indicates that a substantial constitutional question would arise were we to construe [a statute proscribing obscene advertising] as not re quiring proof of scienter in civil proceedings._); cf. New York Times Co. v. Sullivan, 376 U.S. 254, 277, 84 S. Ct. 710, 11 L. Ed. 2d 686 (1964) (_What a State may not con stitutionally bring about by means of a criminal statute is likewise beyond the reach of its civil law of libel. The fear of damage awards . . . may be markedly more inhibiting than the fear of prosecution under a criminal statute._); Gronowicz, 764 F.2d at 988 (_No distinction having any first amendment significance can be made between libel, civil or criminal, and fraud, civil or crimi nal. In both libel and fraud, post-publication sanctioning occurs because of a falsehood made with the requisite state of mind._). We agree with other courts that _ _any statute that chills the exercise of First Amendment rights must contain a knowledge element.__ Am.-Arab Anti-Discrimination Comm. v. City of Dearborn, 418 F.3d 600, 611 (6th Cir. 2005) (quoting Video Software Dealers Ass'n v. Webster, 968 F.2d 684, 690 (8th Cir. 1992)).

Moreover, indecency is protected by the First Amendment, whereas the constitutional rule of Smith applied to obscenity, an unprotected form of speech. If liability for obscenity may lie only where scienter is proven, then liability for higher-value speech must de pend on a showing of some quantum of scienter at least as significant. The government's authority to restrict constitutionally protected speech or expression can be no greater than its authority to restrict unprotected speech or expression. See Florida Star v. B.J.F., 491 U.S. 524, 539, 109 S. Ct. 2603, 105 L. Ed. 2d 443 (1989) (_Nor is there a scienter requirement of any kind under [Florida Stat.] § 794.03 [,which proscribes the dissemi nation through mass communication of the name of a sexual assault victim's name,] engendering the perverse result that truthful publications challenged pursuant to this cause of action are less protected by the First Amendment than even the least protected defamatory falsehoods . . . ._).

Accordingly, the statutory prohibition of broadcast indecency, 18 U.S.C. § 1464, should be read to include a scienter element. Other courts have agreed. In Tall man v. United States, 465 F.2d 282 (7th Cir. 1972), the United States Court of Appeals for the Seventh Circuit held scienter is a necessary ingredient of an offense un der 18 U.S.C. § 1464. Id. at 285. In a companion case, the court described its Tallman holding as _conclud[ing] that scienter is a pertinent and necessary element for conviction under [18 U.S.C.] § 1464 . . . ._ United States v. Smith, 467 F.2d 1126, 1128 (7th Cir. 1972). Similarly in Gagliardo v. United States, 366 F.2d 720 (9th Cir. 1966), the United States Court of Appeals for the Ninth Circuit, reviewing a conviction for violating the obscenity provision of 18 U.S.C. § 1464, described the defendant's intent as a _very pertinent and neces sary element_ for conviction under the statute. Id. at 724.

Because it also grounded CBS's forfeiture liability in a violation of the indecency provisions of 47 C.F.R. § 73.3999, the agency's administrative rule on broadcast indecency, the FCC contends the scienter element req uisite to 18 U.S.C. § 1464 is not necessarily an impedi ment here. The rule provides that _[n]o licensee of a radio or television broadcast station shall broadcast on any day between 6 a.m. and 10 p.m. any material which is indecent._ Id. But the title of 47 C.F.R. § 73.3999, _Enforcement of 18 U.S.C. § 1464 (restrictions on the transmission of obscene and indecent material),_ seems to indicate that the rule merely enforces 18 U.S.C. § 1464 and does not serve as an independent prohibition on indecency in broadcasting.

The history of Rule 73.3999 further shows that the indecency element of the rule is identical to that of 18 U.S.C. § 1464. In 1988, Congress directed the FCC to _promulgate regulations in accordance with section 1464, title 18, United States Code, to enforce the provi sions of such section on a 24 hour per day basis._ An Act Making Appropriations for the Departments of Com merce, Justice, and State, Pub. L. No. 100-459, § 608, 102 Stat. 2186, 2228 (1988). On December 28, 1988, the FCC complied by adopting 47 C.F.R. § 73.3999, which provided in its entirety that _[t]he Commission will en force the provisions of section 1464 of the United States Criminal Code, 18 U.S.C. 1464, on a twenty-four hour per day basis in accordance with Pub. L. No. 100-459._ This rule was subsequently invalidated by the United States Court of Appeals for the D.C. Circuit, which re jected a 24-hour ban on indecency and mandated a safe-harbor time period during which 18 U.S.C. § 1464 would not be enforced. See ACT I, supra, 932 F.2d at 1508. The FCC then amended the rule to include a safe-harbor period, but subsequent review by the D.C. Circuit sitting en banc found the FCC's safe-harbor time period too limited. The court instructed the FCC to _limit its ban on broadcasting of indecent programs to the period from 6:00 a.m. to 10:00 p.m._ ACT II, supra, 58 F.3d at 670. In response, the FCC amended 47 C.F.R. § 73.3999 to its current form. In re Prohibitions Against Broad. Indecency in 18 U.S.C. § 1464, 10 F.C.C.R. 10558 (1995).

Accordingly, the Commission's proffered interpreta tion of 47 C.F.R. § 73.3999, which appears to contradict the plain language of the regulation as well as the his tory of its adoption, would appear to be erroneous and inconsistent with the regulation.31 Because Rule 73.3999 only indicates the time of day during which 18 U.S.C. § 1464 will be enforced, the FCC should establish a vio lation of 18 U.S.C. § 1464 in order to show a violation of Rule 73.3999. And because the indecency provision of 18 U.S.C. § 1464 should be interpreted as containing a scienter element, so too should the indecency provision of 47 C.F.R. § 73.3999.

Moreover, the FCC cannot do by administrative rule that which Congress is constitutionally prohibited from doing by statute. Whether or not the indecency provi sion of 47 C.F.R. § 73.3999 functions independently of 18 U.S.C. § 1464, the FCC's rule risks chilling constitution ally protected speech in the same manner as the statu tory provision. As a constitutional rule, Smith is no less relevant merely because the government acts through an executive agency in restricting the content of speech. Any government regulation penalizing the content of speech or expression should require proof of scienter as an element of liability to survive First Amendment scru tiny.

Scienter is an element in determining whether a vio lation of 18 U.S.C. § 1464 or 47 C.F.R. § 73.3999 oc curred. A broadcast licensee should not be found liable for violating the indecency provisions of 18 U.S.C. § 1464 or 47 C.F.R. § 73.3999 without proof the licensee acted with scienter. Because the Commission's proffered _non-delegable duty_ theory of CBS's vicarious liability, which functionally equates to strict liability for speech or expression of independent contractors, appears to dispense with this constitutional requirement, it should not be sustained.

C.

As an alternative to vicarious liability, the FCC found CBS directly liable for a forfeiture penalty under 47 U.S.C. § 503(b)(1)(B) for failing to take adequate pre cautionary measures to prevent potential indecency dur ing the Halftime Show. Reconsideration Order at _ 17. According to the Commission, CBS deliberately ignored warnings that visual indecency might occur during the Halftime Show. The FCC contends the risk of indecency was obvious following public comments of Jackson's cho reographer, who predicted that Jackson's performance would include _some shocking moments,_ and concerns raised by the NFL over the Halftime Show script. The FCC asserts that CBS failed to investigate these warn ings or properly act to address the risk.

This failure, the FCC contends, satisfies the willful ness element of 47 U.S.C. § 503(b)(1)(B). Under 47 U.S.C. § 503(b)(1)(B), the FCC has authority to order forfeiture penalties upon determining that a person:

willfully or repeatedly failed to comply with any of the provisions of this chapter or of any rule, regula tion, or order issued by the Commission under this chapter or under any treaty, convention, or other agreement to which the United States is a party and which is binding upon the United States.

Id. _Willful_ is defined elsewhere in the Communica tions Act as the _conscious and deliberate commission or omission of [an] act, irrespective of any intent to violate any provision of this chapter or any rule or regulation of the Commission authorized by this chapter or by a treaty ratified by the United States._ 47 U.S.C. § 312(f)(1). Applying this standard, the FCC asserts its _finding of willfulness is based on CBS's knowledge of the risks and its conscious and deliberate omissions of the acts necessary to address them._ Reconsideration Order at _ 23.

1.

As an initial matter, we note the record before us is unclear on whether the agency properly applied the for feiture statute. As described, the Commission issued its forfeiture order under 47 U.S.C. § 503(b)(1)(B), which includes an express willfulness standard. But section 503(b)(1)(B) may not be the applicable statutory provi sion for forfeitures based on broadcast indecency. A separate provision of the forfeiture statute-47 U.S.C. § 503(b)(1)(D)-authorizes the Commission to issue a forfeiture penalty against any person the Commission determines _violated any provision of section . . . 1464 of Title 18._ Accordingly, the forfeiture statute on its face appears to require the Commission to sanction broadcast indecency through section 503(b)(1)(D) rather than through section 503(b)(1)(B).32 Cf. Action for Chil dren's Television v. FCC, 59 F.3d 1249 (D.C. Cir. 1995) (citing 47 U.S.C. § 503(b)(1)(D) as the relevant provision authorizing the FCC to impose a civil forfeiture for a violation of the indecency provision of 18 U.S.C. § 1464).

CBS and supporting amici contend the very fact of section 503(b)(1)(D) excludes the possibility of the FCC sanctioning violations of 18 U.S.C. § 1464 through sec tion 503(b)(1)(B), because doing so would render section 503(b)(1)(D) superfluous. While this contention is per haps meritorious, we recognize the Commission's inter pretation of the Communications Act, including the rele vant forfeiture provisions of 47 U.S.C. § 503(b)(1), would be entitled to considerable deference. But we cannot resolve this dispute among the parties, because, as we will explain, the Commission's interpretation of the stat utory scheme is unclear.

The FCC's initial Forfeiture Order and subsequent Reconsideration Order create some confusion. In both, the Commission frequently refers to 47 U.S.C. § 503(b) generally without specifying whether it is acting under subpart (1)(B) or subpart (1)(D). See, e.g., Forfeiture Order at _ 1 n.1 (citing section 503(b) without specifica tion of relevant subpart); id. at _ 15 (referring to CBS's forfeiture under _section 503(b)(1) of the Act_); Recon sideration Order at _ 5 (_The Forfeiture Order also re jected CBS's claim that the violation was accidental rather than willful under section 503(b)(1) of the Act._). Moreover, the Commission repeatedly describes its or ders as determinations that CBS violated the indecency provisions of both 18 U.S.C. § 1464 and 47 C.F.R. § 73.3999. E.g., Forfeiture Order at __ 1, 7, 36; Recon sideration Order at _ 1 & n.3. Yet the Commission ap pears to be penalizing these violations only under sec tion 503(b)(1)(B), and not under section 503(b)(1)(D):

Under section 503(b)(1)(B) of the [Communications] Act, any person who is determined by the Commis sion to have willfully failed to comply with any provi sion of the Act or any rule, regulation, or order is sued by the Commission shall be liable to the United States for a monetary forfeiture penalty. . . . For the reasons set forth above, we conclude under this standard that CBS is liable for a forfeiture for its willful violation of 18 U.S.C. § 1464 and section 73.3999 of the Commission's rules.

Forfeiture Order at _ 36 (footnote omitted); see also id. at _ 30 n.103 (_As we find CBS legally responsible for the indecent broadcast based on both its own willful omission and its vicarious liability for the willful acts of its agents under the principle of respondeat superior, we need not address whether it could also be held responsi ble under Section 503(b)(1)(D) without a showing of willfulness._).

On this record, the FCC's orders may be read as pe nalizing a violation of 18 U.S.C. § 1464 under section 503(b)(1)(B). Or, the FCC's orders may be understood as penalizing CBS's violation of the indecency provision of 47 C.F.R. § 73.3999 under section 503(b)(1)(B) but not penalizing CBS's violation of the indecency provision of 18 U.S.C. § 1464. Under the latter reading, the FCC's assertions that CBS violated 18 U.S.C. § 1464 would be included in the orders only for the purpose of establish ing CBS's violation of Rule 73.3999, which enforces 18 U.S.C. § 1464.

Again, it is unclear whether the statutory scheme permits violations of 18 U.S.C. § 1464 to be penalized by forfeitures issued under section 503(b)(1)(B) instead of, or in addition to, section 503(b)(1)(D). And, if section 503(b)(1)(D) is implicated here, it is unclear whether the willfulness standard applies under that section. Unlike section 503(b)(1)(B), the language of section 503(b)(1)(D) does not include the term _willful._

Accordingly, further clarification from the FCC is necessary before it may be determined whether the agency correctly concluded that CBS's actions consti tuted a _willful_ violation of the indecency provisions.

2.

The record is also unclear whether the Commission correctly determined that CBS's conduct satisfied the willfulness standard. Specifically, it is unclear whether the Commission's determination accounts for the appar ent interplay between the statutory _willfulness_ stan dard of the forfeiture statute and the constitutionally required scienter element of the indecency provisions. If the FCC based its forfeiture order in whole or in part on 47 U.S.C. § 503(b)(1)(D), and if it interpreted that section as not incorporating the willfulness standard of section 503(b)(1)(B), then the scienter element of 18 U.S.C. § 1464 would appear to set the bar for establish ing that CBS acted with the requisite mental state.33 But even if the willfulness standard is incorporated into section 503(b)(1)(D)-or if a forfeiture for broadcast indecency may issue entirely under section 503(b)(1)(B) -a showing of scienter is constitutionally required to penalize broadcast indecency. Accordingly, the willful ness standard, both as interpreted and as applied by the FCC, should set a bar at least as high as scienter. And on this record, it is not clear whether the FCC has com plied with this requirement.

Forfeiture liability under 47 U.S.C. § 503(b)(1)(B) is triggered by a broadcast licensee's violation of a distinct _rule, regulation, or order of the Commission._ This appears to call for a two-part inquiry: did a violation occur; and was that violation _willful_ or _repeated_ for the purposes of section 503(b)(1)(B).34 Here, the trigger ing violations-that is, the violations that satisfy the first part-are CBS's alleged violations of the indecency provisions of 18 U.S.C. § 1464 and 47 C.F.R. § 73.3999. Accordingly, it seems the Commission's first step should be to determine whether CBS's conduct violated the indecency provisions, including establishing scienter.

The scienter element of the indecency provisions-as a constitutional requirement-is paramount. That is, scienter is the constitutional minimum showing for pe nalizing the speech or expression of broadcasters-irre spective of whether the penalty is in the form of a mone tary forfeiture under 47 U.S.C. § 503(b)(1) or a different punitive measure available to the FCC. But the record is unclear whether the Commission's interpretation and application of the willfulness standard account for this apparent interplay with the scienter element of the inde cency provisions. Accordingly, we are unable to decide whether the Commission's determination that CBS acted _willfully_ was proper in light of this scienter re quirement.

Determining whether CBS acted with the requisite scienter would call for an examination of the scienter element inherent in the indecency provisions. Where a scienter element is read into statutory text, scienter would not necessarily equate to a requirement of actual knowledge or specific intent. See Carter v. United States, 530 U.S. 255, 269, 120 S. Ct. 2159, 147 L. Ed. 2d 203 (2000) (citing Staples v. United States, 511 U.S. 600, 114 S. Ct. 1793, 128 L. Ed. 2d 608 (1994)). _The pre sumption in favor of scienter requires a court to read into a statute only that mens rea which is necessary to separate wrongful conduct from otherwise innocent conduct._ Id. (citing United States v. X-Citement Video, Inc., 513 U.S. 64, 72, 115 S. Ct. 464, 130 L. Ed. 2d 372 (1994)). In some circumstances, recklessness is consid ered a sufficiently culpable mental state for the pur poses of imposing liability for an act. E.g., Ernst & Ernst v. Hochfelder, 425 U.S. 185, 194, 96 S. Ct. 1375, 47 L. Ed. 2d 668 (1976) (_In certain areas of the law reck lessness is considered to be a form of intentional conduct for purposes of imposing liability for some act._).

Recklessness would appear to suffice as the appro priate scienter threshold for the broadcast indecency regime. It is likely that a recklessness standard would effectively _separate wrongful conduct from otherwise innocent conduct_ of broadcasters, Carter, 530 U.S. at 269, 120 S. Ct. 2159, without creating an end-around in decency restrictions that might be encouraged by an actual knowledge or intent standard. And a broadcast licensee's reckless disregard for the content of its pro gramming would be likely to unreasonably create a known or obvious risk of indecent material being aired, making it highly probable that harm will follow. See Safeco Ins. Co. of Am. v. Burr, ____U.S. ____, 127 S. Ct. 2201, 2215, 167 L. Ed. 2d 1045 (2007) (_While _the term recklessness is not self-defining,_ the common law has generally understood it in the sphere of civil liability as conduct violating an objective standard: action entailing _an unjustifiably high risk of harm that is either known or so obvious that it should be known.__ (quoting Farmer v. Brennan, 511 U.S. 825, 836, 114 S. Ct. 1970, 128 L. Ed. 2d 811 (1994); citing Prosser and Keeton, Handbook of the Law of Torts § 34 at 213-14)).

Also instructive here are other cases determining recklessness to be an adequate level of scienter for im posing liability in related First Amendment contexts where speech or expression is restricted based on its content. In Osborne v. Ohio, 495 U.S. 103, 110 S. Ct. 1691, 109 L. Ed. 2d 98 (1990), the Supreme Court ad dressed a criminal defendant's constitutional challenges to Ohio's prohibition against possessing and viewing child pornography. The petitioner in Osborne contended in part that the statute was unconstitutional because it did not expressly include a scienter element. See id. at 112 n.9, 110 S. Ct. 1691. But the Court rejected this ar gument, noting that _Ohio law provides that reckless ness is the appropriate mens rea where a statute _nei ther specifies culpability nor plainly indicates a purpose to impose strict liability.__ Id. (quoting Ohio Rev. Code Ann. § 2901.21(B) (1987)). The Court went on to explain:

The Ohio Supreme Court also concluded that the State had to establish scienter in order to prove a violation of [the child pornography statute] based on the Ohio default statute specifying that recklessness applies when another statutory provision lacks an intent requirement. The [child pornography] statute on its face lacks a mens rea requirement, but that omission brings into play and is cured by another law that plainly satisfies the requirement laid down in Ferber that prohibitions on child pornography in clude some element of scienter.

Id. at 115 (citations omitted).

But recklessness should be the constitutional mini mum. A broadcast licensee's mere negligence in airing indecent material during a restricted time slot would not satisfy the scienter element of 18 U.S.C. § 1464 or 47 U.S.C. § 73.3999. In Manual Enterprises, the Supreme Court read a scienter element into a federal statute pro hibiting the advertisement of obscene material through the mails. 370 U.S. at 492-93, 82 S. Ct. 1432. The Court addressed the scope of this inferred scienter element, stating _it may safely be said that a federal statute which, as we construe it, required the presence of that [scienter] element is not satisfied . . . merely by show ing that a [magazine publisher] defendant did not make a good faith effort to ascertain the character of his adver tiser's materials._ Id. at 493, 82 S. Ct. 1432. In the broadcast indecency context, a broadcaster might act recklessly if it fails to exercise proper control over the unscripted content of its programming. But when a broadcaster endeavors to exercise proper control, but ultimately fails, to prevent unscripted indecency, it will not have acted with scienter if its actions were negligent rather than reckless.

The airing of scripted indecency or indecent material in pre-recorded programming would likely show reck lessness, or may even constitute evidence of actual knowledge or intent. But when unscripted indecent ma terial occurs during a live or spontaneous broadcast, as it did here, the FCC should show that the broadcaster was, at minimum, reckless in causing the indecent mate rial to be transmitted over public airwaves.35 A broad- caster's failure to use available preventative technology, such as a delay mechanism, when airing live program ming may, depending on the circumstances, constitute recklessness.

Here, CBS contends it took adequate measures to guard against the risk of unscripted indecency in the Halftime Show. It points to numerous script reviews and revisions on record, several wardrobe checks, and the implementation of a standard-industry-practice au dio delay. CBS also notes that it engaged in extensive internal discussions and dialogue with the NFL over concerns relating to potential performers and content of the Halftime Show. CBS rejected other potentially-con troversial performers who had previously engaged in offensive on-air conduct in favor of Jackson and Tim berlake, with the NFL ultimately approving the selec tions. Timberlake in particular, CBS asserts, had on several prior occasions performed _Rock Your Body_ live on national television without incident. CBS also rejects the FCC's contention that Jackson's choreogra pher's _shocking moments_ prediction should have elic ited concern about the potential for unscripted nudity, explaining that the statement was reasonably consid ered commonplace entertainment industry hyperbole and a veiled reference to Timberlake's surprise guest appearance. Moreover, CBS notes _it is undisputed that, after the [choreographer's _shocking moments_] quote appeared, CBS reviewed the script, issued ward robe instructions, checked Jackson's costume, and im plemented a delay to ensure adherence to CBS stan dards._ CBS Reply Br. at 23 (emphasis omitted).

The Commission disputes the adequacy of these ef forts by CBS. And the parties also dispute the avail ability-or lack thereof-of video delay technology at the time of the Halftime Show.36 The FCC contends CBS should have instituted a video delay mechanism to guard against a potential act of indecency. See, e.g., Re consideration Order at _ 22 n.71 (_Notwithstanding CBS's protestations to the contrary, delaying a live broadcast long enough to block visual indecency does not appear to pose major technical challenges to a com pany such as CBS._). But according to CBS, _no such technology had ever been developed, or was thought necessary, before the unprecedented halftime incident._ CBS Reply Br. at 23. Instead, CBS states its implemen tation of a five-second audio delay was both _state of the art_ and standard industry practice at the time of the Halftime Show. See, e.g., Reconsideration Order at _ 22 (_[CBS] asserts that [its use of audio but not video de lay] did not reflect a _calculated risk_ but rather simply conformance with standard industry practice, and that a video delay was _entirely unprecedented, and the tech nique had to be specifically engineered after the Super Bowl incident.__).

The Commission has not refuted CBS's assertions. Instead, it points only to CBS's use of video delay for an awards show in the weeks following the Halftime Show. But the state of the art even shortly after the Halftime Show does not necessarily refute CBS's contention that video delay technology was newly created for the awards show as a reaction to the Halftime Show incident but otherwise unavailable prior to that time. The record at present is scant on evidence regarding the availability, history and other details of video delay technology. And the Commission cannot prevail if the issue of CBS's scienter is to be resolved only on assertions of the par ties that are unsupported by evidence on record. Be cause the Commission carries the burden of showing scienter, it should have presented evidence to demon strate, at a minimum, that CBS acted recklessly and not merely negligently when it failed to implement a video delay mechanism for the Halftime Show broadcast.

Accordingly, we are unable to decide whether the Commission's determination that CBS acted _willfully_ was proper in light of the scienter requirement.37

V.

In finding CBS liable for a forfeiture penalty, the FCC arbitrarily and capriciously departed from its prior policy excepting fleeting broadcast material from the scope of actionable indecency. Moreover, the FCC can not impose liability on CBS for the acts of Janet Jackson and Justin Timberlake, independent contractors hired for the limited purposes of the Halftime Show, under a proper application of vicarious liability and in light of the First Amendment requirement that the content of speech or expression not be penalized absent a showing of scienter. And the FCC's interpretation and applica tion of 47 U.S.C. § 503(b)(1) are not sufficiently clear to permit review of the agency's determination of CBS's direct liability for a forfeiture penalty based on broad cast indecency.

Further action by the Commission would be declara tory in nature, as the agency may not retroactively pe nalize CBS. Even so, our holding will not foreclose all of the Commission's adjudicatory options. In Golden Globes, for instance, the Commission set forth a new policy and proceeded with its indecency determination even though a retroactive monetary forfeiture was un available. See id. at _ 15 (concluding that _[b]ut for the fact that existing precedent would have permitted this broadcast, it would be appropriate to initiate a for feiture proceeding . . ._); see also 33 Wright & Koch, Federal Practice and Procedure: Judicial Review § 8313(c) (2007) (suggesting that, in order to _avoid ar rogating authority_ for policymaking that is assigned to the agency, remand is appropriate when an agency has issued an arbitrary decision). Accordingly, we will va cate the orders of the FCC and remand for further pro ceedings consistent with this opinion.

RENDELL, Circuit Judge, concurring in part, dissenting in part.

I wholeheartedly agree with the majority's cogent reasoning and conclusion that the FCC's imposition of a fine against CBS cannot stand, because it acted arbi trarily and capriciously in doing so.

However, I disagree with our opining, in dicta, re garding the various possible levels of scienter arguably required under § 503(b)(1)(B) or (D), or 18 U.S.C. § 1464, or the Constitution. For one thing, this is dicta. For another, the FCC has conceded that the level of scienter required in order to warrant a fine is _willful,_ and has itself urged that the definition of _willful_ is as set forth in 47 U.S.C. § 312(f)(i), meaning _conscious and deliberate commission or omission of such act._ Appel lee's Br. 34-38.

Were it necessary to venture more deeply into the issue of scienter, which I submit it is not, we should point out that the real dispute between the parties is as to what must have been _willful._ The FCC adopted the position that the conscious and deliberate act was simply the act of broadcasting,38 while the opposing (and, I be lieve, better) view is that the requisite conscious and deliberate act is the act of broadcasting the indecent material at issue.39 Clearly, CBS's conduct here fails the latter test.

I also take issue with the majority's conclusion that there is a need to remand this case. We have held that the instant fine was improperly imposed. There are no further proceedings necessary.40 Should the FCC wish to explain its change in policy, it can do so in the next case or issue a declaratory ruling. See 47 C.F.R. § 1.2.41 It serves no purpose to do so in the context of this litiga tion. Nothing is to be gained, and CBS should not be forced to be a party to any such remand, with its atten dant time and expense. Accordingly, I respectfully dis agree with the disposition of this appeal and would re verse the order imposing forfeiture, without remanding the case.

1 At that time, both CBS and MTV Networks were divisions of Via com, Inc.

2 The record is unclear on the actual number of complaints received from unorganized, individual viewers. In its brief, the FCC asserts it received __an unprecedented number_ of complaints about the nudity broadcast during the halftime show._ FCC Br. at 12 (citation omitted). CBS disputes the calculation and significance of the viewer complaints. See CBS Reply Br. at 15 n.6 (_Of the _over 542,000 complaints concern ing the broadcast_ the FCC claims to have received, over 85 percent are form complaints generated by single-interest groups. Approximately twenty percent of the complaints are duplicates, with some individual complaints appearing in the record up to 37 times._ (citations omitted)).

3 This figure represented the aggregate of proposed penalties against individual CBS stations. At the time the Commission issued its Notice of Apparent Liability, forfeiture penalties for indecency viola tions were statutorily capped at $27,500. The Commission proposed the maximum penalty for each CBS station.

4 This section of the Communications Act provides: _The term _will ful_, when used with reference to the commission or omission of any act, means the conscious and deliberate commission or omission of such act, irrespective of any intent to violate any provision of this Act or any rule or regulation of the Commission authorized by this Act or by a treaty ratified by the United States._ 47 U.S.C. § 312(f)(1).

5 See 47 U.S.C. § 326 (_Nothing in this chapter shall be understood or construed to give the Commission the power of censorship over the radio communications or signals transmitted by any radio station, and no regulation or condition shall be promulgated or fixed by the Com mission which shall interfere with the right of free speech by means of radio communication._).

6 See 47 U.S.C. § 503(b)(1)(D) (_Any person who is determined by the Commission . . . to have . . . violated any provision of section . . . 1464 of title 18 . . . shall be liable to the United States for a forfeiture penalty._).

7 See In re Infinity Broad. Corp., 3 F.C.C.R. 930, _ 5 (1987), vacated in part on other grounds, Action for Children's Television v. FCC, 852 F.2d 1332, 1337 (D.C. Cir. 1988), superseded in part by Action for Children's Television v. FCC, 58 F.3d 654 (D.C. Cir. 1995) (en banc).

8 As described in greater detail infra, subsequent litigation deter mined what time of day broadcasters could reasonably air indecent pro gramming without expecting children to be in the audience. The D.C. Circuit Court of Appeals rejected a total ban on indecency, instructing the FCC to identify a precise time period during which broadcasters could air indecent material. See Action for Children's Television v. FCC, 932 F.2d 1504 (D.C. Cir. 1991) (_ACT I_), superseded in part by Action for Children's Television v. FCC, 58 F.3d 654 (D.C. Cir. 1995) (en banc) (_ACT II_). In response, the Commission adopted the safe- harbor rule of 47 C.F.R. § 73.3999. After further instruction from the D.C. Circuit in 1995, ACT II, the Rule was amended to its current form, which confines enforcement of indecency restrictions to the hours _between 6:00 a.m. and 10:00 p.m._ See 47 C.F.R. § 73.3999; In re En forcement of Prohibitions Against Broadcast Indecency in 18 U.S.C. § 1464, 10 F.C.C.R. 10558 (1995).

9 The Commission also cited Trinity Broad. of Fla., Inc. v. FCC, 211 F.3d 618 (D.C. Cir. 2000), explaining that the court in Trinity _re versed [a] Commission decision that denied a renewal application for abuse of process in connection with the Commission's minority owner ship rules because the court found the Commission had not provided sufficiently clear notice of what those rules required._ Golden Globes at _ 15 n.40.

10 In its 2001 policy statement, the Commission described the _prin cipal factors that have proved significant in [its] decisions to date_ as: _(1) the explicitness or graphic nature of the description or depiction of sexual or excretory organs or activities; (2) whether the material dwells on or repeats at length descriptions of sexual or excretory or gans or activities; (3) whether the material appears to pander or is used to titillate, or whether the material appears to have been presented for its shock value._ Industry Guidance at _ 10 (emphasis in original). It has since contended that its fleeting material policy was no policy at all, asserting instead that the fleeting nature of material was only a consid eration under the second factor and could be outweighed by the other two factors depending on the specific facts of a case. But as we detail infra, this assertion contradicts the history of the Commission's inde cency enforcement regime and is foreclosed by the agency's admissions in Golden Globes and Fox, which are controlling here, that its prior pol icy was to exclude fleeting material from the scope of actionable inde cency. Although the FCC disputes the breadth of its policy, now con tending the policy was limited only to fleeting expletives or alterna tively to fleeting utterances, the fleeting nature of broadcast material was unquestionably treated by the FCC as more than one of several contextual factors subject to balancing.

11 The WEZB-FM NAL found a broadcast licensee apparently liable for a forfeiture penalty of $12,000 for its broadcast of indecent material during six radio broadcasts spanning fourteen hours of airtime over nearly a one year period. The WEZB-FM NAL provides transcript ex cerpts from these broadcasts, which involved very graphic segments discussing a variety of sexual topics in extended detail. The _announcer joke_ included in the FCC's Industry Guidance was merely one of these factual predicates for the broadcast licensee's forfeiture liability for indecency.

12 It was undisputed that the FCC changed its policy on fleeting expletives in Golden Globes, which was decided prior to Fox. But as the Fox court explained, the actual moment the agency changed its course was not pertinent in determining whether the change was valid under State Farm:

[W]e . . . reject the FCC's contention that our review here is nar rowly confined to the specific question of whether the two Fox broad casts . . . were indecent. The [Fox Remand Order] applies the policy announced in Golden Globes. If that policy is invalid, then we cannot sustain the indecency findings against Fox. Thus, as the Com mission conceded during oral argument, the validity of the new _fleeting expletive_ policy announced in Golden Globes and applied in the [Fox Remand Order] is a question properly before us on this pe tition for review.

Fox, 489 F.3d at 454. To hold otherwise would create a situation ripe for manipulation by an agency. Cf. Action for Children's Television v. FCC, 852 F.2d 1332, 1337 (D.C. Cir. 1988), superseded in part by ACT II, supra note 8 (_[A]n agency may not resort to [ad hoc] adjudication as a means of insulating a generic standard from judicial review._).

13 The FCC's position is difficult to reconcile with the source of its authority to regulate broadcast content. The text of 18 U.S.C. § 1464 provides: _Whoever utters any obscene, indecent, or profane language by means of radio communication shall be fined under this title or im prisoned not more than two years, or both._ Id. (emphasis added). Al though the text on its face only reaches spoken words, it is applied broadly, as here, to reach all varieties of indecent content. But this broad interpretation of the text requires that the FCC treat words and images interchangeably in order to fit its regulation of indecent images within the boundaries of its statutory authority. Where the FCC's entire enforcement regime is built on the agency's treatment of words and images as functionally identical, it is unclear how the difference between words and images is _obvious._ At minimum, the FCC cannot reasonably expect the difference between words and images to be so self-evident that broadcast licensees seeking to comply with indecency standards would interpret FCC enforcement orders narrowly based on whether the reviewed content consisted of words or images.

14 Among several broadcasts at issue in WGBH were: (1) _numerous episodes of Monty Python's Flying Circus, which allegedly consistently relie[d] primarily on scatology, immodesty, vulgarity, nudity, profanity and sacrilege for humor_; (2) _a program entitled Rock Follies . . . which [the petitioner] describe[d] as vulgar and as containing profanity_ including _obscenities such as shit, bullshit, etc., and action indicating some sexually-oriented content in the program_; and (3) _other pro grams which allegedly contained nudity and/or sexually-oriented ma terial._ 69 F.C.C.2d 1250 at _ 2 (internal quotation marks omitted).

15 The FCC contends WGBH is inapposite because it was a license revocation proceeding rather than a direct complaint for indecency. But its analysis in reaching its decision is instructive. Because the com plainant in WGBH challenged the broadcaster's license based on a pattern of allegedly indecent broadcasts, the Commission expressly an swered the threshold question of whether the broadcasts were indecent. Separate from the question of whether the broadcaster's actions were sufficient to revoke its license, the Commission's analysis illustrates that _words_ and _depictions_ were treated identically for purposes of determining whether a broadcast was actionably indecent.

16 Several statements in the FCC's own press release announcing the Young Broadcasting Notice of Apparent Liability belie the agency's contention here that Young Broadcasting accorded with its prior policies. See Press Release, FCC, Comm'n Proposes to Fine Young Broadcasting of San Francisco, Inc., Statutory Maximum for Ap parent Violation of Indecency Rules (Jan. 27, 2004) (statement of Chairman Michael K. Powell: _Today, we open another front in our in creased efforts to curb indecency on our nation's airwaves . . . ._); id. (statement of Commissioner Michael J. Copps: _I am pleased that this Commission is finally taking an initial step against indecency on tele vision._); id. (statement of Commissioner Kevin J. Martin: _I hope that this step today represents the beginning of a commitment to consider each indecency complaint seriously . . . ._).

17 One of the cases the FCC distinguished in Young Broadcasting was its Notice of Apparent Liability in Flambo Broadcasting, Inc. (KFMH- FM), 9 F.C.C.R. 1681 (MMB 1994), which involved _a radio station's broadcast of sexual material in a crude joke_ that was not found action ably indecent. Young Broadcasting at _ 12 n.35. As with the other cases it discussed in its Young Broadcasting Notice of Apparent Lia bility, the FCC did not draw any distinction between Young Broadcast ing and Flambo Broadcasting based on the subject material there being words or images. But it did distinguish the two notices of appar ent liability in part because: _assuming that the joke [at issue in Flam bo Broadcasting] was cut off immediately, the staff of the then-Mass Media Bureau found that it would not have been actionably indecent because it was brief, live, unscripted and from an outside source._ Young Broadcasting at _ 12 n.35 (emphasis added). Notably, the facts here-a brief image of a bare female breast during the live Halftime Show broadcast resulting from an unscripted stunt by Jackson and Timberlake-are remarkably similar to the Flambo Broadcasting fact pattern that the FCC found readily distinguishable from the actionably indecent material in Young Broadcasting.

18 Young Broadcasting was a notice of apparent liability, which is non-final until the implicated licensee either declines to dispute the findings in the notice or the licensee's responsive opposition is fully adjudicated. See FCC Br. at 13 (describing content of CBS Notice of Apparent Liability as _tentative conclusions_); see also 47 U.S.C. § 504(c) (_In any case where the Commission issues a notice of apparent liability looking toward the imposition of a forfeiture under this chapter, that fact shall not be used, in any other proceeding before the Commis sion, to the prejudice of the person to whom such notice was issued, unless (i) the forfeiture has been paid, or (ii) a court of competent jur isdiction has ordered payment of such forfeiture, and such order has become final._). At the time the Commission issued its Reconsideration Order against CBS and after its determination in Golden Globes, the question of whether the broadcast licensee in Young Broadcasting would contest the Notice of Apparent Liability in that case was still unresolved. See Reconsideration Order at _ 6 n.25 (indicating the status of the Young Broadcasting Notice of Apparent Liability as _re sponse pending_ at the time of the Reconsideration Order's issuance).

19 In its brief and at oral argument, the Commission continues to as sert it has not changed its policy on fleeting material, yet it also sug gests several reasons why a policy including fleeting images within the scope of actionable indecency is reasonable. But see State Farm, 463 U.S. at 50, 103 S. Ct. 2856 (_[T]he courts may not accept appellate coun sel's post hoc rationalizations for agency action. It is well-established that an agency's action must be upheld, if at all, on the basis articulated by the agency itself._ (internal citations omitted)).

20 This issue was extensively briefed by the parties and amici.

21 The FCC possesses broad authority to regulate television broad casters, which operate as licensees subject to federal rules. Some of those rules, such as the indecency restrictions implicated here, appear to leave little room for regulation by the States. See Allen B. Dumont Labs. v. Carroll, 184 F.2d 153, 156 (3d Cir. 1950) (invalidating a regula tion of the Pennsylvania State Board of Censors, which required that all motion picture films intended to be broadcast by television in Penn sylvania be submitted to the Board for censorship purposes, because federal provisions on broadcast indecency, profanity and obscenity preempted state censorship rules).

22 The Supreme Court has noted the breadth and uniformity of the FCC's federal regulatory regime for the broadcast industry: The Com mission's authority to regulate broadcasting and other communications is derived from the Communications Act of 1934, as amended. The Act's provisions are explicitly applicable to _all interstate and foreign communication by wire or radio . . . ._ 47 U.S.C. § 152(a). The Com mission's responsibilities are no more narrow: it is required to endeav or to _make available . . . to all the people of the United States a rap id, efficient, Nation-wide, and world-wide wire and radio communication service . . . ._ 47 U.S.C. § 151. The Commission was expected to serve as the _single Government agency_ with _unified jurisdiction_ and _regulatory power over all forms of electrical communication, whether by telephone, telegraph, cable, or radio._ It was for this purpose given _broad authority._ As this Court emphasized in an earlier case, the Act's terms, purposes, and history all indicate that Congress _formula ted a unified and comprehensive regulatory system for the (broadcast ing) industry._ FCC v. Pottsville Broad. Co., 309 U.S. 134, 137, 60 S. Ct. 437, 84 L. Ed. 656 (1940).

23 In Aymes, the Second Circuit offered an example of how the facts of a case might diminish the significance of a Reid factor: The [Reid] factors should not merely be tallied but should be weighed according to their significance in the case.

For example, the factors relating to the authority to hire assistants will not normally be relevant if the very nature of the work requires the hired party to work alone. In such a case, that factor should be accorded no weight in applying the Reid test. Having the authority to hire assistants, however, might have great probative value where the individual claiming to be an independent contractor does exercise authority to enlist assistants without prior approval of the party that hired him. In the latter case, this show of authority would be highly indicative that the hired party was acting as an independent contrac tor.

Aymes, 980 F.2d at 861. The court went on to specify five Reid factors that _will be significant in virtually every situation_ and _should be given more weight in the analysis, because they will usually be highly probative of the true nature of the employment relationship._ Id. These factors, according to the court, include: _(1) the hiring party's right to control the manner and means of creation; (2) the skill required; (3) the provision of employee benefits; (4) the tax treatment of the hired party; and (5) whether the hiring party has the right to assign addi tional projects to the hired party._ Id. We agree that these factors will almost always be critical in determining whether a hired party is an employee or independent contractor. But we reiterate that the proper weight to be accorded any Reid factor is dependent on its significance in the relevant case.

24 In its Reconsideration Order, the Commission explained that _every aspect of the performance, including the exact time, length, location, material, set, script, staging, and wardrobe, was subject to the control of Viacom/CBS through its corporate affiliate MTV._ Id. at _ 26. The Commission went on to state:

We recognize that some of the common law factors are not indicative of agency. Again, however, the relative weight of common law factors varies according to the legal context in which the agency issue arises. The central issue here is the parties' relationship for the specific pur pose of imposing vicarious liability for the performers' actions in [the Halftime Show] performance that were harmful to the public (rather than for copyright, workers' compensation, anti-discrimination or other purposes). In this context, the Commission properly concluded that the evidence clearly demonstrating Viacom/CBS's right to control the halftime show performance was decisive.

Id. at _ 27 (footnote omitted).

25 On appellate review, the findings of fact constituting each relevant Reid factor are afforded significant deference under the Administrative Procedure Act (_APA_). But balancing those factors to determine employment status is a question of law traditionally accorded no deference. See Marco, 969 F.2d at 1548 (_[W]e exercise plenary review of the . . . application of the law of agency to the facts._ (citations omitted)); Carter, 71 F.3d at 85-87 (describing the question of whether a hired party is an employee or independent contractor as a _legal conclusion_ and engaging in de novo balancing of the Reid factors); Aymes, 980 F.2d at 861-64 (same). In the past, we have held that agen cy determinations on questions of law not within the agency's exper tise-such as the FCC's determination here on employment status- receive less deference under the APA than other agency conclusions. See Nat'l Indus. Sand Ass'n v. Marshall, 601 F.2d 689, 699 n.34 (3d Cir. 1979) (_A court may decide all relevant questions of law [d]e novo under the standard set forth in 5 U.S.C. [§]706(2)(A)._ (citation omitted)). Other courts have agreed. See, e.g., Wolfe v. Barnhart, 446 F.3d 1096, 1100 (10th Cir. 2006) (_When we review an agency's decision under the APA's arbitrary, capricious or abuse of discretion standard, our review is narrow and deferential. . . . However, these limitations do not apply to questions of law._ (citations and internal quotation omitted)); Davidson v. Glickman, 169 F.3d 996, 1000 (5th Cir. 1999) (_Under the APA, we review questions of law de novo, without deference to the agency's conclusions._ (citations omitted)); Wagner v. Nat'l Transp. Safety Bd., 86 F.3d 928, 930 (9th Cir. 1996) (_Purely legal questions are reviewed de novo._ (citation omitted)); Texas E. Prods. Pipeline Co. v. Occupational Safety and Health Review Comm'n, 827 F.2d 46, 47 (7th Cir. 1987) (_For questions of law, the APA on its face mandates de novo review._ (citing the text of 5 U.S.C. § 706: _To the extent necessary to decision and when presented, the reviewing court shall decide all relevant questions of law. . . ._) (additional citation omitted)); Artesian Indus., Inc. v. Dep't of Health and Human Servs., 646 F. Supp. 1004, 1006 (D.D.C. 1986) (_Based on the express language of the APA, the arbitrary and capricious standard applies only to _actions, findings and conclusions,_ by an agency, excluding any questions of law. The APA explicitly empowers reviewing courts to decide _all relevant questions of law,_ and the United States Court of Appeals for the District of Co lumbia Circuit has construed this language to mean what it says- questions of law are to be decided by courts, not agencies._(citations and footnotes omitted)).

Here, we need not resolve whether de novo review of the FCC's application of the Reid test is appropriate. It is true the FCC has no unique expertise in determining whether a broadcast licensee's agent is an employee or independent contractor under the general common law of agency. But even under the APA's traditionally deferential stan dard, we _hold unlawful and set aside_ agency conclusions that are _not in accordance with law._ 5 U.S.C. § 706(2)(A). And the FCC's conclu sion on the performers' employment status, by placing dispositive weight on the single factor of CBS's right to control, is contrary to settled law under Reid. See Marco, 969 F.2d at 1552 (rejecting an app lication of the Reid test that gave _disproportionate consideration_ to the factor of control, reiterating that no single factor is dispositive of employee status, and instructing that _courts should keep this factor [of control] in perspective_). Moreover, the FCC failed to consider several relevant Reid factors-an error the Supreme Court has described as sufficient to render an agency's conclusions _arbitrary and capricious_ under the APA. See State Farm, 463 U.S. at 43, 103 S. Ct. 2856 (de scribing an agency's _fail[ure] to consider an important aspect of [a] problem_ as _arbitrary and capricious_ under the APA).

26 Furthermore, the FCC, asserting that CBS _scripted every word uttered on stage,_ appears to overstate CBS's scripting role. The re cord indicates the performers-and Jackson in particular-had a role in selecting songs to be performed at the show, all of which were prev iously recorded by the performers. Moreover, the songs were revised by the performers and their assistants to accommodate extra vocalists, time constraints, and other unique aspects of the Halftime Show per formances.

27 Some Reid factors carry little or no weight in our analysis because they are indeterminate on the facts. See Marco, 969 F.2d at 1552 (find ing some factors indeterminate based on the facts of that case). The extent of the performers' _discretion over when and how long to work_ is unclear. Their performance agreements require certain scheduled appearances and rehearsals, including the Halftime Show itself, but the record indicates the performers were free to (and did) complete addi tional preparations at their own discretion. Similarly, the record is inconclusive on the location of the performers' work-some of which was on set and scheduled, and some of which was off set and unscheduled.

28 This factor is accorded great weight under the common law:

In general, employment contemplates a continuing relationship and a continuing set of duties that the employer and employee owe to each other. Agents who are retained as the need arises and who are not otherwise employees of their principal normally operate their own business enterprises and are not, except in limited respects, integra ted into the principal's enterprise so that a task may be completed or a specified objective accomplished. Therefore, respondeat superior does not apply.

Restatement (Third) of Agency § 2.04 cmt. b (2006); see also Aymes, 980 F.2d at 861 (describing the hiring party's right to assign additional work as one of five Reid factors, along with control, to be _given more weight in the analysis, because [it] will usually be highly probative of the true nature of the employment relationship_).

29 See, e.g., Forfeiture Order at _ 23 n.80 (citing In re Liab. of Wagen voord Broad. Co., Licensee of Station WVOG, New Orleans, LA, 35 F.C.C.2d 361 (1972); In re Eure Family Ltd. P'ship, 17 F.C.C.R. 7042, 7044 (FCC Enforcement Bureau 2002)) (additional citations omitted). Wagenvoord held a broadcast licensee liable where an independent con tractor _consulting engineer negligently provided erroneous advice that resulted in the violations of the station's presunrise authorization._ See Wagenvoord at _ 3. Similarly, Eure Family Limited Partnership held a broadcast licensee liable where an independent contractor violated FCC rules by failing to properly monitor the beacon light on an antenna structure and notify the licensee of an outage. See Eure Family Ltd. P'ship at _ 7. Other FCC cases on point are likewise directed towards broadcast licensees' delegation of technical and operational duties. See, e.g., In re Application for Review of Liab. of MTD, Inc., Permittee of Station KWMW(FM), Maljamar, NM, 6 F.C.C.R. 34, _ 5 (1991) (holding licensee liable for independent contractor's violation of Com mission's tower lighting rule); In re Liab. of Sundial Broad. Corp., Li censee of Station KDFC(FM), San Francisco, CA, 30 F.C.C.2d 949 (1971) (holding licensee liable for an independent contractor engineer's failure to make equipment performance measurements within the time period required by the Commission).

30 Cantrell is inapposite for this purpose. Central to the Court's hold ing in Cantrell was the status of the reporter as an employee acting within the scope of his employment. See Cantrell, 419 U.S. at 253, 95 S. Ct. 465 (_[There] was sufficient evidence for the jury to find that Esz terhas' writing of the feature was within the scope of his employment at the Plain Dealer and that Forest City Publishing Co. was therefore liable under traditional doctrines of respondeat superior._ (footnote omitted)); see also McFarlane v. Esquire Magazine, 74 F.3d 1296, 1302 (D.C. Cir. 1996) (_The writer in question [in Cantrell ] was an employee of the corporate defendant, and, although the trial court had given an instruction somewhat muddling the categories of employee and agent, no one had objected. So Cantrell presented no occasion for the Court to address the issue of when the mental state of non-employee agents may be imputed to the principal._ (citations omitted)).

31 The FCC's _interpretation of its own regulation is, of course, en titled to considerable deference._ Barnes v. Cohen, 749 F.2d 1009, 1018 (3d Cir. 1984). But _our deference to an agency's interpretation of its own regulations is _tempered by our duty to independently insure that the agency's interpretation comports with the language it has adopted.__ Conn. Gen. Life Ins. Co. v. Comm'r of Internal Revenue, 177 F.3d 136, 144 (3d Cir. 1999) (quoting Dir., Office of Workers' Comp. Programs, U.S. Dep't of Labor v. Gardner, 882 F.2d 67, 70 (3d Cir. 1989)). Ac cordingly, _we need not accept the agency interpretation if it is _plainly erroneous or inconsistent with the regulation.__ Barnes, 749 F.2d at 1018 (quoting Bowles v. Seminole Rock & Sand Co., 325 U.S. 410, 414, 65 S. Ct. 1215, 89 L. Ed. 1700 (1945)); see also Conn. Gen. Life Ins. Co., 177 F.3d at 144 (_We _must defer to the [agency's] interpretation unless an _alternative reading is compelled by the regulation's plain language or by other indications of the [agency's] intent at the time of the reg ulation's promulgation._' _) (quoting Thomas Jefferson Univ. v. Shal ala, 512 U.S. 504, 512, 114 S. Ct. 2381, 129 L. Ed. 2d 405 (1994) (quoting Gardebring v. Jenkins, 485 U.S. 415, 430, 108 S. Ct. 1306, 99 L. Ed. 2d 515 (1988))) (additional citation omitted) (alterations in original).

32 If violations of 18 U.S.C. § 1464 may not be penalized under section 503(b)(1)(B), it is uncertain whether violations of 47 C.F.R. § 73.3999 may be penalized under that section. As discussed supra, 47 C.F.R. § 73.3999 does no more than establish the time of day during which 18 U.S.C. § 1464 will be enforced. If Congress intended for violations of 18 U.S.C. § 1464 to be penalized under section 503(b)(1)(D), then it may have intended for _violations_ of 47 C.F.R. § 73.3999 also to be penalized under that section.

33 The FCC has not yet addressed this possibility. See Forfeiture Or der at _ 29 n.103 (_As we find CBS legally responsible for the indecent broadcast based on both its own willful omission and its vicarious lia bility for the willful acts of its agents under the principle of respondeat superior, we need not address whether it could also be held responsible under Section 503(b)(1)(D) without a showing of willfulness._).

34 If 47 U.S.C. § 503(b)(1)(D) is interpreted as incorporating the will fulness standard, its operation appears identical. Forfeiture liability under that section is triggered by a broadcast licensee's violation of 18 U.S.C. § 1464.

35 The facts of Young Broadcasting, as alleged by the FCC in its Notice of Apparent Liability in that case, may be indicative of reckless ness. There, the broadcast licensee presented inherently risky progra mming, a segment titled _Puppetry of the Penis,_ and invited perform ers on camera who it knew were nude below their overcoats and who it knew employed nudity as a central part of their act. Indeed, the per formers were a source of interest for the program precisely because their act involved nudity and the graphic display of sexual organs. Moreover, the broadcast licensee's off-camera employees urged the performers to demonstrate their act-which involved manipulating their genitalia to form various objects-while the cameras were broad casting live.

36 This issue appears central to a recklessness inquiry on the facts here.

37 As discussed, it is unclear whether the Commission interprets the willfulness standard, which requires a _conscious and deliberate_ act or omission, as setting a lower or higher bar than scienter. We note there appears to be tension between the common understanding of the terms _conscious and deliberate_-which typically indicate a higher standard than recklessness-and the Commission's interpretation of those terms in its application of the willfulness standard of 47 § U.S.C. 503(b)(1)(B) to CBS. But because further clarification is needed on the FCC's interpretation of the text and mechanics of the forfeiture statute, we do not decide whether the Commission's interpretation of these terms, or its application of the willfulness standard, is permissible.

38 The majority points out that the FCC only _abandoned_ this posi tion-or, really, side-stepped it-in the Reconsideration Order, where it sought to impose the prevention of this type of broadcast as a non- delegable duty. See Reconsideration Order at _ 23.

39 Or, if an omission, as the FCC alternatively argues, the conscious and deliberate failure to prevent the broadcast of indecent material.

40 Because we have held that the FCC changed its policy, and because the broadcast at issue predated this change, the FCC cannot, consistent with its policy, re-impose the fine after providing an explanation. See Golden Globes, 18 F.C.C. 19859, at _ 15 & n.40.

41 The majority cites Golden Globes as authority for the agency's setting forth a new policy on remand, but that case did not involve a remand. Moreover, the passage from the treatise cited by the majority, 33 Wright & Koch, Federal Practice and Procedure: Judicial Review § 8313(c) (2007), concerns the proper disposition of a case where further proceedings are necessary for the agency to consider the matter anew and reach a well-reasoned ultimate decision. That is not the case here where the arbitrariness of the agency's decision is conclusive as to the outcome of the case.

 

APPENDIX B

BEFORE THE
FEDERAL COMMUNICATIONS COMMISSION
WASHINGTON, D.C. 20554
File No. EB-04-IH-0011
NAL/Acct. No. 200432080212

IN THE MATTER OF COMPLAINTS AGAINST VARIOUS TELEVISION LICENSEES CONCERNING THEIR FEBRU ARY 1, 2004 BROADCAST OF THE SUPER BOWL XXXVIII HALFTIME SHOW

Adopted: May 4, 2006
Released: May 31, 2006

ORDER ON RECONSIDERATION

By the Commission: Commissioner Adelstein concur ring in part, dissenting in part, and issuing a statement.

I. INTRODUCTION

1. In this Order on Reconsideration, issued pursuant to section 405(a) of the Communications Act of 1934, as amended (the "Act"), and section 1.106(j) of the Commis sion's rules,42 we deny the Petition for Reconsideration of Forfeiture Order ("Petition") filed by CBS Broadcasting Inc. ("CBS") in this forfeiture proceeding.43 The CBS Petition seeks reconsideration of our decision to impose a forfeiture of $550,000 against CBS Corporation, as the ultimate parent company of the licensees of the televi sion stations involved in this proceeding, for the viola tion of 18 U.S.C. § 1464 and the Commission's rule regu lating the broadcast of indecent material.44 We find that CBS has failed to present any argument warranting re consideration of our Forfeiture Order.

II. BACKGROUND

2. This proceeding involves the broadcast of the halftime show of the National Football League's Super Bowl XXXVIII over the CBS owned-and-operated tele vision stations in the CBS Network (the "CBS Stations") on February 1, 2004, at approximately 8:30 p.m. Eastern Standard Time.45 Super Bowl XXXVII was the most- watched program of the 2003-2004 television season and had an average of audience of 89.8 million viewers.46 At the end of the musical finale of the halftime show, Justin Timberlake pulled off part of Janet Jackson's bustier, exposing one of her breasts to the television audience. After conducting an investigation, the Commission is sued a Notice of Apparent Liability (the "NAL") finding the ultimate parent company of the licensees of the CBS Stations47 apparently liable for violating 18 U.S.C. § 1464 and section 73.3999, the Commission's rule regulating the broadcast of indecent material.48 The NAL proposed a forfeiture in the amount of $27,500, the statutory maxi mum forfeiture amount, against each of the CBS Sta tions, for a total forfeiture amount of $550,000.49

3. CBS submitted its Opposition to the NAL on No vember 5, 2004.50 CBS argued that the material broad cast was not actionably indecent under the Commission's existing case law.51 CBS further argued that the broad cast of Jackson's breast was accidental, and therefore not "willful" under section 503(b)(1)(B) of the Act.52 CBS further argued that the Commission's indecency framework is unconstitutionally vague and overbroad, both on its face and as applied to the halftime show.53

4. In the Forfeiture Order, released on March 15, 2006, the Commission rejected CBS's arguments and imposed the $550,000 forfeiture proposed in the NAL. The Forfeiture Order held that, under the Commission's contextual analysis, the broadcast of the halftime show was patently offensive as measured by contemporary community standards for the broadcast medium. With respect to the first principal factor in the Commission's contextual analysis, the Commission rejected CBS's ar guments relating to whether the broadcast of partial nudity was premeditated or planned by the broadcaster. Rather, the Commission held that the focus of the first factor of the analysis is whether the broadcast was graphic and explicit from the viewer's or listener's point of view. The Commission found that the video broadcast of an image of a woman's breast is graphic and explicit if it is clear and recognizable to the average viewer, as was the case here.54 With respect to the second principal factor in the Commission's contextual analysis, the Com mission agreed with CBS that the image in the halftime show was fleeting, but the Commission held that the brevity of the partial nudity was not dispositive.55 The third principal factor is whether the material is pander ing, titillating or shocking. The Commission clarified that the broadcaster's or performer's state of mind is not relevant here. Rather, this factor focuses on the material that was broadcast and its manner of presenta tion.56 The Commission rejected CBS's claim that the segment in question merely involved an accidental, fleet ing glimpse of a woman's breast. Rather, the segment was part of a halftime show that featured "perfor mances, song lyrics, and choreography [that] discussed or simulated sexual activities."57 These sexually sugges tive performances culminated in the spectacle of Tim berlake tearing off a portion of Jackson's clothing to re veal her naked breast during a highly sexualized perfor mance while he sang "gonna have you naked by the end of this song."58 The Commission stated: "Clearly, the nudity in this context was pandering, titillating and shocking to the viewing audience."59 The Commission therefore held that, on balance, the graphic, explicit, pandering, titillating and shocking nature of the mate rial outweighed its brevity in the contextual analysis.60

5. The Forfeiture Order also rejected CBS's claim that the violation was accidental rather than willful un der section 503(b)(1) of the Act. The Commission dis missed CBS's attempts to define "willful" in accordance with criminal law and copyright law cases, holding that the definition of the word appearing in section 312 of the Act applies to this case.61 Specifically, the Commission held that CBS Corporation acted willfully because it consciously and deliberately broadcast the halftime show, whether or not it intended to broadcast nudity, and because it consciously and deliberately failed to take reasonable precautions to ensure that no actionably in decent material was broadcast.62 The Commission fur ther held that CBS Corporation was vicariously liable under the doctrine of respondeat superior for the willful actions of the performers and choreographer that it se lected and over whose performance it exercised exten sive control.63

6. The Forfeiture Order also rejected CBS's consti tutional arguments, concluding that the Commission's indecency standard has been upheld in a series of deci sions and has not been invalidated by subsequent devel opments in the legal or technological landscape.64 The Forfeiture Order further held that the upward adjust ment of the forfeiture amount to the statutory maximum was supported by the factors enumerated in section 503(b)(2)(D) of the Act, particularly the circumstances involving the preparation, execution and promotion of the halftime show by CBS Corporation, the gravity of the violation in light of the nationwide audience for the indecent broadcast, CBS Corporation's ability to pay the forfeiture, and the need for strong financial disincen tives to violate the Act and the indecency rule.65 The Forfeiture Order also rejected CBS's claim that it lacked prior notice that a brief scene of partial nudity might result in a forfeiture. The Commission noted that in Young Broadcasting,66 the Commission released a Notice of Apparent Liability proposing the statutory maximum forfeiture amount in a case involving a brief display of male frontal nudity shortly before the subject Super Bowl broadcast.67

III. DISCUSSION

7. Indecency Analysis. We reject CBS's contention that the Commission misapplied the test for broadcast indecency in the Forfeiture Order. In doing so, we note that CBS does not contest the Commission's determina tion that the material at issue here falls within the sub ject matter scope of our indecency definition because it "describe[d] or depict[ed] sexual or excretory organs or activities."68 Rather, CBS takes issue with our conclu sion that the Super Bowl halftime show was patently offensive as measured by contemporary community standards for the broadcast medium. While many of the arguments raised by CBS are repetitive of those set forth in its Opposition to the NAL and rejected by the Commission in the Forfeiture Order, we do address two new objections raised in the Petition.

8. First, CBS disputes the Commission's conclusion that "a video broadcast image of [Justin] Timberlake pulling off part of [Janet] Jackson's bustier and expos ing her bare breast, where the image of the nude breast is clear and recognizable to the average viewer, is gra phic and explicit,"69 arguing that this conclusion is incon sistent with determinations reached by the Commission in the Omnibus Order.70 No such inconsistency exists; rather, a comparison of the Super Bowl halftime show to the material addressed in the Omnibus Order highlights the critical importance that the Commission places on the particular content and context in evaluating inde cency complaints.

9. CBS's attempt to compare Ms. Jackson's "ward robe malfunction" to the material addressed in the Om nibus Order from The Today Show and The Amazing Race 6 is unavailing. In both of those cases, the com plained-of material did not constitute the focus of the scene in question. During The Today Show, a man's penis was briefly exposed at a considerable distance while he was shown being pulled from raging flood waters in news footage. As the Commission indicated, "the overall focus of the scene [was] on the rescue at tempt, not on the man's sexual organ."71 As a result, many viewers may not have even noticed the briefly ex posed penis. Similarly, during The Amazing Race 6, while two contestants were leaving a train in Budapest, the camera shot briefly showed the phrase "Fuck Cops!" spray-painted in small white letters on the side of a train. Again, the graffiti was in the background, did not constitute the focus of the scene, and would not likely have been noticed by the average viewer.72 Under these circumstances, we found that the material at issue was not graphic or explicit.

10. In the Super Bowl halftime show, by contrast, the exposure of Ms. Jackson's breast was the central focus of the scene in question.73 As we stated in the Forfeiture Order, "Jackson and Timberlake, as the headline per formers, are in the center of the screen, and Timber lake's hand motion ripping off Jackson's bustier draws the viewer's attention to her exposed breast."74 Fur thermore, even though CBS claims that "this action oc curred only after the shot moved away from a close-up to a long shot," Jackson's breast is nonetheless "readily discernable" and the natural focus of viewers' atten tion.75 As Jackson and Timberlake were the headline performers on stage at that time, it would have been hard for someone looking at the television screen not to notice that he ripped off her clothing to expose her breast. We therefore reject CBS's theory that most viewers did not notice the exposure of Jackson's breast.76 We also reject CBS's repeated attempt to con flate the first and second factors of the Commission's contextual analysis. While we acknowledge that the ex posure of Jackson's breast was relatively brief, this does not alter the fact that it was explicit.77 For all of these reasons, we reaffirm our conclusion that the televised image of Timberlake tearing off Jackson's clothing to reveal her bare breast was explicit.78

11. Second, CBS maintains that the Commission misconstrued the third prong of our contextual analysis. Tellingly, CBS does not directly dispute the Commis sion's conclusion that the material was presented in a pandering, titillating and shocking manner. At the con clusion of a halftime show filled with sexual references, Timberlake and Jackson performed a duet of the song "Rock Your Body" in which Timberlake repeatedly grabbed Jackson, slapped her buttocks, and rubbed up against her in a manner simulating sexual activity, all the while proclaiming, among other things: "I wanna rock your body." Then, as the Commission stated in the Forfeiture Order, the performance "culminated in the spectacle of Timberlake ripping off a portion of Jack son's bustier and exposing her breast while he sang 'gonna have you naked by the end of this song."'79

12. Understandably, given these facts, CBS does not make any effort to argue that the material was not pre sented in a pandering, titillating, and shocking manner. Instead, CBS argues that the Commission should have examined whether CBS intended to pander, titillate, or shock the audience, rather than the manner in which the material was actually presented. CBS fundamentally misunderstands the contextual analysis employed by the Commission. In evaluating whether material is inde cent, we examine the material itself and the manner in which it is presented, not the subjective state of mind of the broadcaster.80 Indeed, under the test proposed by CBS, the same material presented in the same manner and context could be indecent on one occasion but not indecent on another if the broadcasters in question had differing intents in airing the material. CBS suggests no legal or public policy reason why the Commission should be compelled to undertake such a fruitless analysis.

13. In this instance, it is clear that the material was presented in a pandering, titillating, and shocking man ner. In this regard, we strongly dispute CBS's assertion that the exposure of Jackson's breast was "exactly" the same as a broadcast where a woman's dress strap breaks and accidentally reveals her breast.81 In this case, at the conclusion of a highly sexualized perfor mance in which Timberlake, among other things, rubbed up against Jackson in a manner simulating sexual inter course and implored her to "do that ass-shakin' thing you do," Timberlake ripped off a portion of Jackson's clothing, thus exposing her breast, while singing "gonna have you naked by the end of this song." To claim that this material is no more pandering or titillating than an incident where a woman's dress strap accidentally breaks, thus revealing her breast for a second, utterly ignores the far different contexts of each situation.

14. We also once again reject CBS's general argu ment that the imposition of a forfeiture here "would be contrary to contemporary community standards for the broadcast medium" because "available information shows that the community at large was not upset about the Super Bowl broadcast."82 In light of the public up roar following the Super Bowl halftime show, we believe that it is CBS, and not the Commission, that is out of touch with the standards of the American people. More over, while we continue to reject the use of third-party polls as determinative in our assessment of contempo rary community standards for the broadcast medium and our analysis in this order does not rely upon any third-party polls, we do not accept CBS's argument that "available information shows that the community at large was not upset about the Super Bowl broadcast."83 The polls cited by CBS do not indicate whether the Super Bowl broadcast was patently offensive under con temporary community standards for the broadcast me dium.84 Moreover, we note that other survey informa tion suggests that most Americans were indeed offended by the Super Bowl halftime incident and did not believe that it was appropriate broadcast material.85 Further, we note that while CBS now claims that the exposure of Jackson's breast was not patently offensive, it conceded otherwise shortly after the incident. For example, testi fying before the House Energy and Commerce Commit tee, Viacom's President and Chief Operating Officer stated that "everyone at CBS and everyone at MTV was shocked and appalled . . . by what transpired" and maintained that the material "went far beyond what is acceptable standards for our broadcast network."86 Sim ilarly, at the same hearing, the Commissioner of the NFL said that he was "deeply disappointed and of fended by the inappropriate content of the show."87 Fi nally, we reject CBS's argument that the Commission generally does not evaluate material using contempo rary community standards for the broadcast medium. As we have stated before, "We rely on our collective ex perience and knowledge, developed through constant interaction with lawmakers, courts, broadcasters, public interest groups and ordinary citizens, to keep abreast of contemporary community standards for the broadcast medium."88

15. In sum, we reaffirm our conclusion in the Forfei ture Order that "the Super Bowl XXXVIII halftime show contained material that was graphic, explicit, pan dering, titillating, and shocking and, in context and on balance, was patently offensive under contemporary community standards for the broadcast medium and thus indecent."89 As we found in the Forfeiture Order, "[a]though the patently offensive material was brief, its brevity is outweighed in this case by the first and third factors in our contextual analysis."90

16. Whether Violation Was "Willful." Seeking to ab solve itself of responsibility for the Super Bowl halftime show broadcast, CBS challenges the Commission's find ing that the indecency violation was willful because of both CBS's own conduct and its vicarious liability for the willful actions of the performers under the doctrine of respondeat superior. We conclude that there is no basis to reconsider our decision on either ground.

17. CBS contends that the "only question" in deter mining whether it is legally responsible for "willfully" violating the Act and the Commission's rules is whether it "intended for Ms. Jackson to bare her breast as part of a broadcast that CBS aired."91 The Commission dis agrees. Not only is that not the "only question," it is not the question at all. CBS acted willfully because it con sciously and deliberately broadcast the halftime show and consciously and deliberately failed to take reason able precautions to ensure that no actionably indecent material was broadcast.92 The record shows that CBS was acutely aware of the risk of unscripted indecent ma terial in this production, but failed to take adequate pre cautions that were available to it to prevent that risk from materializing.93 Under these circumstances, the Commission was justified in finding CBS responsible for the indecent broadcast based on its conscious and delib erate omissions even if it did not intend for Ms. Jackson to bare her breast.94

18. While defending its "meticulous efforts to ensure the performance adhered to broadcast standards and that no unforeseen incidents or departures from script occurred,"95 and dismissing the record evidence on which the Commission relied, CBS fails to address sev eral important facts cited by the Commission. For ex ample, CBS does not explain in its Petition why it was not alarmed by, and did not investigate, the news item posted on MTV's website before the show in which Jack son's choreographer predicted that Jackson's perfor mance would include some "shocking moments."96 By CBS's own account, the management of both MTV and Viacom were aware of the claims but apparently did nothing to investigate them, preferring instead to re main in the dark based on implausible assumptions re garding their meaning.97 We found unconvincing CBS's previous assertions that MTV management believed that the "shocking moments" quote referred to Timberlake's "surprise" appearance, and that Viacom personnel who reviewed the story dismissed it as hyperbole common in the music industry. As we explained in the Forfeiture Order, it seems dubious that Timberlake's appearance would be described as "shocking" when MTV included his name in the on-screen credits before the show.98 Similarly, CBS says nothing about the fact that a ques tion posed by another halftime performer to MTV staff about the length of the broadcast delay was recognized as having "scary" implications-presumably because it signaled that a performer might be contemplating a script departure and was wondering what he might be able to get away with.99 And CBS does not dispute that the show's sponsor, the NFL, raised specific concerns about Timberlake's scripted line "gonna have you naked by the end of this song," which anticipated the stunt re sulting in the broadcast nudity.100

19. CBS dismisses as irrelevant the fact that it learned the morning of the show of plans to use tear away cheerleading outfits for dancers in another half time performance in connection with a scripted line ("I wanna take my clothes off") that is markedly similar to Timberlake's line that immediately preceded the tear away of Jackson's bustier (and had, incidentally, worried the NFL). CBS claims that this "reveals that, in care fully examining the costumes before the show, CBS rein forced its prohibition on reveals or other stunts that could go wrong and implicate indecency concerns."101 But CBS does not say whether in "carefully examining the costumes before the show" it noticed that Jackson's bustier was constructed so that the cups could easily be torn away.102 Nor does it address whether the parallel lyrics noted by the Commission ("I wanna take my clothes off"/"gonna have you naked by the end of this song") caused it any concern. In fact, CBS does not ex plain at all how it "reinforced its prohibition on reveals or other stunts that could go wrong and implicate inde cency concerns."103

20. These should have served as warnings signs of the risk of visual as well as audio departures from script, yet CBS does not explain why its "meticulous efforts" did not include further investigation or an adequate de lay mechanism.104 It also fails to explain why it did not take the simple measure at the outset of requiring that MTV's agreements with the performers obligate them to conform to the script and to CBS's broadcast standards and practices.105

21. Regarding the evidence that it does address, CBS complains that the Commission has taken evidence out of context or inflated its significance, but the record sug gests otherwise. For example, it takes issue with the Commission's characterization that MTV was seeking to "push the envelope" in its halftime production, but coun ters only with the argument that MTV did not use that term to mean pushing the bounds of propriety in terms of sexually provocative content.106 But the Commission's characterization is its own, and is well-founded based on the entirety of the record. MTV clearly intended for the show to be sexually provocative and repeatedly made decisions in an effort to push the show in that direction. Moreover, the fact that the NFL had to rein in MTV when it felt the show was heading in too risqué a direc tion suggests that MTV was in fact trying to push the envelope of propriety, without regard to whether MTV chose to use that term.107

22. CBS also disputes our conclusion that it made a calculated decision to rely on a five-second audio delay even though it was aware of the risk of visual deviations from the script that could not be blocked with a five-sec ond delay. It asserts that this did not reflect a "calcu lated risk" but rather simply conformance with standard industry practice, and that a video delay was "entirely unprecedented, and the technique had to be specially engineered after the Super Bowl incident."108 It also claims that the NFL was concerned only about audio, not visual, departures from the script.109 Contrary to CBS's contention, however, the record indicates that the NFL's expressed concerns were not limited to audio deviation,110 and, perhaps even more importantly, that CBS/MTV understood that the risks were not limited to audio deviations as well.111 Furthermore, if the standard industry delay practice was inadequate to alleviate the concerns under the circumstances, then CBS was obli gated to do more.112 We note that this was not a typical broadcast; it was the most-watched television program of the year and millions of families and children were expected to be in the audience.

23. Holding CBS responsible for the indecent broad cast under these circumstances is not tantamount to imposing strict liability, as CBS contends, because the finding of willfulness is based on CBS's knowledge of the risks and its conscious and deliberate omissions of the acts necessary to address them. As we stated in the Forfeiture Order, this approach is consistent with the statutory definition of willfulness,113 and it is particularly appropriate here given the nondelegable nature of broadcast licensees' responsibility for their program ming.

24. We find CBS's arguments concerning our applica tion of the doctrine of respondeat superior equally un persuasive. CBS's assertion that the Commission ap plied "unusually strict rules" of vicarious liability in the Forfeiture Order is inaccurate.114 The Commission ap plied traditional agency principles, which "ordinarily make principals or employers vicariously liable for acts of their agents or employees in the scope of their author ity or employment."115 Under these principles, the FCC concluded that Jackson, Timberlake and Jackson's cho reographer were Viacom/CBS employees for purposes of determining whether CBS is vicariously liable for their conduct here, and that their actions were within the scope of their employment.116 CBS's assertion that the Commission "seeks to impose nontraditional vicari ous liability" appears to be founded on the three's al leged status "as independent contractors, not employ ees."117 The factors on which CBS relies, however, are not strongly indicative of independent contractor status in the circumstances before us, and CBS does not dis pute the Commission's finding on the decisive control factor.

25. The Commission properly treated CBS's right to control the halftime show as the most significant test of its relationship with the performers. Courts look to nu merous factors in determining a hired party's status under common law agency principles.118 _ "Though no single factor is dispositive, the greatest emphasis should be placed on the first factor-that is, on the extent to which the hiring party controls the manner and means by which the worker completes his or her assigned tasks."119 In addition, the relative weight of common law factors also varies according to the legal context in which the agency issue arises,120 and the control factor is particularly important in the vicarious liability context because the root issue is where responsibility lies for preventing the risk of harm to third parties.121

26. CBS does not dispute the Commission's finding that the halftime show performance was subject to ex acting control by Viacom/CBS. However, its suggestion that it exercised no more control than necessary "to en sure a proper result or end-product of the work"122 belies the evidence that every aspect of the performance, in cluding the exact time, length, location, material, set, script, staging, and wardrobe, was subject to the control of Viacom/CBS through its corporate affiliate MTV.123 Viacom/CBS was not commissioning a sculpture for its lobby or hiring workers to install a floor covering, as were the hired parties in the cases it cites.124 Rather, it was producing the Super Bowl halftime show in order to attract a large nationwide audience to a CBS network program and promote the brand of its corporate affiliate MTV.125 Viacom/CBS developed the creative concepts for the show, scripted every word uttered on stage, and re viewed every article of clothing worn by the perform ers.126 CBS's reliance on Community for Creative Non- Violence v. Reid and Chaiken v. VV Publishing Corp. is misplaced because the extent of control exercised by the hiring parties in those cases was not remotely compara ble to this situation.127 _Reid is also a work-for-hire copyright case in which factors related to compensation and benefits are generally accorded more weight than they are entitled to in other legal contexts.128

27. In this context, the contractual terms related to compensation and benefits cited by CBS are not strong ly indicative of independent contractor status.129 CBS was obligated to ensure that its broadcast programming served the public interest, and was not free to confer this obligation on another by contract.130 Likewise, CBS's contention that the performers were "highly skilled" does not meaningfully cut in its favor. Courts applying common law agency principles have not hesi tated to hold entertainers and artists to be employees of the parties that hire them.131 We recognize that some of the common law factors are not indicative of agency. Again, however, the relative weight of common law fac tors varies according to the legal context in which the agency issue arises. The central issue here is the par ties' relationship for the specific purpose of imposing vicarious liability for the performers' actions in that per formance that were harmful to the public (rather than for copyright, workers' compensation, anti-discrimina tion or other purposes). In this context, the Commission properly concluded that the evidence clearly demon strating Viacom/CBS's right to control the halftime show performance was decisive.132

28. CBS's assertion that the performers' actions were outside the scope of authority conferred by its agree ments with them also lacks merit.133 As the Commission explained, their conduct is fully attributable to CBS if it was "incident to the performance rather than 'an inde pendent course of conduct intended to serve no purpose of the employer."'134 Here, the actions at issue were part of the performance for which Jackson and Timberlake were hired. Furthermore, examination of the record reflects that the costume reveal was intended to serve Viacom/CBS's overarching entertainment goal of provid ing a spectacular finale.135 Accordingly, the Commission correctly concluded that Jackson and Timberlake were within the scope of their authority under common law agency principles.

29. Amount of Forfeiture. In its Petition, CBS asks the Commission to reduce the amount of the forfeiture imposed on it for three reasons. We find each of these arguments to be unpersuasive.

30. First, CBS maintains that "[t]o the extent that any O&O station was not the subject [of] a complaint about the halftime show, its fine should be rescinded and the total forfeiture reduced proportionately."136 How ever, as we stated in the Forfeiture Order, "viewers in markets served by each of the CBS Stations filed com plaints with the Commission concerning the February 1, 2004 broadcast of the Super Bowl XXXVIII halftime show."137 Accordingly, it was appropriate for the Com mission to impose a forfeiture on all stations owned by CBS. To the extent that CBS is suggesting that the Commission will only impose a forfeiture in response to complaints that specifically mention a station's call let ters, it misunderstands the enforcement policy an nounced by the Commission in the Omnibus Order. Un der that policy, it is sufficient that viewers in markets served by each of the CBS Stations filed complaints with the Commission identifying the allegedly indecent pro gram broadcast by the CBS Stations.

31. Second, CBS claims that the Commission has not provided a "logically consistent explanation" for why forfeitures were imposed on those stations owned by CBS but not on affiliates owned by others.138 However, as we explained in the Forfeiture Order, CBS's culpabil ity for the broadcast of indecent material in this case was far greater than that of other owners of CBS sta tions.139 _ "CBS admits that it was closely involved in the production of the halftime show, and that its MTV affili ate produced it."140 Under these circumstances, it was within the Commission's enforcement discretion to im pose fines on the stations owned by CBS but not on affil iates owned by others. While CBS attempts to distance its wholly-owned television stations from its wholly- owned affiliate supervising the halftime production, it does not dispute that both entities were part of the same corporate structure, responsible to the same corporate parent.

32. Third, CBS argues that the forfeiture should be reduced because of its "long record of compliance with broadcast standards" and because it did not "intention ally flout[] FCC rules."141 We disagree. Looking at all of the relevant factors enumerated in section 503(b)(2)(D) of the Act, we continue to believe that the maximum statutory forfeiture is warranted given the particular circumstances of this case. In particular, given CBS's size and resources, we stand by our belief that a lesser forfeiture "would not serve as a significant penalty or deterrent."142 Indeed, we note that the amount of the forfeiture in this case is less than one- quarter of the $2.3 million that CBS charged for a single 30-second advertisement aired during its broadcast of Super Bowl XXXVIII.143 While CBS observes that inde cency findings may also have a deterrent effect because of the potential negative consequences on a company's licenses, it remains the case that monetary forfeitures are a central tool used by the Commission to ensure compliance with our rules.144 Moreover, as we noted in the Forfeiture Order, the gravity of this violation is heightened because the indecent material was broadcast to "an enormous nationwide audience,"145 a fact that CBS does not dispute. Indeed, the material in question was part of the most-watched program of the entire 2003-2004 television season by far,146 and this fact heightens the gravity of the violation in this case. CBS's broadcast of Super Bowl XXXVIII was viewed by an average of 89.8 million people.147 By contrast, the sec ond most-watched program of the 2003-2004 television season, the series finale of Friends, only drew an aver age of 52.5 million viewers.148 In addition, according to Nielsen Media Research, Super Bowl XXXVIII was the top-ranked program of the 2003-2004 television season among children of all age groups: 2 to 5; 6 to 11; and 12 to 17.149 Finally, we continue to believe that the particu lar nature of this violation weighs in favor of the statu tory maximum forfeiture. In this case, unsuspecting viewers were confronted during the Super Bowl halftime show, which was not rated as content inappropriate for children,150 by a highly sexualized performance in which Timberlake tore off a piece of clothing to reveal Jack son's breast while singing "gonna have you naked by the end of this song." While CBS now argues that this con duct was not patently offensive, we disagree.

33. Constitutional Issues. We also adhere to our re jection of CBS's facial and as-applied constitutional chal lenges to the imposition of a forfeiture in this case.

34. The Commission's authority to enforce the statu tory restrictions against the broadcast of indecent pro gramming during times of day in which children are likely to be in the audience was upheld against constitu tional challenge by the Supreme Court in Pacifica more than a quarter-century ago, and has been reaffirmed since then.151 Under our standards implementing this settled precedent, as we have explained, CBS's broad cast was actionably indecent.

35. We reject CBS's contention that the Forfeiture Order abandons the policy of restraint upon which Pa cifica was based.152 The Order does no such thing. On the contrary, the Commission remains "sensitive to the impact of our decisions on speech."153 In this case, how ever, CBS broadcast "the offensive spectacle of a man tearing off a woman's clothing on stage in the middle of a sexually charged performance" during the halftime show of one of the nation's most heavily-watched sport ing events, to a vast nationwide audience that included numerous children.154 As we have found, the broadcast was "planned by CBS and its affiliates under circum stances where they had the means to exercise control and good reason to take precautionary measures."155 Under the circumstances, we fail to see how the decision in Pacifica-or any other consideration-requires us to refrain from exercising our indecency enforcement pow ers to impose a forfeiture in this case.

36. We also reject CBS's argument that Pacifica lim its the Commission's authority "to penalize isolated and fleeting transmissions of indecent material."156 On the contrary, in upholding the Commission's power to pro ceed against material that involved the repeated use of expletives, the Court in Pacifica expressly left open the issue of whether an isolated expletive might also be held indecent, and did not even address a brief display of televised nudity.157 In addition, the Commission has never itself held, as CBS suggests,158 that a brief display of televised nudity could not be found actionably inde cent. To the contrary, in Young Broadcasting (released shortly before the Super Bowl halftime show was broad cast), we made clear that a televised display of male frontal nudity, though comparably brief, constituted an apparent violation of our indecency rules.159

37. Finally, we reiterate our rejection of CBS's con tention that changes in law and technology have under mined Pacifica and its progeny.160 CBS asserts that "every court decision that applies to every medium that allows targeted blocking of content has struck down broadcast-type indecency regulation."161 But those same decisions recognize that there remain "special justifica tions" that allow for more extensive government regula tion of broadcast speech.162 Among them is that broad casting continues to have "a uniquely pervasive presence in the lives of all Americans,"163 a presence that is partic ularly evident where highly-anticipated annual national programming events-epitomized by the Super Bowl- are concerned. As for technological changes, while the V-chip provides a technological tool not available when Pacifica was decided, older televisions do not contain a V-chip,164 and on newer sets the evidence shows that most parents are unaware of the V-chip's existence or the manner of its operation.165 The V-chip also depends on accurate program ratings,166 but as the Commission explained in the Forfeiture Order, sporting events are not included in the V-chip ratings system,167 and neither the Super Bowl nor its halftime show were given V-chip ratings in this case. Nor does CBS provide any basis for concluding that had it rated the Super Bowl halftime show, it would have rated the show as inappropriate for children. Thus, CBS's constitutional argument based on the availability of blocking technology is completely ir relevant to this case.

38. Conclusion. For all of these reasons, we deny CBS's Petition. Based on our careful consideration of the law and the record in this case, we continue to be lieve that the $550,000 forfeiture imposed on CBS here is appropriate.

IV. ORDERING CLAUSES

39. Accordingly, IT IS ORDERED, pursuant to sec tion 405(a) of the Act, and section 1.106(j) of the Commis sion's rules,168 that the Petition for Reconsideration of Forfeiture Order filed by CBS on April 14, 2006 is DE NIED.

40. IT IS FURTHER ORDERED that a copy of this Order on Reconsideration be sent by Certified Mail, Return Receipt Requested, to Anne Lucey, Esq., Senior Vice President for Regulatory Policy, CBS Corporation, 1750 K Street, N.W., 6th Floor, Washington, D.C. 20005 and Robert Corn-Revere, Esq., Davis Wright Tremaine LLP, 1500 K Street, N.W., Suite 450, Washington, D.C. 20005-1272.

FEDERAL COMMUNICATIONS COMMISSION

Marlene H. Dortch
Secretary

STATEMENT OF
COMMISSIONER JONATHAN S. ADELSTEIN CONCURRING IN PART, DISSENTING IN PART

Re: Complaints Regarding Various Television Licens ees Concerning Their February 1, 2004 Broadcast of the Super Bowl XXXVIII Halftime Show, Order on Reconsideration

The Super Bowl XXXVIII halftime show was argu ably one of the most shocking incidents in the history of live broadcast television. Indeed, the Super Bowl was the most-watched program of the entire 2003-04 televi sion season and American viewers, collectively, ex pressed their disappointment and disapproval. The Commission, entrusted with the responsibility to exe cute faithfully broadcast indecency laws, responded swiftly and appropriately.

While I agree with the ultimate outcome of today's Order on Reconsideration, I concur in part because the Commission again has not provided much-needed clarity and guidance to our decision-making process in inde cency enforcement. In addition, I dissent in part be cause I continue to believe the Commission has erred in fining only CBS owned and operated stations, not all stations that broadcasted the indecent material.

Considering the substantial public confusion that per vades the Commission's indecency enforcement, we should, whenever possible, opt for clear statements of Commission policy. Until today, Commission policy has been to refrain from considering third-party polls or opinion surveys in assessing whether a program is inde cent as measured by contemporary community stan dards. Regardless whether the poll or survey attempts to reflect the views of the national or local audience, the Commission simply does not consider opinion polls in indecency cases and polls are not a factor in determining the contemporary community standards. To suggest otherwise, as the instant Order does, is contrary to long standing Commission policy.169

I also have grave concerns with the failure of this Or der to provide clear guidance on the nature of the Com mission's new fine imposition policy announced in the March 15th, 2006, Omnibus TV Order. Rather than stat ing what the new policy is not, as today's Order does,170 the Commission should state affirmatively the key fea tures of our new "more limited approach towards the imposition of forfeiture penalties."171 After all, it is still unclear how the Commission determines the sufficiency of a viewer's complaint in light of this new enforcement policy.172

Finally, I dissented in part in our initial Super Bowl decision (the September 22nd, 2004, Notice of Apparent Liability),173 and I do so again today. I continue to be lieve the Commission has decided erroneously to fine only CBS owned and operated stations, not all stations that broadcasted the indecent material. Notwithstand ing the fact that this Commission has always purported to apply a national indecency standard on the broadcast medium, the Commission has failed to penalize the vast majority of stations that actually broadcasted the of fending halftime performance.

I believe now, as I believed then, that this is not the restrained enforcement policy the Supreme Court ad vised in Pacifica. Consistent with the values of First Amendment, this Commission should exercise restraint and caution in its determination of the type of expres sion that is indecent. But once the indecency determina tion is made, the Commission should apply a uniform fine imposition policy across the broadcast medium.

The Commission has an obligation to provide clarity and guidance whenever possible. Equally, the Commis sion is obligated to enforce a consistent fine imposition policy across the broadcast medium. Sadly, today's Or der fails to meet our obligation on both counts. Accord ingly, I concur in part and dissent in part to this Order on Reconsideration.

42 47 U.S.C. § 405(a); 47 C.F.R. § 1.106(j).

43 Petition for Reconsideration of Forfeiture Order by CBS, dated April 14, 2006 ("Petition").

44 See Complaints Against Various Television Licensees Concerning Their February 1, 2004 Broadcast of the Super Bowl XXXVIII Half time Show, Forfeiture Order, FCC 06-19 at 1 ¶ 1 & n.2, 2006 FCC LEXIS 1267 (rel. March 15, 2006) ("Forfeiture Order") (citing 18 U.S.C. § 1464 and 47 C.F.R. § 73.3999).

45 The CBS Stations were identified in the Appendix to the Forfeiture Order. The Forfeiture Order noted that viewers in markets served by each of the CBS Stations filed complaints with the Commission concern ing the February 1, 2004 broadcast of the Super Bowl XXXVIII half time show. See Forfeiture Order at 1 ¶ 1, n.4 and Appendix.

46 VNU Media and Marketing Guide for Super Bowl, (http://www. nielsenmedia.com/newsreleases/2005/2005SuperBowl.pdf).

47 The NAL was directed to Viacom, Inc., which was the ultimate cor porate parent company of the licensees in question at that time. As of December 31, 2005, Viacom, Inc. effected a corporate reorganization in which the name of the ultimate parent company of the licensees of the CBS Stations was changed to CBS Corporation. For the sake of clarity, we generally refer to the petitioner herein as CBS and to its corporate parent company as CBS Corporation, even for periods preceding the reorganization. As part of the reorganization, certain non-broadcast businesses, including MTV Networks, were transferred to a new com pany named Viacom Inc. At the time of the violations, however, the CBS Stations and MTV Networks were corporate affiliates under common control.

48 See Complaints Against Various Television Licensees Concerning Their February 1, 2004, Broadcast of the Super Bowl XXXVIII Half time Show, Notice of Apparent Liability, 19 FCC Rcd 19230, n.4 (2004) ("NAL") (citing 18 U.S.C. § 1464 and 47 C.F.R. § 73.3999). The NAL found that there was no evidence that any licensee of any non-CBS- owned television station was involved in the selection, planning or approval of the apparently indecent material and that such licensees could not have reasonably anticipated that the CBS Network's pro duction of a prestigious national event such as the Super Bowl would contain material that included the on-camera exposure of Ms. Jackson's breast. Id., 19 FCC Rcd at 19240 ¶ 25. Accordingly, the NAL did not propose a forfeiture by any such licensee.

49 Id., 19 FCC Rcd at 19240 ¶ 24.

50 Opposition to Notice of Apparent Liability for Forfeiture by CBS, dated November 5, 2004 ("Opposition").

51 Opposition at 13-34.

52 Id. at 35-38.

53 Id. at 44-77.

54 Forfeitue Order at 6-7 ¶ 11.

55 Id. at 7 ¶ 12.

56 Id. at 7 n.44.

57 NAL, 19 FCC Rcd at 19236 ¶ 14.

58 Forfeiture Order at 8 ¶ 13.

59 Id.

60 Id. at 8 ¶ 14.

61 Id. at 8-9 ¶ 15.

62 Id. at 8-13 ¶¶ 15-22.

63 Id. at 13-15 ¶¶ 23-25.

64 Id. at 17-19 ¶¶ 30-35.

65 Id. at 15-16 ¶¶ 26-28.

66 Young Broadcasting of San Francisco, Inc., Notice of Apparent Liability for Forfeiture, 19 FCC Rcd 1751 (2004) ("Young Broadcast ing") (response pending).

67 Id. at 16-17 ¶ 29.

68 Forfeiture Order at 5 ¶ 9.

69 Id. at 6 ¶ 11.

70 Complaints Regarding Various Television Broadcasts Between February 2, 2002 and March 8, 2005, FCC 06-17, 2006 FCC LEXIS 1265, released March 15, 2006 ("Omnibus Order").

71 Omnibus Order at ¶¶ 215.

72 See Omnibus Order at ¶¶ 189-92.

73 As such, we note that the Commission's treatment of the Super Bowl halftime show is consistent with our evaluation of the brief exposure of a penis in Young Broadcasting.

74 Forfeiture Order at 6 ¶ 11.

75 See id.

76 In support of its claim that "the event became recognizable as nudi ty to most people only because they actively searched for images after the fact," CBS cites the facts that Janet Jackson was the most searched term on Google in February 2004 and that the end of the Super Bowl halftime show became the most TiVoed moment in the history of digital video recorders, Petition at 5, n.7. This evidence, however, does not provide support for CBS's theory. Given the widespread media cover age of the Super Bowl halftime show, it should come as no surprise that public interest in Jackson skyrocketed in the aftermath of the incident, thus causing many people to search for information about her using Google. While some of these searches may have been conducted by individuals wishing to see images from the halftime show, it is entirely speculative to suggest that many of these individuals: (1) had watched the halftime show; but (2) did not realize at the time that Jackson had exposed her breast. Similarly, the fact that the end of the Super Bowl halftime show was the most TiVoed moment in the history of digital video recorders lends no support to CBS's theory. There are many rea sons why viewers might have replayed the exposure of Jackson's breast -not the least of which is that viewers clearly saw the image and were truly shocked. For CBS to suggest that the fact that the Super Bowl halftime show was the most TiVoed moment in history demonstrates that people watching the broadcast at the time were confused about what had happened has no basis in the evidence. For example, before Super Bowl XXXVIII, the most replayed moment in TiVo history had been the kiss shared by Britney Spears and Madonna during the 2003 MTV Video Music Awards, and it was not unclear at the time whether those two singers had actually kissed. See Ben Charny, "Janet Jackson Still Holds TiVo Title," September 29, 2004 (http://news.com.com/Janet +Jackson+still+holds+ TiVo+title/2100-1041_3-5388626.html).

77 See Young Broadcasting.

78 To the extent that CBS attempts to compare, for purposes of ex plicitness, the exposure of Jackson's breast during the Super Bowl half time show to the brief exposure of an infant's naked buttocks on Amer ica's Funniest Home Videos, see Petition at 5, we seriously question CBS's grasp of contemporary community standards. We also note that the Commission found the footage from America's Funniest Home Vid eos_"somewhat explicit" but that factor was outweighed in that case by the scene's brevity and the absence of any shocking, pandering, or titil lating effect on the audience. Omnibus Order at ¶ 226. Moreover, CBS's comparison of the Super Bowl halftime show to the display of a "portion of the side of [a] maid's breast" in material previously con sidered by the Commission is obviously inapposite as far more than a portion of the side of Jackson's breast was displayed during her duet with Timberlake. See Petition at 3, n.3.

79 Forfeiture Order at 8 ¶ 13.

80 Contrary to CBS's assertion, see Petition at 7, n. 10, the Commis sion in Young Broadcasting used the same approach that we have employed in this case. In Young Broadcasting, the Commission con cluded that "the manner of presentation of the complained-of material . . . was pandering, titillating, and shocking."_ Young Broadcasting, 19 FCC Rcd at 1757 (2004) (emphasis added). Among other things, the Commission pointed to the fact that the broadcast included comments made by off-camera station employees urging performers from "Pup petry of the Penis" to conduct a nude demonstration.

81 See Petition at 7.

82 Petition at 9.

83 Petition at 9.

84 The surveys cited by CBS in its Petition highlight the difficulties associated with relying on third-party public opinion polls in assessing whether material is patently offensive as measured by contemporary community standards for the broadcast medium. Most significantly, the questions asked by pollsters are often not aligned with the issues we must resolve in determining whether broadcast material is indecent under the statute and our rule. For example, the Kaiser Family Foun dation survey cited by CBS did not ask respondents whether or not they found the broadcast of the Super Bowl halftime show finale to be offensive. Rather, they were asked about a quite different matter: how concerned they were about the effect of the "Janet Jackson incident" on their own children. Indeed, the fact that 17% of respondents answered that they were "very concerned" about the impact that the Janet Jack son Super Bowl incident had on their own children and that another 14% of respondents were "somewhat concerned" shows an astoundingly high level of concern about the impact of a single program on their own families, especially given that not all of the respondents even had chil dren who watched the Super Bowl halftime show. Contrary to the sug gestion of CBS, it certainly does not show that the community at large was "not upset about the Super Bowl broadcast." _Petition at 9. Sim ilarly, the Associated Press/Ipsos poll cited by CBS does not appear to have asked respondents whether or not they found the broadcast of the finale of the Super Bowl halftime show to have been offensive. Rather, the survey appears to have asked the conclusory question of whether the Timberlake/Jackson stunt was an illegal act, even though there is no evidence that poll respondents were informed before answering the question of the legal standard for broadcast indecency. See Poll: Janet's Revelation No Crime, February 21, 2004, www. cbsnews.conm/ stories/2004/02/02/entertainment/printable597184.shtml. (We note that the poll is proprietary, and CBS does not provide any information con cerning precisely what was asked to elicit the poll responses.) In sum, we view the results of polls and surveys in the indecency context with care and a measure of skepticism because survey results in this area can easily be skewed by the phraseology of the questions, and those questions are often not on point with the issues we must resolve in de termining whether broadcast material is indecent under the statute and our rule.

85 For example, when specifically asked by survey researchers whe ther the $550,000 forfeiture proposed by the FCC against CBS was ap propriate in this case, a majority of Americans responded either that the FCC had handled the case appropriately or that the Commission's proposed sanction was not harsh enough. See "Americans Geared Up for 'Ad Bowl' 2005", February 4, 2005, (http://www.comscore.com/ press/release.asp?press=554) (44 percent of Americans agree that the FCC handled the Super Bowl halftime incident appropriately while another 12 percent felt that the Commission should have done more to punish CBS and the NFL). Moreover, a survey conducted by Opinion Dynamics Corporation also reveals that the majority of the American people think that CBS and MTV showed a lack of respect for the American people in airing the Super Bowl halftime show. See_ "Could Election 2004 Be as Close as 2000?" (February 5, 2004) (http://www. foxnews.com/story/0,2933,110675,00.html) (56 percent of Americans agree that CBS and MTV demonstrated a lack of respect for the Ameri can people with the Janet Jackson-Justin Timberlake halftime show during the Super Bowl).

86 Hearings Before the Subcommittee on Telecommunications and the Internet of the Committee on Energy and Commerce of the House of Representatives on H.R. 3717, Serial No. 108-68 (February 11, 2004) at 37 (statement of Mel Karmazin).

87 Id. at 30 (statement of Paul Tagliabue).

88 Infinity Radio License, Inc., Memorandum Opinion and Order, 19 FCC Recd 5022, 5026 (2004).

89 Forfeiture Order at ¶ 14.

90 Id.

91 Petition at 12.

92 Forfeiture Order at 8-13 ¶¶ 15-22.

93 Id.

94 See 47 U.S.C. § 312(f)(1).

95 Petition at 14.

96 Forfeiture Order at 10 ¶ 19.

97 See Opposition at 7-8.

98 See Forfeiture Order at 12 n.74.

99 Forfeiture Order at 10 ¶ 19; Con. App. 6.

100 Forfeiture Order at 10 ¶ 19; Con. App. at 5.

101 Petition at 15-16.

102 Id. See also id. at 14 ("CBS double-checked with Ms. Jackson's staff there would be no alterations in her performance as scripted, including any involving wardrobe"). See also_"Jackson's halftime stunt fuels indecency debate," USAToday.com, February 2, 2004, http://www. usatoday.com/sports/football/super/2004-02-02-jackson-halftime- incident_x.htm ("Close-ups of the costume, posted on the Internet, appear to reveal snaps around that part of the bustier.").

103 Petition at 15-16.

104 See para. 22 infra regading CBS's decision to implement a 5-second delay.

105 Forfeiture Order at ¶ 20.

106 See Petition at 14-15.

107 See Forfeiture Order at 10 ¶ 18. See also Con. App. 1, 5.

108 Petition at 15.

109 Id. at n.24.

110 The NFL's concern about the lyrics "I am going to get you naked by the end of this song" can most reasonably be understood as a con cern that the performers might act out the lyrics. There did not appear to be any particular cause for concern that the pe

111 See Con. App. 5, 8.

112 Notwithstanding CBS's protestations to the contrary, delaying a live broadcast long enough to block visual indecency does not appear to pose major technical challenges to a company such as CBS.

113 47 U.S.C. §§ 312(f)(1), 503(b)(1).

114 Petition at 16 (internal quotes omitted).

115 Forfeiture Order at 13 ¶ 23, quoting Meyer v. Holley, 537 U.S. 280, 285 (2003) (citation omitted).

116 Id. at 13-15 ¶¶ 24-25. This decision was consistent with Holley. In that case, the Supreme Court held that, absent a statutory basis, vicar ious liability could not be imposed based solely on the right to control. Rather, evidence was also needed that the employee acted in the scope of employment. See Meyer v. Holley, 537 U.S. at 286. Here, the Com mission determined that the performers were both subject to CBS's control and acting in the scope of their authority.

117 Petition at 17.

118 Community for Creative Non-Violence v. Reid, 490 U.S. 730, 751- 52 (1989), citing Restatement (Second) of Agency § 220(2) (1957) (Re statement).

119 Eisenberg v. Advance Relocation & Storage, Inc., 237 F.3d 111, 114 (2nd Cir. 2000) ("The first factor is entitled to this added weight be cause, under the common law of agency, an employer-employee rela tionship exists if the purported employer controls or has the right to control both the result to be accomplished and the manner and means by which the purported employee brings about that result.") (internal quotes and citations omitted). See id. at 114-15 (listing authorities). See also Restatement § 220(1) cmt. D ("control or right to control the phy sical conduct of the person giving service is important and in many situations is determinative" of whether that person is an employee or independent contractor).

120 See, e.g., id. at 116.

121 See Restatement § 219(1) cmt. a ("Bearing in mind the purpose for fixing the categories, it may be said that a servant is an agent standing in such close relation to the principal that it is just to make the latter respond for some of his physical acts resulting from the performance of the principal's business.").

122 Petition at 17.

123 Forfeiture Order at 13-14 ¶ 24. See Lorenz Schneider Co. v. NLRB, 517 F.2d 445, 451 (2nd Cir. 1975) ("the more detailed the supervision and the stricter the enforcement standards, the greater the likelihood of an employer-employee relationship").

124 See Petition at 18, n.31 and accompanying text (relying on Com munity for Creative Nonviolence v. Reid, 490 U.S. 730, 752-53 (1989) (sculptor was an independent contractor under the work-for-hire doc trine) and Carpet Exch. Of Denver, Inc. v. Indus. Claim Appeals Office, 859 P.2d 278, 281 (Colo. App. 1993) (workers who installed floor cov ering purchased by company's customers were not employees for pur poses of state worker's compensation law)). CBS cites the Carpet Exch. Of Denver, Inc. case for the proposition that "independent contractors, though 'subject to control sufficient to ensure that the end resulted contracted for is reached, are not subject to control over the[ir] means and methods." As discussed herein, however, in this case the perform ers were subject to extensive control over their means and methods.

125 See CBS Response, App. C at Bates stamped pgs. 312, 355-57, 370.

126 Forfeiture Order at 13-14 ¶ 24. See CBS Response, App. C. at Bates stamped pgs. 318, 452, 459-69, 518-19.

127 See Reid, 490 U.S. at 753 ("Apart from the deadline for completing the sculpture, Reid had absolute freedom to decide when and how long to work."); Chaiken v. VV Publishing Corp., 907 F. Supp. 689, 699 (S.D.N.Y. 1995) ("As an experienced reporter, Friedman controlled the manner in which the article was written-including the selection of a topic, research plan, and sources-without any guidance from the Voice. Voice editors reviewed the article only after Friedman com pleted a draft, and the editors subsequently made few substantive changes.").

128 As the Second Circuit has explained, special consideration of such factors "may make sense in the copyright work-for-hire context be cause, under the copyright statute, workers and employees are free to allocate intellectual property rights by contract." _Eisenberg, 237 F.3d at 117. If Reid's weighing of factors applied in the vicarious liability context, however, firms could devise compensation packages to opt out of tort liability. Compare id. (declining to accord presumptive signifi cance to benefits and tax treatment in determining whether a female warehouse worker was an employee under anti-discrimination laws; "[w]hile the rights to intellectual property can depend on contractual terms, the right to be treated in a non-discriminatory manner does not depend on the terms of any particular contract.").

129 Petition at 17.

130 See Forfeiture Order at ¶ 16. Cf. Eisenberg, 237 F.3d at 117 (placing special weight on the extent to which the hiring party controlled the "manner and means" by which the worker completes her assigned tasks, rather than benefits and tax treatment factors, in anti-discrimi nation context because special consideration of benefits and tax treat ment factors "would allow workers and firms to use individual employ ment contracts to opt out of the anti-discrimination statutes.").

131 See Carter v. Helmsley-Spear, Inc., 71 F.3d 77, 87 (2nd Cir. 1995) (sculptors held to be employees despite their "artistic freedom and skill"); Jack Hammer Assoc., Inc. v. Delmy Productions, Inc., 499 N.Y.S.2d 418, 419-20 (1st Dep't 1986) (actor in musical play); Challis v. National Producing Co., 88 N.Y.S.2d 731 (3d Dep't 1949) (circus clown); Berman v. Barone, 88 N.Y.S.2d 327, 328 (3d Dep't 1949) (ballet dancer and variety artist). See also Landman Fabrics, a div. of Blocks Fas hion Fabrics, Inc., 160 F.3d 106, 113 (2nd Cir. 1998) (evidence would support a holding that artist who developed a fabric design was an em ployee in copyright context where, inter alia, artist was highly skilled but hiring party controlled the artist's work to the smallest detail). As the Commission noted, the contracts contain choice-of-law provisions specifying New York law. Forfeiture Order at 14 ¶ 25 n.87.

132 CBS notes that Jackson's, Timberlake's, and Duldalao's contracts "were with a production company, not CBS or MTV," but fails to point out the significance of this fact. Examination of the record reflects that Jackson's and Timberlake's contracts were with "FRB Productions, Inc.," and Duldalao's contract was with "Remote Productions, Inc." Neither FRB nor Remote is identified in CBS's Response, but they appear to be creatures of MTV. MTV executives generated, reviewed, and signed the contracts on behalf of FRB and Remote. See, e.g., CBS Response, App. C at Bates stamped pgs. 154-71, 257-61, 359-63, 2160- 61, 2341. At least one document in the record specifies that Remote is "a wholly owned subsidiary of MTV Networks,"_id. at Bates stamped p. 2352, and another document suggests that MTV executives treated FRB as interchangeable with Remote. See id. at Bates stamped p. 2148.

133 Petition at 19.

134 Forfeiture Order at 14-15 ¶ 25, quoting Restatement (Third) of Agency § 7.07 (T.D. No.5 2004).

135 See Forfeiture Order at 10 ¶¶ 18-19; CBS Response, App. B at Bates stamped pgs. 130, 135.

136 Petition at 19-20.

137 Forfeiture Order at 1 ¶ 1, n.4.

138 Petition at 20.

139 Forfeiture Order at 15 ¶ 27.

140 Id.

141 Petition at 21.

142 Forfeiture Order at 16 ¶ 28.

143 "Television Keeps NFL On Top,"_Fort Worth Star Telegram at 1A (January 30, 2004) ("The cost for a 30-second advertisement is $2.3 million, or roughly the cost of a $77,000 luxury car each second.").

144 Contrary to CBS's suggestion in its Petition, this does not mean, of course, that the Commission will always impose a maximum forfeit ure anytime that a large company violates our rules. However, con sistent with section 503(b)(2)(D) of the Act, a company's "ability to pay" is a factor that weighs in our analysis.

145 Forfeiture Order at 16 ¶ 28.

146 See_"Viewer Track: Top-rated programs of 2003-04" (www.tvb. org/rcentral/viewertrack/trends/top2003.asp).

147 See VNU Media and Marketing Guide for Super Bowl,

(http://www.nielsenmedia.com/newsreleases/2005/2005SuperBowl.pdf).

148 See Joal Ryan, "52 Million Friends See Off 'Friends"' (May 7, 2004) (http://att.eonline.com/News/Items/0,1,14056,00.html).

149 See Nielsen Media Research, TV National People Meter Data 9/22/2003 - 5/26/2004.

150 Indeed, the program was not rated at all.

151 See, e.g., FCC v. Pacifica Foundation, 438 U.S. 726, 748-51 (1978); Action for Children's Television v. FCC, 58 F.3d 654, 669-70 (D.C. Cir. 1995) (en banc) (ACT III), cert. denied, 516 U.S. 1043 (1996).

152 Petition at 23.

153 Forfeiture Order at 19 ¶ 35.

154 Id. at 28.

155 Id. at 19 ¶ 35.

156 Petition at 23 n.42.

157 Pacifica, 438 U.S. at 750;_see Golden Globes, 19 FCC Rcd 4975, 4982 ¶ 16 (2004).

158 Petition at 24.

159 19 FCC Rcd 1751, 1755 ¶ 12 (2004). In WGBH Educ. Found., 68 FCC 2d 1250 (1978), we granted the renewal of a public television sta tion license renewal in the face of complaints based on the station's broadcast of programs-including "Monty Python's Flying Circus"- that allegedly contained "nudity and/or sexually-oriented material."_ 69 FCC2d at 1250-51 ¶ 2. In holding that the complaints did not make out a case that the station's continued operation would be inconsistent with the public interest, id. at 1255, ¶ 13, we nowhere suggested that the televised broadcast of nudity could never be actionably indecent.

160 Petition at 25.

161 Id. (emphasis in original). (citing United States v. Playboy Entmt. Group, Inc. v. FCC, 529 U.S. 803 (2000); Reno v. ACLU, 521 U.S. 844 (1997); and Denver Area Educ. Telecomms. Consortium v. FCC, 518 U.S. 727 (1996)).

162 Reno, 521 U.S. at 868. _See Playboy, 529 U.S. at 815._ See also ACT III, 58 F.3d at 660 (recognizing that "radio and television broad casts may properly be subject to different-and often more restric tive-regulation than is permissible for other media under the First Amendment").

163 See ACT III, 58 F.3d at 659 (quoting Pacifica, 438 U.S. at 748).

164 As of January 1, 2000, all television sets manufactured in the United States or shipped in interstate commerce with a picture screen of thirteen inches or larger must be equipped with a "V-chip" system that can be programmed to block violent, sexual, or other programming that parents do not wish their children to view. Technical Require ments to Enable Blocking of Video Programming Based on Program Ratings, 13 FCC Rcd 11248 (1998); 47 C.F.R. § 15.120(b). Out of a total universe of 280 million sets in U.S. households, see Nielsen Media Research U.S. TV Household Estimates, 2003-04, about 119 million sets in use are equipped with V-chips. Broadcasting & Cable TVFAX, TV Watch "Exposes" V-chip Critics, July 8, 2005, at 2.

165 See Forfeiture Order at ¶ 34 n.117 (citing broadcaster's state ments in 2004 that "less than 10 percent of all parents are using the V- chip and 80 percent of all parents who currently own a television set with a V-chip are not aware that they have it"). See also Parents, Media and Public Policy: A Kaiser Family Foundation Survey (Fall 2004), at 7 (telephone survey of 1,001 parents of children ages 2-17 showing that (1) only 15 percent of all parents have used the V-chip; (2) 26 percent of all parents have not bought a new television set since January 2000 (when the V-chip was first required in all sets); (3) 39 percent of parents have bought a new television set since January 2000, but do not think it includes a V-chip; and (4) 20 percent know they have a V-chip, but have not used it).

166 In the Kaiser Family Foundation survey, nearly 4 in 10 parents of children aged 2-17 stated that most television programs are not rated accurately. Id. at 5. See also Parents Television Council, The Ratings Sham: TV Executives Hiding Behind A System That Doesn't Work (April 2005) (study of 528 hours of television programming concluding that numerous shows were inaccurately and inconsistently rated).

167 Implementation of Section 551 of the Telecommunications Act of 1996, Report and Order, 13 FCC Rcd 8232, 8242-43, ¶ 21 (1998).

168 47 U.S.C. § 405(a); 47 C.F.R. § 1.106(j).

169 While the Commission, in today's Order, maintains that it rejects the use of third-party polls as "determinative" and that it does not "re ly" upon any third-party polls, we should provide clear guidance as to whether the Commission, as a matter of policy, even "considers" polls in its indecency analysis. The answer to that inquiry should be an une quivocal "no." Rather than making this point clear, the Commission en gages in a gratuitous discussion about the adequacy of the polls cited by CBS. The Commission argues that the opinion polls cited by CBS were unavailing because the polls did not answer the central legal question -namely, "whether the Super Bowl broadcast was patently offensive un der contemporary community standards." Order at ¶ 14. This discus sion is misleading because the Commission does not consider polling data, notwithstanding the artfulness of the questions asked by pollsters.

170 Order at ¶ 30.

171 Complaints Regarding Various Television Programs Broadcast Be tween February 2, 2002 and March 8, 2005, FCC 06-17 (released March 15, 2006) (Omnibus TV Order) at ¶ 71.

172 In a failed attempt to address this significant concern, the instant Order states that "it is sufficient that viewers in markets served by each of the CBS Stations filed complaints with the Commission identifying the allegedly indecent program broadcast by the CBS Stations." This is a mere restatement of fact, not a policy statement of the essential components of a sufficient and adequate complaint.

In the Omnibus TV Order, the sole guidance the Commission provided was that it would propose forfeiture against only the licensee whose broadcast of the material was actually the subject of a viewer complaint. Omnibus TV Order at ¶ 71. Yet in the same order, based on a California viewer's complaint of indecent material against a local Washington, D.C. affiliate and the entire network, the Commission proposed for feiture only against the local D.C. affiliate. The California viewer did not even assert that she viewed the program in Washington, D.C. Fur ther, in the same case, it was completely unclear whether the complain ant even watched the program on over-the-air broadcasting or on cable. The Commission is obligated to resolve or clarify these legitimate con cerns.

173 See Complaints Against Various Television Licensees Concerning Their February 1, 2004, Broadcast of the Super Bowl XXXVIII Half time Show, Notice of Apparent Liability for Forfeiture, FCC 04-209 (re leased September 22, 2004) (Commr. Jonathan S. Adelstein, approving in part and dissenting in part).

APPENDIX C

BEFORE THE
FEDERAL COMMUNICATIONS COMMMISSION
WASHINGTON, D.C. 20554

File No. EB-04-IH-0011
NAL/Acct. No. 200432080212

IN THE MATTER OF COMPLAINTS AGAINST VARIOUS TELEVISION LICENSEES CONCERNING THEIR FEBRUARY 1, 2004 BROADCAST OF THE SUPER BOWL XXXVIII HALFTIME SHOW

Adopted: Feb. 21, 2006 Released: Mar. 15, 2006

FORFEITURE ORDER

By the Commission: Chairman Martin, Commissioners Copps and Tate issuing separate statements; Commis sioner Adelstein concurring and issuing a statement.

I. INTRODUCTION

1. In this Forfeiture Order ("Order"), issued pursu ant to section 503(b) of the Communications Act of 1934, as amended (the "Act"), and section 1.80 of the Commis sion's rules,174 we impose a monetary forfeiture in the amount of $550,000 against CBS Corporation ("CBS"), as the licensee or the ultimate parent company of the licensees of the television stations listed in the Appendix ("CBS Stations").175 We find that CBS violated 18 U.S.C. § 1464 and the Commission's rule regulating the broad cast of indecent material176 in its broadcast of the halftime show of the National Football League's Super Bowl XXXVIII over the CBS Stations on February 1, 2004, at approximately 8:30 p.m. Eastern Standard Time.177

II. BACKGROUND

2. The halftime show in question was a live broad cast of music and choreography produced by MTV Net works ("MTV"), which was then a Viacom, Inc. subsid iary. The halftime show lasted approximately fifteen minutes and aired over the CBS Stations and other tele vision stations affiliated with the CBS Television Net work. The show received considerable notoriety due to an incident at the end of its musical finale, in which Jus tin Timberlake pulled off part of Janet Jackson's bus tier, exposing one of her breasts to the television audi ence.

3. Following the Super Bowl broadcast and the re ceipt of complaints, the Enforcement Bureau ("Bureau") issued a letter of inquiry ("LOI") to CBS, seeking infor mation about the halftime show, followed by a letter re questing videotapes of the complete Super Bowl pro gramming broadcast over the CBS Television Network stations on February 1, 2004, including the halftime show (collectively, the "Broadcast Videotape").178 In re sponse, CBS provided a videotape of the broadcast of the halftime show to the Bureau on February 3, 2004,179 an "interim response" to the Bureau's inquiries on Feb ruary 10, 2004,180 the Broadcast Videotape on February 14, 2004,181 and a complete response to the LOI on March 16, 2004.182

4. The script and Broadcast Videotape of the half time show provided by CBS confirm that the show con tained repeated sexual references, particularly in its opening and closing performances. The first song, "All For You," performed by Janet Jackson, began with the following lines, referring to a man at a party: All my girls at the party Look at that body Shakin' that thing Like I never did see Got a nice package alright Guess I'm gonna have to ride it tonight.183

These lyrics use slang terms to refer to a man's sexual organs and sexual intercourse and were repeated two more times during the song. Following that perfor mance, P. Diddy and Nelly presented a medley of songs containing occasional references to sexual activi ties, emphasized by Nelly's crotch-grabbing gestures.184 Then, after a medley by performer Kid Rock, Jackson reappeared for a performance of "Rhythm Nation" and then the closing song, "Rock Your Body," a duet in which she was joined by Justin Timberlake. During the finale, Timberlake urged her to allow him to "rock your body" and "just let me rock you 'til the break of day" while following her around the stage and, on several occasions, grabbing and rubbing up against her in a manner simulating sexual activity.185 At the close of the song, while singing the lyrics, "gonna have you naked by the end of this song," Timberlake pulled off the right portion of Jackson's bustier, exposing her breast to the television audience.186

5. The Commission released its NAL on September 22, 2004, pursuant to section 503(b) of the Act and sec tion 1.80 of the Commission's rules, finding that CBS ap- parently violated the federal restrictions regarding the broadcast of indecent material.187 We noted that our in decency analysis involves two basic determinations. The first determination is whether the material in question depicts or describes sexual or excretory organs or activi ties.188 We found that the broadcast material contained, inter alia, a performance by Jackson and Timberlake that culminated in the on-camera exposure of one of Jackson's breasts, thereby meeting the first standard.189 The second determination is whether the material is patently offensive as measured by contemporary com munity standards for the broadcast medium.190 We ob served that, in our assessment of whether broadcast material is patently offensive, "the full context in which the material appeared is critically important."191 Three principal factors are significant to this contextual ana- lysis: (1) the explicitness or graphic nature of the de scription or depiction of sexual or excretory organs or activities; (2) whether the material dwells on or repeats at length descriptions or depictions of sexual or excre tory organs or activities; and (3) whether the material appears to pander or is used to titillate or shock.192 In examining these three factors, we stated that we must weigh and balance them on a case-by-case basis to deter mine whether the broadcast material is patently offen sive because "[e]ach indecency case presents its own particular mix of these, and possibly, other factors."193 We noted that, in particular cases, one or two factors may outweigh the others, either rendering the broadcast material patently offensive and consequently indecent194 or, alternatively, removing the broadcast from the realm of indecency.195

6. The Commission examined all three factors in the NAL and determined that, in context and on balance, the halftime show is patently offensive as measured by contemporary community standards for the broadcast medium. The Commission determined that the broad cast of partial nudity in this instance was explicit and graphic and appeared to pander to, titillate and shock the viewing audience. Therefore, the Commission deter mined that the material was patently offensive as mea sured by contemporary community standards for the broadcast medium, even though the nudity was brief.196

7. The Commission concluded, based upon its review of the facts and circumstances of this case, that CBS was apparently liable for a monetary forfeiture in the amount of $550,000, calculated by applying the maxi mum forfeiture of $27,500 to each CBS Station, for broadcasting indecent material in apparent violation of 18 U.S.C. § 1464 and section 73.3999 of the Commission's rules.197 In contrast, the Commission proposed no forfei ture against any licensee other than CBS. It did so based on its finding that no licensee of a non-CBS-owned CBS affiliate was involved in the selection, planning or approval of the material for the halftime show, nor could any such licensee reasonably have anticipated that Viacom's production of the show would contain indecent material.198 On November 5, 2004, CBS submitted its Opposition to the NAL.199

8. CBS does not dispute that the halftime show in cluded a segment in which Justin Timberlake pulls off a portion of Jackson's bustier to reveal her breast at the end of the performance of a song containing the lyrics quoted above.200 CBS nonetheless argues that the mate rial broadcast was not actionably indecent.201 CBS also maintains that the broadcast of Jackson's breast was accidental, and therefore was not "willful" under section 503(b)(1)(B) of the Act.202 CBS further argues that the Commission's indecency framework is unconstitutionally vague and overbroad, both on its face and as applied to the halftime show.203 As discussed below, we reject CBS's arguments and find the broadcast indecent for the reasons set forth herein. We reject CBS's assertion that the material at issue is not indecent because it is not patently offensive. In addition, we reject CBS's in terpretation of the term "willful" and also address spe cific circumstances indicating that: (1) CBS consciously omitted the actions necessary to ensure that actionably indecent material would not be aired; and (2) the per formers' willful actions here were attributable to CBS under established principles of agency and respondeat superior. Finally, we reject CBS's constitutional argu ments, as the courts have repeatedly upheld the consti tutionality of the Commission's indecency framework and our analysis of the halftime show is consistent with that framework. We therefore conclude that the broad cast of this material by the Viacom Stations violated 18 U.S.C. § 1464 and our rule against indecent broadcasts between 6 a.m. and 10 p.m., and that the maximum stat utory forfeiture is warranted.

9. Indecency Analysis. The indecency analysis un dertaken in the NAL followed the approach that the Commission has consistently applied. First, the mate rial alleged to be indecent must fall within the subject matter scope of our indecency definition, i.e., "the mate rial must describe or depict sexual or excretory organs or activities."204 The NAL properly concluded that the broadcast of an exposed female breast met this defini tion.205 The halftime show broadcast therefore warrants further scrutiny to determine whether or not it was pa tently offensive as measured by contemporary commu nity standards for the broadcast medium.

10. As discussed above, in our assessment of whether broadcast material is patently offensive, "the full con text in which the material appeared is critically impor tant."206 In cases involving televised nudity, the contex tual analysis necessarily involves an assessment of the entire segment or program, and not just the particular scene in which the nudity occurs.207 Accordingly, in this case, our contextual analysis considers the entire half time show, not just the final segment during which Jack son's breast is uncovered. We find that, in context and on balance, the complained-of material is patently offen sive as measured by contemporary community stan dards for the broadcast medium.

11. Turning to the first principal factor of our contex tual analysis, we conclude that a video broadcast image of Timberlake pulling off part of Jackson's bustier and exposing her bare breast, where the image of the nude breast is clear and recognizable to the average viewer, is graphic and explicit.208 CBS maintains that none of the cases cited in the NAL to support the conclusion that the partial nudity in the halftime show was explicit and graphic involved a televised broadcast of a woman's breast.209 We reject CBS's argument that our conclusion regarding this factor is flawed. The NAL correctly re lied on Young Broadcasting, which supports the propo sition that a scene showing nude sexual organs is gra phic and explicit if the nudity is readily discernible.210 In this case, although the camera shot is not a close-up, the nudity is readily discernible. Furthermore, Jackson and Timberlake, as the headline performers, are in the cen ter of the screen, and Timberlake's hand motion ripping off Jackson's bustier draws the viewer's attention to her exposed breast. CBS suggests that the fact that this nudity was not "planned and approved by [CBS]" is somehow relevant to whether it is explicit and graphic in nature.211 However, CBS's suggestion that planning or premeditation should be a factor in deciding whether a televised image is explicit or graphic lacks any basis in logic or law.212 Rather, the first factor in our contextual analysis focuses on the explicitness of the broadcast from the viewer's or listener's standpoint. Notwith standing CBS's claimed befuddlement at how the tele vised image of a man tearing off a woman's clothing to reveal her bare breast could be deemed explicit, we be lieve that conclusion is clearly warranted by the facts here and fully consistent with the case law.213

12. The second principal factor in our contextual analysis is whether the material dwells on or repeats at length descriptions or depictions of sexual or excretory organs or activities. The NAL appropriately recognizes that the image of Jackson's uncovered breast during the halftime show is fleeting.214 However, "even relatively fleeting references may be found indecent where other factors contribute to a finding of patent offensiveness."215 In this case, even though we find that the partial nudity was fleeting, the brevity of the partial nudity is out weighed by the first and third factors of our contextual analysis.

13. Under the third principal factor of our analysis- whether the material appears to pander or is titillating or shocking-we examine how the material is presented in context.216 The NAL found that "the manner of pre sentation of the complained-of material over each [CBS Station], for which Viacom failed to take adequate pre cautions, was pandering, titillating and shocking."217 The NAL noted that the exposure of Jackson's breast fol lowed "performances, song lyrics and choreography [that] discussed or simulated sexual activities."218 Jack son's opening song contained repeated references to a man's "nice package" that she was "gonna have to ride . . . tonight"-slang references to male sexual organs and sexual intercourse. The P. Diddy/Nelly perfor mance also contained sexual references, emphasized by Nelly's crotch-grabbing gestures. Likewise, the duet by Jackson and Timberlake of "Rock Your Body" contained repeated references to sexual activities219 and choreogra phy in which Timberlake grabbed Jackson, slapped her buttocks, and rubbed up against her in a manner simu lating sexual activity. These sexually suggestive perfor mances culminated in the spectacle of Timberlake rip ping off a portion of Jackson's bustier and exposing her breast while he sang "gonna have you naked by the end of this song." Clearly, the nudity in this context was pandering, titillating and shocking to the viewing audi ence, particularly during a prime time broadcast of a sporting event that was marketed as family entertain ment and contained no warning that it would include nudity.220 Contrary to CBS's contention, we do evaluate the nudity in context. The offensive segment in question did not merely show a fleeting glimpse of a woman's breast, as CBS presents it. Rather, it showed a man tearing off a portion of a woman's clothing to reveal her naked breast during a highly sexualized performance and while he sang "gonna have you naked by the end of this song." From the viewer's standpoint, this nudity hardly seems "accidental," nor was it.221 This broadcast thus presents a much different case than would, for ex ample, a broadcast in which a woman's dress strap breaks, accidentally revealing her breast for a fraction of a second.

14. Accordingly, we conclude that the Super Bowl XXXVIII halftime show contained material that was graphic, explicit, pandering, titillating and shocking and, in context and on balance, was patently offensive under contemporary community standards for the broadcast medium and thus indecent. Although the patently offen sive material was brief, its brevity is outweighed in this case by the first and third factors in our contextual anal ysis. The complained-of material was broadcast within the 6 a.m. to 10 p.m. time frame relevant to an indecency determination under Section 73.3999 of the Commis sion's rules,222 and is therefore legally actionable.

15. Whether Violation was "Willful." CBS argues that, if it did air indecent programming, its violation was "accidental" rather than "willful" and therefore cannot be sanctioned under section 503(b)(1) of the Act. In sup port of this argument, CBS cites definitions of "willful" from criminal and copyright law cases.223 These defini tions, however, are inapposite. Rather than borrowing definitions from unrelated areas of law, the Commission appropriately applies the definition of "willful" that ap pears in the Communications Act. Section 312(f)(1) of the Act defines "willful" as "the conscious and deliberate commission or omission of [any] act, irrespective of any intent to violate" the law.224 As discussed in detail below, CBS acted willfully because it consciously and deliber ately broadcast the halftime show, whether or not it in tended to broadcast nudity, and because it consciously and deliberately failed to take reasonable precautions to ensure that no actionably indecent material was broad cast.225 CBS also is vicariously liable for the willful ac tions of the performers under the doctrine of respondeat superior.

16. The Commission's forfeiture authority was en acted "to impel broadcast licensees to become familiar with the terms of their licenses and the applicable Rules, and to adopt procedures, including periodic review of operations, which will insure that stations are operated in substantial compliance with their licenses and the Commission's Rules."226 The obligation of licensees to adopt measures to ensure compliance with the Act and the Commission's rules has particular force when it co mes to broadcasters' responsibility for the programming that they broadcast to the public. Under well-estab lished principles of broadcast regulation, "[b]roadcast licensees must assume responsibility for all material which is broadcast through their facilities," and that "duty is personal to the licensee and may not be dele gated."227

17. CBS claims that it had no advance knowledge that Timberlake planned to tear off part of Jackson's cloth ing to reveal her breast. Even assuming that this claim is true, however, we do not believe that this relieves CBS from responsibility for the indecent material that it broadcast. Rather, the record reveals that CBS was acutely aware of the risk of unscripted indecent material in this production, but failed to take adequate precau tions that were available to it to prevent that risk from materializing.

18. It is disingenuous for CBS to argue that "the 'cos tume reveal' was as much a shock to Viacom as to every one else."228 CBS clearly recognized that the live broad cast of the Super Bowl halftime show posed a significant risk that indecent material would be aired. The exten sive planning and preparation for the show highlighted this risk. CBS knew that MTV, the corporate affiliate that was producing the show, was seeking to push the envelope by, among other things, including sexually pro vocative performers and material.229 In fact, the NFL expressed concerns about whether the planned halftime show might be heading in too risqué a direction and re buffed MTV's desire to feature one performer because of a prior incident in which the performer unexpectedly removed her clothes during a national telecast of an NFL event.230 MTV sought to overcome the NFL's ob jections to another performer by offering assurances that it would exercise control over her wardrobe and actions, despite its own doubts about its ability to do so.231

19. CBS maintains that it selected Jackson and Tim berlake "to minimize the possibility of the unexpected,"232 but CBS was well aware that their selection did not obvi ate this risk. The NFL specifically expressed concerns to CBS about the costume that Jackson would wear dur ing the halftime show.233 Moreover, the NFL raised con cerns about Timberlake's scripted line "gonna have you naked by the end of this song" that anticipated the stunt resulting in the broadcast nudity.234 There were other warning signs as well. In a January 28, 2004 news item posted on MTV's website, Jackson's choreographer pre dicted that Jackson's performance would include "some shocking moments" and said "I don't think the Super Bowl has ever seen a performance like this . . ."235 Shortly before the game, one halftime show performer asked about the length of the audio delay, a question that MTV employees evidently recognized implied an intention to depart from the script.236 Further, MTV learned the morning of the Super Bowl telecast of plans

to use tearaway cheerleading outfits for dancers in an other halftime performance in connection with a scripted line ("I wanna take my clothes off") that is quite similar to Timberlake's line ("gonna have you naked by the end of this song").237 The record reflects CBS's awareness that there is always a risk that performers will ad-lib remarks or take unscripted actions, and that the risk level varies according to the nature of the perfor mance.238 In sum, there was a significant and foreseeable risk in a halftime show seeking to push the envelope and replete with sexual content that performers might de part from script and staging, and this is particularly true of Jackson and Timberlake given the sexually-pro vocative nature of their performance, the fact that it was promoted as "shocking," and the fact that it culminated with the scripted line "gonna have you naked by the end of this song."239 Based on examination of the record, we conclude that CBS recognized the high risk that this broadcast raised of airing indecent material.240

20. Examination of the record also reveals that CBS failed to take adequate precautions to prevent the airing of unscripted indecent material. Aware of the risk of visual and spoken deviations from the script and stag ing-that something spontaneous might occur or be said-CBS made a calculated decision. It chose to rely on a five-second audio delay that would enable it to bleep offensive language but would not enable it to block unscripted visual moments. Thus, it could not cut off Jackson's "costume reveal" when it occurred-and it had no expectation that it would be able to block any inde cent images.241 Only after the Super Bowl halftime show -for the broadcast of the 2004 Grammy Awards-did CBS institute an audio and video delay "to ensure that no unexpected or unplanned video images would be broadcast."242 CBS asserts that the delay used for the 2004 Grammy Awards was "unprecedented."243 But CBS does not argue that use of a delay mechanism capable of editing video images during the Super Bowl halftime show would not have been feasible. The fact that use of such a delay mechanism would have been "far more technically complex and involved more broadcast stan dards staff to implement" than the delay that CBS actu ally used hardly excuses its omission under these cir cumstances.244 Furthermore, CBS also failed to adopt other precautions available to it. For example, MTV's agreements with the performers did not require them to conform to the script or to CBS's broadcast standards and practices, notwithstanding the fact that MTV's agreement with the NFL contained provisions to this effect.245 In addition, the record contains no evidence that MTV or CBS communicated CBS's broadcast stan dards and practices to Jackson, Timberlake, or Jack son's choreographer before the show, despite the highly sexualized nature of the performances and the fact that MTV's contract with the NFL required MTV to commu nicate those standards and practices to all performers.246

21. CBS also overstates the level of care it exercised in overseeing the halftime production. Critically, it failed to investigate Jackson's choreographer's "shock ing moments" prediction, which was posted on MTV's website, despite CBS's concern about unscripted re marks or actions.247 In addition, contrary to its conten- tion,248 each aspect of the halftime show was not reviewed in advance by CBS's Program Practices Department. As stated above, MTV learned for the first time on the morning of the Super Bowl telecast of plans for dancers to use tearaway cheerleading outfits to act out the line "I wanna take my clothes off."249 It does not appear that these plans were reviewed by CBS's Program Practices Department because the rehearsals that CBS, MTV and NFL representatives reviewed occurred several days before the Super Bowl telecast, and the dancers were not in costume during the scene in question.250

22. Under these circumstances, we believe that CBS can and should be held responsible for the patently of fensive material that it broadcast to a nationwide audi ence. A contrary result would permit a broadcast li censee to stage a show that "pushes the envelope," send that show out over the air waves, knowingly taking the risk that performers will engage in offensive unscripted acts or use offensive unscripted language, and then dis avow responsibility-leaving no one legally responsible for the result. We believe that these are fully appropri ate circumstances for application of the "conscious and deliberate . . . omission" basis for finding "willfulness" incorporated by Congress into Section 503(b) of the Act.251 Indeed, given the nondelegable nature of broad cast licensees' responsibility for programming and the means available to but declined by CBS to reduce the risk of the broadcast of indecent programming, it is dif ficult to conceive of a more appropriate context in which to apply that standard.

23. Further, CBS is legally responsible here for an other reason; it is fully responsible for the actions of Jackson, Timberlake, and Jackson's choreographer un- der the doctrine of respondeat superior. "It is well es tablished that traditional vicarious liability rules ordi narily make principals or employers vicariously liable for acts of their agents or employees in the scope of their authority or employment."252 The Commission has long held licensees responsible for the unauthorized acts of their agents under this doctrine.253 Respondeat supe- rior subjects a principal to vicarious liability when its agent-employee commits a tort while acting within the scope of employment.254 Whether an agent is an employee for purposes of respondeat superior depends on whether the agent is subject to the principal's control or right to control the performance of the work.255 An agent-em ployee acts within the scope of employment when per forming work assigned by the employer or engaging in a course of conduct subject to the employer's control.256

24. It is appropriate to impose vicarious responsibil ity on CBS for the willful actions of Jackson, Timber lake, and Jackson's choreographer under the doctrine of respondeat superior. Even assuming arguendo that the corporate officers and other corporate employees of CBS and MTV did not act willfully within the meaning of section 503(b)(1), there is no question that the per formers did. Timberlake's declaration acknowledges a premeditated plan for him to tear off part of Jackson's clothing during the performance.257 Jackson, Timber lake, and Jackson's choreographer were CBS agents for the halftime show performance; Jackson and Timberlake entered into agreements with MTV (MTV and CBS at the time were both Viacom subsidiaries) to perform during the halftime show, and Gil Duldulao contractually agreed to choreograph the dance.258 Based on examina tion of the record, we also believe that the three were CBS employees for purposes of applying the principle of respondeat superior. CBS had the right to control, and in fact exercised considerable control over, the halftime show:

Each aspect of the halftime show was scripted in ad vance and a script of the halftime show was reviewed by the CBS Program Practices Department. In ad- dition, employees of CBS, MTV, and the NFL at tended two full run-throughs of the halftime show on Thursday, January 29 to review the production. The run throughs were videotaped, and reviewed by rep resentatives of CBS and the NFL. MTV producers then used the tape to individually review the re hearsal performances with the talent to instruct them on changes to be made in the actual performance on Super Bowl Sunday. Based on these procedures, cer tain changes were made to the show. For example, the costume worn by one of the dancers during the run-throughs was considered to be too revealing, and she was instructed to change it before the final show. There was also concern about some of the language, and changes were suggested . . . . Because Ms. Jackson was not in costume during the run-throughs, an executive producer subsequently checked to make sure that Ms. Jackson's wardrobe would conform to broadcast standards during the actual performance.259

25. Thus, CBS exercised control over all aspects of the performers' conduct in the performance of the halftime show, including the script, staging and ward robe used during the Jackson-Timberlake performance. Other factual indicia of control are present as well. CBS (through MTV) provided the set and set elements for the performance and dictated its time and place, as well as the time and place of production and press-related activ ities.260 Many courts have held entertainers to be em ployees for respondeat superior and other purposes un der similar circumstances.261 Finally, the performers' actions were clearly within the scope of their employ ment. In this regard, the determining factor is not whe ther their actions were authorized by CBS but whether the performance was subject to CBS's control.262 Put differently, their conduct was incident to the perfor mance rather than "an independent course of conduct intended to serve no purpose of the employer."263 Accord- ingly, the performers' willful actions are fully attribut able to CBS under the doctrine of respondeat superior irrespective of whether the performers' actions were authorized by CBS.

26. Amount of Forfeiture. CBS offers a variety of arguments that the forfeiture proposed in the NAL is excessive or unfair. First, it contends that it is unfair to impose a forfeiture on it, when no forfeiture was im posed on those affiliates of the CBS Television Network that are not owned by CBS.264 Second, CBS argues that the NAL improperly cites "the history of recent inde cent broadcasts by CBS owned radio stations" with a footnote to cases that are not completely adjudicated.265 Third, CBS maintains that the forfeiture is excessive in relation to the duration of the nude scene and in light of CBS's precautionary measures.266 Fourth, CBS argues that it had no prior notice that a brief scene of partial nudity constituted actionable indecency and thus should not be subject to any forfeiture.267

27. We conclude that CBS's arguments do not justify a reduction in the amount of the proposed forfeiture. The NAL proposed no forfeiture against CBS Television Network affiliate stations that are not owned by Viacom because there is no evidence that the licensees of any of those stations played any role in the selection, planning or approval of the halftime show or that they could have reasonably anticipated that CBS's production of the halftime show would include partial nudity. CBS has not provided any contrary evidence. In contrast, CBS ad mits that it was closely involved in the production of the halftime show, and that its MTV affiliate produced it.

28. With respect to the NAL's reference to the his tory of indecent broadcasts by CBS's radio stations, we note that those cases have been resolved by a Consent Decree in which CBS admitted to certain violations, and the Commission agreed not to use that admission against CBS in any other proceeding, including this one.268 Accordingly, we no longer rely on that history of indecent broadcasts in reaching our determination here. Nevertheless, we remain convinced that the upward ad justment to the statutory maximum is appropriate in light of all of the factors enumerated in section 503(b)(2)(D) of the Act, particularly the circumstances involving the preparation, execution and promotion of the halftime show by CBS, the gravity of the violation in light of the nationwide audience for the indecent broad cast, and CBS's ability to pay.269 The crux of CBS's de fense is that the blame lies with the performers who planned and carried out the costume reveal that resulted in the exposure of Jackson's breast. However, CBS's attempt to place blame on the performers in question is unavailing; as discussed above, the performers were acting as CBS's agents and CBS is responsible for their actions within the scope of their employment. In addi tion, CBS planned almost every element of the halftime show. In the course of doing so, it brushed off warning signs of the potential for actionably indecent behavior and failed to take adequate precautions to prevent the airing of indecent material. As a result of its decisions, an enormous nationwide audience,270 including numerous children, was subjected without warning to the offensive spectacle of a man tearing off a woman's clothing on stage in the midst of a sexually charged performance. Finally, regarding the element of ability to pay and fi nancial disincentives to violate the Act and rules,271 we find that CBS's size and resources, without question, support an upward adjustment to the maximum statu tory forfeiture of $550,000 because a lesser amount would not serve as a significant penalty or deterrent to a company of its size and resources.272

29. We also reject CBS's claim that it lacked prior notice that a brief scene of partial nudity might result in a forfeiture. Our rule against the broadcast of indecent material outside of the safe harbor hours has been in effect since 1993,273 and our criteria for determining whether material is indecent were clearly spelled out in the Policy Statement issued in 2001. Furthermore, the Young Broadcasting decision, holding that a brief dis play of male frontal nudity was an apparent violation of that rule, was released shortly before the subject Super Bowl broadcast.274 Thus, CBS was on notice that the broadcast of partial nudity could violate the indecency rule and statute. CBS tries to liken its situation to that of NBC in the Golden Globe Order, where we declined to impose a forfeiture because we overruled precedent that had specifically held that isolated expletives were not actionably indecent.275 We have never held, however, that fleeting nudity is not actionably indecent. On the contrary, as discussed above, we held that fleeting nu dity was indecent in Young Broadcasting before the Super Bowl broadcast at issue here. The fact that this case is not identical to Young Broadcasting (or, indeed, any other case) certainly does not preclude us from imposing a forfeiture. The facts of most indecency cases are not identical to any that precede them. For exam ple, the Commission has not been confronted before this case with a broadcast where a male performer ripped off the clothing of a female performer to reveal her breast in the midst of a song containing repeated sexual refer ences and a dance containing simulated sexual activities. But any argument that CBS lacked adequate notice that such a performance would run afoul of the Commission's indecency regulations is groundless. The Commission is applying an established standard to the facts of a new case and is not overruling precedent. Thus, it is entirely lawful and appropriate to impose a forfeiture when we determine that the licensee has violated that standard.276

30. Constitutional Issues. CBS offers a number of arguments attacking then constitutional underpinnings of the Commission's indecency framework. We find no merit in those arguments.

31. We reject CBS's arguments that the Commis sion's indecency standard is vague, overbroad, and vests the Commission with excessive discretion.277 Courts have upheld the indecency standard applied in the NAL and in this Order against facial vagueness and overbreadth challenges.278 The D.C. Circuit also has rejected the ar gument that the Commission's indecency standard is overbroad because it may encompass material with seri ous merit.279 We do not believe that requiring broad casters to exercise care to prevent a televised depiction of naked sexual organs prior to 10 p.m. unduly "chills" exercise of their First Amendment rights. As the D.C. Circuit observed, "some degree of self-censorship is in evitable and not necessarily undesirable so long as proper standards are available."280

32. We also disagree with CBS that the NAL is incon sistent with the Supreme Court's Pacifica decision.281 Pacifica stressed the importance of contextual analysis such as that reflected in this Order.282 Accordingly, we do not read Pacifica as precluding an indecency finding based on a brief depiction of partial nudity. The Su preme Court specifically stated that it had not decided whether an occasional expletive in a different setting (e.g., a two-way radio conversation between a cab driver and a dispatcher, or a telecast of an Elizabethan com edy) would justify any sanction.283 The Court's emphasis on the narrowness of its holding was meant to highlight the "all-important" role of context, not to deprive the Commission of power to regulate broadcast indecency except in situations involving extended or repetitious expletives or depictions of sexual or excretory organs or activities.284

33. CBS also claims that the constitutional validity of our indecency enforcement practice has been under mined by a changed legal and technological landscape, citing the Supreme Court's decisions in United States v. Playboy Entertainment Group, Inc.,285 Reno v. ACLU,286 and Denver Area Educational Telecommunications Consortium v. FCC,287 and pointing to the pervasiveness of cable and satellite television, and the development of online media and media recording technology (e.g., vid eocassette recorders, DVD recorders and personal video recorders featuring time-shifting technology) and the V- chip.288 Again, we disagree. In striking down as uncon stitutional an Internet indecency standard, the Supreme Court expressly recognized in Reno the "special justifi cations for regulation of the broadcast media," citing Red Lion and Pacifica.289 Moreover, in Denver Area, the Court addressed the constitutionality of a Commis sion order implementing provisions of the 1992 Cable Television Consumer Protection and Competition Act that concerned indecent and obscene cable program ming, not over-the-air broadcasting. We find nothing in that opinion that undermines the constitutionality of our framework for enforcing our rule against the broadcast of indecent material outside the safe harbor hours.

34. Furthermore, CBS's arguments about new tech nologies have no apparent application to this case. The V-chip technology cannot be utilized to block sporting events such as the Super Bowl because sporting events are not rated.290 Nevertheless, even if the V-chip could be used to block sporting events, based on CBS's repre sentations it appears that CBS would not have rated the Super Bowl halftime show as inappropriate for children.

35. Finally, we address CBS's dire warnings that im posing sanctions in this case will have a chilling effect on live coverage of public events, such as national political conventions and presidential scandals, and "violates the Commission's own pledge" to "take no action which would inhibit broadcast journalism."291 While we are sensitive to the impact of our decisions on speech and, in particular, on live news coverage, we do not believe that CBS's fears about the chilling effect of our decision here are well-founded. As discussed in detail above, this case involves a staged show planned by CBS and its affiliates, under circumstances where they had the means to exer cise control and good reasons to take precautionary measures. These circumstances are obviously com pletely different from live coverage of breaking news events, which are not controlled by broadcasters, and this decision in no way suggests that we are imposing strict liability for such coverage or, indeed, any other programming.

36. Conclusion. Under section 503(b)(1)(B) of the Act, any person who is determined by the Commission to have willfully failed to comply with any provision of the Act or any rule, regulation, or order issued by the Commission shall be liable to the United States for a monetary forfeiture penalty.292 In order to impose such a forfeiture penalty, the Commission must issue a notice of apparent liability, the notice must be received, and the person against whom the notice has been issued must have an opportunity to show, in writing, why no such forfeiture penalty should be imposed.293 The Com mission will then issue a forfeiture if it finds by a pre ponderance of the evidence that the person has violated the Act or a Commission rule. For the reasons set forth above, we conclude under this standard that CBS is lia ble for a forfeiture for its willful violation of 18 U.S.C. § 1464 and section 73.3999 of the Commission's rules.

37. The Commission's Forfeiture Policy Statement sets a base forfeiture amount of $7,000 for transmission of indecent materials.294 The Forfeiture Policy State ment also specifies that the Commission shall adjust a forfeiture based upon consideration of the factors enu merated in section 503(b)(2)(D) of the Act, 47 U.S.C. § 503(b)(2)(D) , such as "the nature, circumstances, ex tent and gravity of the violation, and, with respect to the violator, the degree of culpability, any history of prior offenses, ability to pay, and such other matters as jus tice may require."295 In this case, taking all of these fac tors into consideration, for the reasons set forth above, we find that the NAL properly proposed the statutory maximum forfeiture of $550,000 against CBS.

IV. ORDERING CLAUSES

38. Accordingly, IT IS ORDERED THAT, pursuant to section 503(b) of the Act296, and sections 0.311 and 1.80(f)(4) of the Commission's Rules297, CBS Corporation IS LIABLE FOR A MONETARY FORFEITURE in the amount of $550,000 for willfully violating 18 U.S.C. § 1464 and section 73.3999 of the Commission's rules.

39. Payment of the forfeiture shall be made in the manner provided for in section 1.80 of the Commission's rules within 30 days of the release of this Order. If the forfeiture is not paid within the period specified, the case may be referred to the Department of Justice for collection pursuant to section 504(a) of the Act.298 Pay ment of the forfeiture must be made by check or similar instrument, payable to the order of the Federal Commu nications Commission. The payment must include the NAL/Acct. No. referenced above and the FRN(s) refer enced in the Appendix. Payment by check or money order may be mailed to Federal Communications Com mission, P.O. Box 358340, Pittsburgh, PA 15251-8340. Payment by overnight mail may be sent to Mellon Bank/ LB 358340, 500 Ross Street, Room 1540670, Pittsburgh, PA 15251. Payment by wire transfer may be made to ABA Number 043000261, receiving bank Mellon Bank, and account number 911-6106.

40. Requests for payment under an installment plan should be sent to: Associate Managing Director-Fin ancial Operations, 445 12th Street, S.W., Room 1-A625, Washington, D.C. 20554.299

41. IT IS FURTHER ORDERED THAT a copy of this FORFEITURE ORDER shall be sent by Certified Mail, Return Receipt Requested to CBS Corporation, 2000 K Street, N.W., Suite 725, Washington, DC 20006, and to its counsel, Robert Corn-Revere, Esquire, Davis Wright Tremaine LLP, 1500 K Street, N.W., Washing ton, DC 20005.

FEDERAL COMMUNICATIONS COMMISSION
Marlene H. Dortch Secretary

STATEMENT OF
CHAIRMAN KEVIN J. MARTIN

Re: Complaints Against Various Television Licensees Concerning Their February 1, 2004 Broadcast of the Super Bowl XXXVIII Halftime Show; Com plaints Regarding Various Television Broadcasts Between February 2, 2002 and March 8, 2005; Com plaints Against Various Television Licensees Con cerning Their December 31, 2004 Broadcast of the Program "Without A Trace"

Congress has long prohibited the broadcasting of in decent and profane material and the courts have upheld challenges to these standards. But the number of com plaints received by the Commission has risen year after year. They have grown from hundreds, to hundreds of thousands. And the number of programs that trigger these complaints continues to increase as well. I share the concerns of the public-and of parents, in particular -that are voiced in these complaints.

I believe the Commission has a legal responsibility to respond to them and resolve them in a consistent and effective manner. So I am pleased that with the deci sions released today the Commission is resolving hun dreds of thousands of complaints against various broad cast licensees related to their televising of 49 different programs. These decisions, taken both individually and as a whole, demonstrate the Commission's continued commitment to enforcing the law prohibiting the airing of obscene, indecent and profane material.

Additionally, the Commission today affirms its initial finding that the broadcast of the Super Bowl XXXVIII Halftime Show was actionably indecent. We appropri ately reject the argument that CBS continues to make that this material is not indecent. That argument runs counter to Commission precedent and common sense.

 

 

STATEMENT OF
COMMISSIONER MICHAEL J. COPPS

Re: Complaints Regarding Various Television Broad casts Between January 1, 2002 and March 12, 2005, Notices of Apparent Liability and Memorandum Opinion and Order

Complaints Against Various Television Licensees Concerning Their December 31, 2004 Broadcast of the Program "Without A Trace", Notice of Appar ent Liability

Complaints Against Various Television Licensees Concerning Their February 1, 2004 Broadcast Of The Super Bowl XXXVII Halftime Show, Forfei ture Order

In the past, the Commission too often addressed inde cency complaints with little discussion or analysis, rely ing instead on generalized pronouncements. Such an ap proach served neither aggrieved citizens nor the broad cast industry. Today, the Commission not only moves forward to address a number of pending complaints, but does so in a manner that better analyzes each broadcast and explains how the Commission determines whether a particular broadcast is indecent. Although it may nev er be possible to provide 100 percent certain guidance because we must always take into account specific and often-differing contexts, the approach in today's orders can help to develop such guidance and to establish pre cedents. This measured process, common in jurispru dence, may not satisfy those who clamor for immediate certainty in an uncertain world, but it may just be the best way to develop workable rules of the road.

Today's Orders highlight two additional issues with which the Commission must come to terms. First, it is time for the Commission to look at indecency in the broader context of its decisions on media consolidation. In 2003 the FCC sought to weaken its remaining media concentration safeguards without even considering whe ther there is a link between increasing media consolida tion and increasing indecency. Such links have been shown in studies and testified to by a variety of expert witnesses. The record clearly demonstrates that an overwhelming number of the Commission's indecency ci tations have gone to a few huge media conglomerates. One recent study showed that the four largest radio sta tion groups which controlled just under half the radio audience were responsible for a whopping 96 percent of the indecency fines levied by the FCC from 2000 to 2003.

One of the reasons for the huge volume of complaints about excessive sex and graphic violence in the pro gramming we are fed may be that people feel increas ingly divorced from their "local" media. They believe the media no longer respond to their local communities. As media conglomerates grow ever larger and station control moves farther away from the local community, community standards seem to count for less when pro gramming decisions are made. Years ago we had inde pendent programming created from a diversity of sources. Networks would then decide which program ming to distribute. Then local affiliates would independ ently decide whether to air that programming. This pro vided some real checks and balances. Nowadays so many of these decisions are made by vertically-integra ted conglomerates headquartered far away from the communities they are supposed to be serving-entities that all too often control both the distribution and the production content of the programming.

If heightened media consolidation is indeed a source for the violence and indecency that upset so many par ents, shouldn't the Commission be cranking that into its decisions on further loosening of the ownership rules? I hope the Commission, before voting again on loosening its media concentration protections, will finally take a serious look at this link and amass a credible body of evidence and not act again without the facts, as it did in 2003.

Second, a number of these complaints concern graph ic broadcast violence. The Commission states that it has taken comment on this issue in another docket. It is time for us to step up to the plate and tackle the issue of violence in the media. The U.S. Surgeon General, the American Academy of Pediatrics, the American Psycho logical Association, the American Medical Association, and countless other medical and scientific organizations that have studied this issue have reached the same con clusion: exposure to graphic and excessive media vio lence has harmful effects on the physical and mental health of our children. We need to complete this pro ceeding.

STATEMENT OF
COMMISSIONER JONATHAN S. ADELSTEIN
CONCURRING

Re: Complaints Against Various Television Licensees Concerning Their February 1, 2004 Broadcast of the Super Bowl XXXVIII Halftime Show, Forfei ture Order

I have sworn an oath to uphold the Constitution300 and to carry out the laws adopted by Congress.301 Trying to find a balance between these obligations has been chal lenging in many of the indecency cases that I have de cided. I believe it is our duty to regulate the broadcast of indecent material to the fullest extent permissible by the Constitution because safeguarding the well-being of our children is a compelling national interest.302 I there fore have supported efforts to step up our enforcement of indecency laws since I joined the Commission.

The Commission's authority to regulate indecency over the public airwaves was narrowly upheld by the Supreme Court with the admonition that we should ex ercise that authority with the utmost restraint, lest we inhibit constitutional rights and transgress constitu tional limitations on government regulation of protected speech.303 Given the Court's guidance in Pacifica, the Commission has repeatedly stated that we would judi ciously walk a "tightrope" in exercising our regulatory authority.304 Hence, within this legal context, a rational and principled "restrained enforcement policy" is not a matter of mere regulatory convenience. It is a constitu tional requirement.305

Accordingly, I concur with today's Super Bowl Order, but concur in part and dissent in part with the compan ion Omnibus Order306 because, while in some ways today's Omnibus decision goes too far, in other ways it does not go far enough. Significantly, it abruptly departs from our precedents by adopting a new, weaker enforcement mechanism that arbitrarily fails to assess fines against broadcasters who have aired indecent material. Addi tionally, while today's Omnibus decision appropriately identifies violations of our indecency laws, not every instance determined to be indecent meets that standard.

We have previously sought to identify all broadcast ers who have aired indecent material, and hold them accountable. In the Omnibus Order, however, the Com mission inexplicably fines only the licensee whose broad cast of indecent material was the subject of a viewer's complaint, even though we know millions of other Amer icans were exposed to the offending broadcast. I cannot find anywhere in the law that Congress told us to apply indecency regulations only to those stations against which a complaint was specifically lodged. The law re quires us to prohibit the broadcast of indecent material, period. This means that we must enforce the law any where we determine it has been violated. It is willful blindness to decide, with respect to network broadcasts we know aired nationwide, that we will only enforce the law against the local station that happens to be the tar get of viewer complaints. How can we impose a fine solely on certain local broadcasters, despite having re peatedly said that the Commission applies a national indecency standard-not a local one?307

The failure to enforce the rules against some stations but not others is not what the courts had in mind when they counseled restraint. In fact, the Supreme Court's decision in Pacifica was based on the uniquely pervasive characteristics of broadcast media.308 It is patently arbi trary to hold some stations but not others accountable for the same broadcast. We recognized this just two years ago in Married By America.309 The Commission simply inquired who aired the indecent broadcast and fined all of those stations that did so.

In the Super Bowl XXXVIII Halftime Show decision, we held only those stations owned and operated by the CBS network responsible, under the theory that the affiliates did not expect the incident and it was primarily the network's fault.310 I dissented in part to that case because I believed we needed to apply the same sanction to every station that aired the offending material. I raise similar concerns today, in the context of the Omni bus Order.

The Commission is constitutionally obligated to de cide broadcast indecency and profanity cases based on the "contemporary community standard," which is "that of the average broadcast viewer or listener." The Com mission has explained the "contemporary community standard," as follows:

We rely on our collective experience and knowledge, developed through constant interaction with lawmak ers, courts, broadcasters, public interest groups and ordinary citizens, to keep abreast of contemporary community standards for the broadcast medium.311

I am concerned that the Omnibus Order overreaches with its expansion of the scope of indecency and profan ity law, without first doing what is necessary to deter mine the appropriate contemporary community stan dard.

The Omnibus Order builds on one of the most difficult cases we have ever decided, the Golden Globe Awards case,312 and stretches it beyond the limits of our prece dents and constitutional authority. The precedent set in that case has been contested by numerous broadcasters, constitutional scholars and public interest groups who have asked us to revisit and clarify our reasoning and decision. Rather than reexamining that case, the major ity uses the decision as a springboard to add new words to the pantheon of those deemed to be inherently sexual or excretory, and consequently indecent and profane, irrespective of their common meaning or of a fleeting and isolated use. By failing to address the many serious concerns raised in the reconsideration petitions filed in the Golden Globe Awards proceeding, before prohibiting the use of additional words, the Commission falls short of meeting the constitutional standard and walking the tightrope of a restrained enforcement policy.

This approach endangers the very authority we so delicately retain to enforce broadcast decency rules. If the Commission in its zeal oversteps and finds our au thority circumscribed by the courts, we may forever lose the ability to protect children from the airing of indecent material, barring an unlikely constitutional amendment setting limitations on the First Amendment freedoms.

The perilous course taken today is evident in the ap proach to the acclaimed Martin Scorsese documentary, "The Blues: Godfathers and Sons." It is clear from a common sense viewing of the program that coarse lan guage is a part of the culture of the individuals being portrayed. To accurately reflect their viewpoint and emotions about blues music requires airing of certain material that, if prohibited, would undercut the ability of the filmmaker to convey the reality of the subject of the documentary. This contextual reasoning is consis tent with our decisions in Saving Private Ryan313 and Schindler's List.314

The Commission has repeatedly reaffirmed, and the courts have consistently underscored, the importance of content and context. The majority's decision today dan gerously departs from those precedents. It is certain to strike fear in the hearts of news and documentary mak ers, and broadcasters that air them, which could chill the future expression of constitutionally protected speech.

We should be mindful of Justice Harlan's observation in Cohen v. California.315 Writing for the Court, he ob served:

[W]ords are often chosen as much for their emotive as their cognitive force. We cannot sanction the view that the Constitution, while solicitous of the cognitive content of individual speech, has little or no regard for that emotive function which, practically speaking, may often be the more important element of the over all message sought to be communicated.316

Given all of these considerations, I find that the Omni bus Order, while reaching some appropriate conclusions both in identifying indecent material and in dismissing complaints, is in some ways dangerously off the mark. I cannot agree that it offers a coherent, principled long- term framework that is rooted in common sense. In fact, it may put at risk the very authority to protect chil dren that it exercises so vigorously.

 

 

STATEMENT OF
COMMISSIONER DEBORAH TAYLOR TATE

Re: Complaints Against Various Television Licensees Concerning Their February 1, 2004 Broadcast of the Super Bowl XXXVIII Halftime Show, Forfei ture Order; Complaints Regarding Various Televi sion Broadcasts Between February 2, 2002 and March 8, 2005, Notices of Apparent Liability and Memorandum Opinion and Order; Complaints Against Various Television Licensees Concerning Their December 31, 2004 Broadcast of the Program "Without A Trace", Notice of Apparent Liability for Forfeiture

Today marks my first opportunity as a member of the Federal Communications Commission to uphold our re sponsibility to enforce the federal statute prohibiting the airing of obscene, indecent or profane language.317 To be clear-I take this responsibility very seriously. Not only is this the law, but it also is the right thing to do.

One of the bedrock principles of the Communications Act of 1934, as amended, is that the airwaves belong to the public. Much like public spaces and national land marks, these are scarce and finite resources that must be preserved for the benefit of all Americans. If num bers are any indication, many Americans are not happy about the way that their airwaves are being utilized. The number of complaints filed with the FCC reached over one million in 2004. Indeed, since taking office in January 2006, I have received hundreds of personal e- mails from people all over this country who are unhappy with the content to which they-and, in particular, their families-are subjected.

I have applauded those cable and DBS providers for the tools they have provided to help parents and other concerned citizens filter out objectionable content. Pa rental controls incorporated into cable and DBS set-top boxes, along with the V-Chip, make it possible to block programming based upon its content rating. However, these tools, even when used properly, are not a complete solution. One of the main reasons for that is because much of the content broadcast, including live sporting events and commercials, are not rated under the two systems currently in use.

I also believe that consumers have an important role to play as well. Caregivers-parents, in particular- need to take an active role in monitoring the content to which children are exposed. Even the most diligent par ent, however, cannot be expected to protect their chil dren from indecent material broadcast during live sport ing events or in commercials that appear during what is marketed to be "appropriate" programming.

Today, we are making significant strides toward ad dressing the backlog of indecency complaints before this agency. The rules are simple-you break them and we will enforce the law, just as we are doing today. Both the public and the broadcasters deserve prompt and timely resolution of complaints as they are filed, and I am glad to see us act to resolve these complaints. At the same time, however, I would like to raise a few concerns regarding the complaints we address in these decisions.

First, I would like to discuss the complaint regarding the 6:30 p.m. Eastern Daylight Time airing of an episode of The Simpsons. The Order concludes that this seg ment is not indecent, in part because of the fact that The Simpsons is a cartoon. Generally speaking, cartoons appeal to children, though some may cater to both chil dren and adults simultaneously. Nevertheless, the fact remains that children were extremely likely to have been in the viewing audience when this scene was broad cast. Indeed, the marketing is aimed at children. If the scene had involved real actors in living color, at 5:30 p.m. Central Standard Time, I wonder if our decision would have been different? One might argue that the cartoon medium may be a more insidious means of ex posing young people to such content. By their very na ture, cartoons do not accurately portray reality, and in this instance the use of animation may well serve to present that material in a more flattering light than it would if it were depicted through live video. I stop short of disagreeing with our decision in this case, but note that the animated nature of the broadcast, in my opin ion, may be cause for taking an even closer look in the context of our indecency analysis.

Second, our conclusion regarding the 9:00 p.m. Cen tral Standard Time airing of an episode of Medium in which a woman is shot at point-blank range in the face by her husband gives me pause. While I agree with the result in this case, I question our conclusion that the sequence constitutes violence per se and therefore falls outside the scope of the Commission's definition of inde cency. Without question, this scene is violent, graphi cally so. Moreover, it is presented in a way that appears clearly designed to maximize its shock value. And there in lies my concern. One of the primary ways that this scene shocks is that it leads the viewer to believe that the action is headed in one direction-through dialogue and actions which suggest that interaction of a sexual nature is about to occur-and then abruptly erupts in another-the brutally violent shooting of a wife by her husband, in the head, at point-blank range. Even though the Commission's authority under Section 1464 is limited to indecent, obscene, and profane content, and thus does not extend to violent matter, the use of vio lence as the "punch line" of titillating sexual innuendo should not insulate broadcast licensees from our author ity. To the contrary, the use of sexual innuendo may, depending on the specific case, subject a licensee to po tential forfeiture, regardless of the overall violent na ture of the sequence in which such sexual innuendo is used.

* * *

Finally, I would like to express my hope and belief that the problem of indecent material is one that can be solved. Programmers, artists, writers, broadcasters, networks, advertisers, parents, public interest groups, and, yes, even Commissioners can protect two of our country's most valuable resources: the public airwaves and our children's minds. We must take a stand against programming that robs our children of their innocence and constitutes an unwarranted intrusion into our homes. By working together, we should promote the creation of programming that is not just entertaining, but also positive, educational, healthful, and, perhaps, even inspiring.

174 47 U.S.C. § 503(b); 47 C.F.R. § 1.80.

175 The Appendix is an updated version of Appendix A from the Notice of Apparent Liability in this proceeding. See Complaints Against Various Television Licensees Concerning Their February 1, 2004, Broadcast of the Super Bowl XXXVIII Halftime Show, Notice of Apparent Liability, 19 FCC Rcd 19230 (2004) (the "NAL"). The NAL was directed to Viacom, Inc., which was the ultimate corporate parent company of the licensees in question at that time. As of December 31, 2005, Viacom, Inc. effected a corporate reorganization in which the name of the ultimate parent company of the licensees of the CBS Sta tions was changed to CBS Corporation. Accordingly, we generally re fer to the company herein as CBS even for periods preceding the re- organization. As part of the reorganization, certain non-broadcast busi nesses, including MTV Networks, were transferred to a new company named Viacom Inc. At the time of the violations, however, the CBS Stations and MTV Networks were corporate affiliates under common control.

176 47 C.F.R. § 73.3999.

177 We note that viewers in markets served by each of the CBS Sta tions filed complaints with the Commission concerning the February 1, 2004 broadcast of the Super Bowl XXXVIII halftime show.

178 See Letter from William D. Freedman, Deputy Chief, Investiga tions and Hearings Division, Enforcement Bureau, Federal Communi cations Commission, to Howard Jaeckel, Vice President and Associate General Counsel, CBS, dated February 2, 2004; Letter from William D. Freedman, Deputy Chief, Investigations and Hearings Division, En forcement Bureau, Federal Communications Commission, to Robert Corn-Revere, Esquire, dated February 10, 2004.

179 See Letter from Robert Corn-Revere, Esquire to William D. Freedman, Deputy Chief, Investigations and Hearings Division, En forcement Bureau, Federal Communications Commission, dated Feb ruary 3, 2004.

180 Letter from Robert Corn-Revere, Esquire to William D. Freed man, Deputy Chief, Investigations and Hearings Division, Enforcement Bureau, Federal Communications Commission, dated February 10, 2004 (the "CBS Interim Response").

181 Letter from James S. Blitz, Esquire to William D. Freedman, Dep uty Chief, Investigations and Hearings Division, Enforcement Bureau, Federal Communications Commission, dated February 14, 2004.

182 Letter from Susanna M. Lowy, Esquire to William D. Freedman, Deputy Chief, Investigations and Hearings Division, Enforcement Bur eau, Federal Communications Commission, dated March 16, 2004 (the "CBS Response"). Although many of CBS's responses to the LOI's in quiries are contained in both the CBS Interim Response and the CBS Response, for purposes of simplicity, unless otherwise noted, references herein will be to the latter. CBS requested confidential treatment of the bulk of the materials attached to its Response, including electronic mail and other documents relevant to the planning of the halftime show. We do not rule on CBS's request at this time because it is unnecessary to do so for purposes of this Order. Consistent with the request, how ever, we limit ourselves to describing or characterizing the substance of the materials and providing record citations herein, rather than ac tually quoting the materials or otherwise incorporating them into the Order. The Confidential Appendix, however, contains quotations to various documents in the record.

183 Broadcast Videotape. See also CBS Response, Ex. 9 at 7-10; www.azlyrics.com/lyrics/janetjackson/allforyou.html.

184 These sexual references include the lyrics "I was like good gracious ass bodacious . . . I'm waiting for the right time to shoot my steam (you know)" and "[i]t's gettin' hot in here (so hot), so take off all your clothes (I am gettin' so hot)" in the Nelly song "Hot in Herre." Broad cast Videotape. See also CBS Response, Ex. 9 at 16, 18; www. lyricsstyle.com/n/nelly/hotinherre.html.

185 Broadcast Videotape. See also CBS Response, Ex. 9 at 36-37; www.lyricsondemand.com/j/justintimberlakelyrics/rockyourbodylyrics. html.

186 Broadcast Videotape.

187 See 18 U.S.C. § 1464; 47 C.F.R. § 73.3999 ; and 47 U.S.C. § 503(b).

188 See Industry Guidance on the Commission's Case Law Interpret ing 18 U.S.C. § 1464 and Enforcement Policies Regarding Broadcast Indecency, Policy Statement, 16 FCC Rcd 7999, 8002, ¶ 7 (2001) ("Inde cency Policy Statement").

189 NAL, 19 FCC Rcd at 19235, ¶ 11.

190 The "contemporary standards for the broadcast medium" criterion is that of an average broadcast listener and does not encompass any particular geographic area. Indecency Policy Statement, 16 FCC Rcd at 8002, ¶ 8 and n.15. CBS suggests that we should rely on third-party public opinion polls to determine whether the material is patently offen sive as measured by contemporary community standards for the broad cast medium. Opposition at 33-34. In determining whether material is patently offensive, we do not rely on polls, but instead apply the three- pronged contextual analysis described in the text. CBS provides no le gal support for a departure from that approach.

191 NAL, 19 FCC Rcd at 19235, ¶ 12, quoting Indecency Policy Statement, 16 FCC Rcd at 8002, ¶ 9 (emphasis in original).

192 Indecency Policy Statement, 16 FCC Rcd at 8002-15, ¶¶ 8-23.

193 NAL, 19 FCC Rcd at 19235, ¶ 12, quoting Indecency Policy State ment, 16 FCC Rcd at 8003, ¶ 10 .

194 NAL, 19 FCC Rcd at 19235, ¶ 12; Indecency Policy Statement, 16 FCC Rcd at 8009, ¶ 19 (citing Tempe Radio, Inc. (KUPD-FM), 12 FCC Rcd 21828 (Mass Media Bur. 1997) (forfeiture paid), and EZ New Orleans, Inc. (WEZB(FM)), 12 FCC Rcd 4147 (Mass Media Bur. 1997) (forfeiture paid), which found that the extremely graphic or explicit na ture of references to sex with children outweighed the fleeting nature of the references.

195 NAL, 19 FCC Rcd at 19235, ¶ 12; Indecency Policy Statement, 16 FCC Rcd at 8010, ¶ 20 (noting that "the manner and purpose of a presentation may well preclude an indecency determination even

 

though other factors, such as explicitness, might weigh in favor of an indecency finding.")

196 NAL, 19 FCC Rcd at 19235-36, ¶¶ 12-14.

197 Id. at 19236-40, ¶¶ 16-24. The Commission recently amended its rules to increase the maximum penalties to account for inflation since the last adjustment of the penalty rates. However, the new rates apply to violations that occur or continue after September 7, 2004, and there fore do not apply here. See Amendment of Section 1.80(b) of the Com mission's Rules, Adjustment of Forfeiture Maxima to Reflect Infla tion, Order, 19 FCC Rcd 10945, 10946, ¶ 6 (2004).

198 Id., 19 FCC Rcd at 19240-41, ¶ 25.

199 "Opposition to Notice of Apparent Liability for Forfeiture" by CBS, dated November 5, 2004 ("Opposition"). In addition to CBS's Opposition, we also received filings from non-parties to this proceeding that we are treating as filings by amici curiae. One such filing is a "Petition for Partial Reconsideration of Notice of Apparent Liability for Forfeiture" submitted by Saga Quad States Communications, LLC, and Saga Broadcasting, LLC, which argues that the NAL improperly imposes a new requirement on network affiliate stations to employ delay technology to prescreen network feeds. The NAL urges such licensees to take reasonable precautions to prevent the broadcast of indecent programing over their stations, but this is not a new require ment. See NAL, 19 FCC Rcd at 19241, ¶ 25. See also Complaints Against Various Licensees Regarding Their Broadcast of the Fox Network Program "Married by America" on April 7, 2003, Notice of Apparent Liability for Forfeiture, 19 FCC Rcd 20191 (2004) ("Married by America") (response pending); 47 C.F.R. § 73.658(e)(1) (prohibiting television stations from entering into arrangements with networks that restrict their right to reject programming that the stations reasonably believe to be unsatisfactory or unsuitable or contrary to the public in terest). Another such filing by Litigation Recovery Trust ("LRT") is styled a "Petition for Reconsideration" but fails to meet the require ments of Section 1.106(b)(1) of our rules for petitions for reconsidera tion by non-parties. First, a petition for reconsideration of a Notice of Apparent Liability is not appropriate under Section 1.106(b)(1) because such action is only a notice, not a Commission decision that is subject to reconsideration. Furthermore, even if a petition for reconsideration were appropriate here, LRT does not make the showings required un der that rule that a non-party "state with particularity the manner in which the person's interest are adversely affected by the action taken, and show good reason why it was not possible for him to participate in the earlier stages of the proceeding." 47 C.F.R. § 1.106(b)(1). In sub stance, LRT's filing is a supplement to a prior request for rulemaking

 

on a matter that is outside the scope of, and is not affected by, this de cision.

200 Opposition at 11. CBS does take issue with the NAL's statement that the nudity lasted for 19/32 of a second, stating that the actual time was 9/16 of a second. Id. at 11 n.7. We accept CBS's determination as to the duration, but we find no practical difference here. We also note that the brevity of the image is considered in connection with just one of three contextual factors, and no single factor is dispositive. See Inde cency Policy Statement, 16 FCC Rcd at 8003, ¶ 10 ("Each indecency case presents its own particular mix of these [three], and pos-sibly other, factors, which must be balanced to ultimately determine whether the material is patently offensive and therefore indecent. No single factor generally provides the basis for an indecency finding.").

201 Opposition at 13-34.

202 Id. at 35-38.

203 Id. at 44-77.

204 Indecency Policy Statement, 16 FCC Rcd at 8002, ¶ 7.

205 NAL, 19 FCC Rcd at 19235, ¶ 11 .

206 Indecency Policy Statement, 16 FCC Rcd at 8002, ¶ 9 (emphasis in original).

207 See, e.g., Young Broadcasting of San Francisco, Inc., Notice of Apparent Liability for Forfeiture, 19 FCC Rcd 1751, 1755-57 (2004) ("Young Broadcasting") (response pending) (Commission makes an assessment of the entire segment of a morning news program involving an interview of and demonstration by cast members from a "Puppetry of the Penis" stage production in which adult male nudity was aired for less than a second (¶¶ 11-13); and distinguishes an earlier case involv- ing non-fleeting adult frontal nudity in a broadcast of Schindler's List based on "the full context of its presentation, including the subject matter of the film [World War II and wartime atrocities], the manner of presentation, and the warnings that accompanied the broadcast of the film" (¶ 14)).

208 We note that, although Jackson wore a piece of jewelry on her nip ple, it only partially covered her nipple and did not cover her breast.

209 Opposition at 21.

210 NAL, 19 FCC Rcd at 19235, ¶ 13 and n.42. CBS attempts to dis tinguish Young Broadcasting from this case. See Opposition at 19-20. However, CBS's analysis focuses on the foreseeability of the nudity in that case as compared to this case. As discussed below, foreseeability and premeditation relate to whether the broadcast of indecent matter was willful, and not to whether the material is graphic and explicit.

211 See Opposition at 25 n.35. See also id. at 22. We agree that the ex posure of Jackson's breast was not in the official script submitted by CBS, but CBS has not shown that it was unplanned. Clearly, the "cos tume reveal" that led to the exposure of the breast was at least planned by the performers (Jackson and Timberlake) and their choreographer, Gil Duldulao, who were hired by CBS for the halftime show. Timber lake's Declaration disavows any knowledge on his part that the costume reveal would lead to exposure of Jackson's breast, but Jackson's state ment does not address her knowledge or intentions, and Duldulao did not provide a statement. See CBS Response, Ex. 7 and Ex. 8.

212 CBS compares this case to a decision that it claims involves pro gramming that is "considerably more explicit and clearly premedi tated," in which the Commission imposed a base forfeiture rather than the maximum forfeiture imposed in this case. See Opposition at 22-23, citing Married by America. The appropriate level of the forfeiture is best addressed in a subsequent section, but at this point we note that the case cited involved a program in which certain body parts were digitally obscured by pixilation to avoid a display of partial nudity such as that aired by CBS to a national audience in this case. Thus, that case is not a particularly useful precedent in determining whether the ma terial at issue here is graphic and explicit.

213 CBS argues that our recent dismissals of complaints about pro gramming that we found not to be graphic or explicit requires a similar decision here. Opposition at 23-25, citing KSAZ Licensee, Inc., Memo randum Opinion and Order, 19 FCC Rcd 15999 (2004) , and Complaints Against Various Broadcast Licensees Regarding Their Airing of the UPN Network Program "Buffy the Vampire Slayer" on November 20, 2001, Memorandum Opinion and Order, 19 FCC Rcd 15995 (2004). Neither case is apposite here because neither program included nudity. The other cases cited by CBS are inapposite for the same reason. See Opposition at 23-24.

214 See NAL, 19 FCC Rcd at 19236, ¶ 14.

215 Indecency Policy Statement, 16 FCC Rcd at 8009, ¶ 19. See also Young Broafcasting; Tempe Radio, Notice of Apparent Liability, 12 FCC Rcd 21828 (Mass Media Bur. 1997) (paid); LBJS Broadcasting,

Notice of Apparent Liability, 13 FCC Rcd. 20956 (Mass Media Bur. 1998) (paid).

216 Indecency Policy Statement, 16 FCC Rcd at 8010, ¶20.

217 NAL, 19 FCC Rcd at 19236 n.44. The NAL stated that "the nudity here was designed to pander to, titillate and shock the viewing audi ence." Id. at ¶ 14. To the extent that the language in the NAL could be interpreted to suggest that the broadcaster's state of mind is a deci sional factor, we wish to clarify that this is not the case. Our Indecency Policy Statement frames this factor as "whether the material appears to pander or is used to titillate, or whether the material appears to have been presented for its shock value." Indecency Policy Statement, 19 FCC Rcd at 8003, ¶ 10 (emphasis in original). In making this determi nation, we focus on the material that was broadcast and its manner of presentation, not on the state of mind of the broadcaster or performer. See Young Broadcasting, 19 FCC Rcd at 1755-57, ¶¶ 13-14.

218 NAL, 19 FCC Rcd at 19236, ¶ 14.

219 Timberlake sang the lyrics: "I've been watching you, I like the way you move, so go 'head and girl just do that ass-shakin' thing you do . . . I wanna rock your body, let me rock your body." Broadcast Videotape. See also CBS Response, Ex. 9 at 36-37; http://www. lyricsondemand.com/j/justintimberlakelyrics/rockyourbodylyrics.html.

220 Indeed, CBS appears to concede that it was shocking, but maintains that "the 'costume reveal' was as much a shock to Viacom as to ever yone else." Opposition at iii.

221 See CBS Response at Ex. 7 and Ex. 8. Whether this nudity was planned or foreseeable by CBS and the stations that broadcast it is a distinct issue that is addressed below in the discussion of the "willful ness" factor.

222 47 C.F.R. § 73.3999.

223 See Opposition at 37-38.

224 The Conference Report to the 1982 amendment to the Act that ad ded this definition stated: "Willful means that the licensee knew he was doing the act in question, regardless of whether there was an intent to violate the law." H.R. Rep. No. 97-765, 97th Cong. 2d Sess. 51 (1982). The Conference Report also makes it clear that this definition applies to section 503(b) of the Act as well as section 312. See Southern Cali fornia Broadcasting Co., Memorandum Opinion and Order, 6 FCC Rcd 4387, 4388 (1991). CBS initially acknowledges that "the Commission has held that in order to satisfy the willfulness requirement, the pur ported offender need not intend to violate the Act or an FCC rule, or even be aware the action in question constitutes a violation." Opposi tion at 36. Yet on the next page of its Opposition it urges us to apply criminal cases in which the scienter requirement has been held to re quire "an act done with a bad purpose" or an "evil motive." Id. at 37. Clearly, those cases have no application in interpreting the willfulness requirement in a regulatory statute authorizing the imposition of admi nistrative sanctions. We disagree with CBS's contention that criminal law definitions of "willful" are apt because 18 U.S.C. § 1464 is a criminal statute. Id. In Pacifica, the Supreme Court declined to con sider questions relating to possible application of section 1464 as a cri minal statute in upholding a broadcast indecency forfeiture imposed by the Commission. FCC v. Pacifica Foundation, 438 U.S. 726, 739 n.13 (1978) ("the validity of the civil sanctions [authorized under the Act] is not linked to the validity of the criminal penalty."). Likewise, we reject CBS's suggestion that the First Amendment requires statutes imposing civil penalties on speech to be interpreted to include the same scienter requirement as those imposing criminal penalties. Opposition at 38, citing United States v. X-Citement Video, Inc., 513 U.S. 64, 77-78 (1994), Smith v. California, 361 U.S. 147 (1959), and United States v. Reilly, 2002 WL 31307170 (S.D.N.Y. 2002).

225 We note that application of this standard to CBS does not "impose a strict liability requirement on protected speech." Opposition at 38, citing Gertz v. Robert Welch, Inc., 418 U.S. 323 (1974). The Supreme Court held in Gertz that "the States should retain substantial latitude in their efforts to enforce a legal remedy for defamatory falsehood injurious to the reputation of a private individual," so long as they do not impose liability without fault. Id. at 345-46. As discussed infra, CBS clearly is at fault for broadcasting actionably indecent material during the Super Bowl telecast. We also note that CBS's reliance on Saxe v. State College, 240 F.3d 200, 206 (3d Cir. 2001), as holding that willful indifference is a legally insufficient basis for punishing speech, is misplaced. See Opposition at 38. Saxe held that a school district policy prohibiting "harassing" speech was unconstitutionally overbroad because it was not limited to vulgar or lewd speech or school-sponsored speech, and was not necessary to prevent substantial disruption or interference with the rights of students or the conduct of the school. The court did not address the intent required to impose liability for expressive speech or conduct under the First Amendment.

226 Crowell-Collier Broadcasting Corp., Memorandum Opinion and Order, 44 FCC 2444, 2449 (1961) (violation due to erroneous advice from the station's competent engineering consultant warrants a for feiture).

227 Report and Statement of Policy re: Commission en banc Program ming Inquiry, 44 FCC Rcd 2303, 2313 (1960). See also Yale Broadcast ing Co. v. FCC, 478 F.2d 594 (D.C. Cir.), cert. denied, 414 U.S. 914 (1973) (affirmed action of Commission reminding broadcast licensees of their duty to have knowledge of the content of their programming and on the basis of this knowledge to evaluate the desirability of broad casting music dealing with drug use); Gaffney Broadcasting, Inc., 23 2d 912, 913 (1970) ("licensees are responsible for the selec-tion and presentation of program material over their stations, including . . . acts or omissions of their employees"); Alabama Educational Televi sion Commission, 50 FCC 2d 461, 464 (1975) (AETC lost its license in part because it failed to maintain exclusive authority over all of its pro gramming decisions); WCHS-AM-TV Corp., 8 FCC 2d 608, 609 (1967) (maintenance of control over programming is a most fundamental obligation of the licensee).

228 Opposition at iii.

229 See, e.g., CBS Response, App. B-C at Bates stamped pgs. 18, 176, 219, 314, 1175, 1229, 1456. See also Super Bowl NAL, 19 FCC Rcd at 19238-39 ¶ 19 (discussing MTV's promotion of the sexually-provocative nature of the halftime show by, inter alia, posting on its website a news item entitled "Janet Jackson's Super Bowl Show Promises 'Shocking Moments,'" which quoted her choreographer Gil Dulduleo's prediction that her performance would include "some shocking moments."). Con fidential Appendix 1.

230 See CBS Response, App. B at Bates stamped pgs. 72, 96, 195, 218- 19. Confidential Appendix 2.

231 See CBS Response, App. B at Bates stamped pgs. 123, 355, 447. Confidential Appendix 3.

232 Opposition at 18. See CBS Response at 9 (stating that Jackson and Timberlake were "proven, experienced talent").

233 See CBS Response, App. B at Bates stamped p. 72. Confidential Appendix 4.

234 See CBS Response, App. B at Bates stamped pgs, 39, 452-54. Confidential Appendix 5. Cf. CBS Radio License, Inc. (WLLD(FM)), Notice of Apparent Liability for Monetary Forfeiture, 15 FCC Rcd 23881, 23883, ¶ 8 (Enf. Bur. 2000) (given licensee's awareness of the actual language used in performers' recordings, it should have taken precautions to avoid airing actionably indecent material during a live, unscripted broadcast).

235 See Super Bowl NAL, 19 FCC Rcd at 19238-39, ¶ 19; CBS Re sponse, App. D at Bates stamped pgs. 2659.

236 See CBS Response, App. B at Bates stamped p. 462. Confidential Appendix 6.

237 See CBS Response, App. B at Bates stamped p. 458. Confidential Appendix 7.

238 See CBS Response, App. B at Bates stamped pgs. 503-04, 511, 527. Confidential Appendix 5, 8. See also supra, ¶ 4. The risk of departures from the script was heightened here not only by the suggestive lyrics, but also by the fact that the line which occasioned Jackson's nudity was the culminating one in the script; the record reflects both the perform ers' and the producers' desire for a high-impact grand finale to the show. Confidential Appendix 9.

239 See Super Bowl NAL, 19 FCC Rcd at 19237, ¶ 17 n.54, citing Com- plaints Against Various Broadcast Licensees Regarding Their Airing of the "Golden Globe Awards" Program, 19 FCC Rcd 4975, 4979 (2004) (network could have anticipated that a recipient at a live award ceremony might use profanity because similar mishaps had occurred in the past). CBS points out that the Golden Globe Awards Order was released after the Super Bowl telecast, Opposition at 19, but

the issue here is whether CBS could have anticipated an unscripted

 

costume reveal, not whether it had notice of the Golden Globe Awards Order.

240 See, e.g., supra, ¶¶ 2, 4 and n.4.

241 See Opposition at 5 ("Historically, a five-second delay has been adequate to preclude the broadcast of any spontaneous or unplanned audio material. With such an arrangement, an individual from the broadcast standards department monitors the transmission of a live event and manually 'hits the button' to delete any objectionable ma terial before it is broadcast. Although both the audio and visual trans mission is delayed, five seconds does not provide sufficient time to edit video images. Accordingly, the precaution of a five-second delay could not prevent the broadcast of the unexpected images at the end of the halftime show.") (emphasis added). As indicated above, CBS also had reason to believe that its five-second audio delay might be inadequate to edit unscripted audio material during the halftime show. See note 63 supra and accompanying text.

242 CBS Response at 5.

243 Id. at 5, n.13.

244 CBS Response at 5, n.13.

245 CBS Response, App. B-C at Bates stamped pgs. 168-72, 431-34, 2152-2332, 2336-42, 2469. Confidential Appendix 10. CBS did not pro vide an executed agreement for either Jackson or Timberlake in re sponse to the LOI, but none of the contract drafts provided by CBS refers to a script or to broadcast standards and practices. The executed agreement for Jackson's choreographer likewise contains no such ref- erences.

246 See Confidential Appendix 10. Because CBS's failure to take rea sonable precautions to prevent the broadcast of actionably indecent material was conscious and deliberate, its reliance on Mega Communi cations of New Britain Licensee, L.L.C., 19 FCC Rcd 11373 (Enf. Bur. 2004), is misplaced. See Opposition at 36, n.57 ("The same result should apply here, where Viacom took all reasonable precautions based on past experience-including inspecting Ms. Jackson's costume-but an un foreseeable violation nevertheless occurred."). The Bureau held in Mega that a licensee did not commit a willful violation of the Commis sion's antenna structure fencing requirements because it conducted regular inspections in compliance with those requirements and "the problem occurred shortly after an inspection by Mega." As the above discussion indicates, however, CBS consciously failed to prevent the airing of indecent material. Moreover, the Mega case is distinguishable because it involved actions by a third party, not the licensee. Vernon Broadcasting, Inc., Memorandum Opinion and Order, 60 RR 2d 1275 (1986) , illustrates this distinction. In Vernon, the Commission rescind ed a forfeiture liability for a tower fencing violation as not willful, while affirming a liability for an unintentional violation of the public file rule. The distinction between the two situations was that the damage to the fence was caused by vandals, despite the station's regular process of inspections and repairs, whereas the public file violation arose from the station's own actions.

247 See note 62 supra and accompanying text. CBS maintains that it interpreted the "shocking moments" quote innocently, stating that it believed the quote referred to Timberlake's surprise guest appearance, and that it "did not stand out because such hyperbolic language is not uncommon in the music world." Opposition at 7-8. As the Commission has indicated, CBS's explanation lacks credibility. See NAL, 19 FCC Rcd at 19239, n.64 ("at the start of the halftime segment, MTV included an onscreen credit for Timberlake, hardly a disclosure that would be made ten minutes before his appearance, had his participation in the program been the 'shocking moments' that it had publicized for days on its Internet site."). CBS's explanation also is dubious in light of the fact that the quote referred to "moments" in the plural, whereas it would have been expected to refer to a "moment" if it only concerned Tim berlake's appearance. CBS has never provided a statement from Jack son's choreographer to explain what he meant by the quote. But even accepting CBS's argument that the choreographer's comment may have been innocent hyperbole, it should at least have caused CBS to look into the matter, given the level of concern at CBS and the NFL about the edgy lyrics and the possibility of inappropriate script departures. CBS gives no indication that it did so.

248 Opposition at 4. See CBS Response at 9-10.

249 See CBS Response, App. B at Bates stamped p. 458.

250 See CBS Response at 9, App. B at Videotapes 6, 8 (Jackson/Timber lake Dress Rehersal).

251 47 U.S.C. § 503(b)(1); 47 U.S.C. § 312(f).

252 Meyer v. Holley, 537 U.S. 280, 285 (2003) (citations omitted).

253 See Dial-a-Page, Inc., 8 FCC Rcd 2767 (1993), recon. den., 10 FCC Rcd 8825 (1995) (rule violation resulting from employee error was fully attributable to licensee under doctrine of respondeat superior and "willful" within the meaning of § 503(b)(1) ); Wagenvoord Broadcasting Co., 35 FCC 2d 361 (1972); Eure Family Ltd. Partnership, 17 FCC Rcd 7042, 7044 ¶ 7 (Enf. Bur. 2002) ("it is a basic tenet of agency law that the actions of an employee or contractor are imputed to the em ployer and 'the Commission has consistently refused to excuse licensees from forfeiture penalties where actions of employees or independent contractors have resulted in violations.'").

254 Restatement (Second) of Agency § 219(l) (1957) (2nd Restatement). See also Restatement (Third) of Agency § 7.07 (T.D. No. 5 2004) (3rd Restatement).

255 2nd Restatement § 220. See also 3rd Restatement § 7.07.

256 2nd Restatement § 228.

257 CBS Response at Att. 8 ("At the end of the song, I attempted to perform a 'costume reveal' by removing a portion of Ms. Jackson's cos tume and revealing the undergarment beneath. I had neither the in tention nor the knowledge that the reveal could expose her right breast. The decision to add the 'costume reveal' to the finale was made by Ms. Jackson and her choreographer after final rehearsals for the Halftime Show. They informed me just before the performance began.").

258 See CBS Response, App. B-C at Bates stamped pgs. 168-72, 431-34, 2152-2332, 2336-42; 2nd Restatement § 1 ("Agency is a legal concept which depends upon the existence of required factual elements: the manifestation by the principal that the agent shall act for him, the agent's acceptance of the undertaking and the understanding of the parties that the principal is to be in control of the undertaking."), cited in Meyer v. Holley, 537 U.S. at 286.

259 CBS Response at 9-10. Although CBS had the right to exercise control over the halftime show, and in fact exercised considerable con trol, there were, as discussed above, significant lapses in the level of care that it exercised in overseeing the halftime production. See para. 17-22. Those lapses in supervision do not, however, negate the fact that the performances were subject to CBS's control and that CBS was thus vicariously responsible for the performers' actions within the scope of their employment under the doctrine of respondeat superior. See note 87 infra.

260 Id. at Bates-stamped pgs. 168-72, 431-34, 2336-42. See 2nd Restate ment § 220; 3rd Restatement § 7.07 (relevant factual indicia of control include "whether the agent or the principal supplies the tools and other instrumentalities required for the work and the place in which to per form it").

261 See P.T. Barnum's Nightclub v. Duhamell, 766 N.E.2d 729 (Ind. App. 2002) (referring to 2nd Restatement factors in affirming denial of summary judgment as to whether male exotic dancer was an employee for respondeat superior purposes where "the Club exercised some degree of control over Ajishegiri's work, particularly with regard to work hours, conditions, and regulations, and was in the business of dis playing adult entertainers (primarily female), but did not dictate the stylistic aspects of Ajishegiri's performance"); White v. Frenkel, 615 So.2d 535, 538-40 (La. App. 3 Cir. 1993) (professional wrestler was em ployee for respondeat superior purposes where, inter alia, promoter controlled who would win and who would lose wrestler's matches and had total control over who, where, and when wrestler wrestled); Jeff coat v. State Dept. of Labor, 732 P.2d 1073, 1075-78 (Alaska 1987) (danc er was employee for purposes of state labor statute where, inter alia, club exercised some control over costumes and dances and total control over music and dancers' working hours); Jack Hammer Assoc. v. Delmy Productions, Inc., 499 N.Y.S.2d 418, 419-20 (1st Dept. 1986) (actor was employee for purposes of determining availability of work ers' compensation benefits where actor entered into a written contract for a stipulated sum for a term certain, time and place for his work was determined by production company, actor had to perform in a certain number of shows at specified times, and he had to follow a script and was subject to supervision of play's director). New York state courts have consistently held entertainers to be employees of the producers who engage them. See Jack Hammer Assoc., 499 N.Y.S.2d at 419-20; Challis v. Nat'l Producing Co., 88 N.Y.S.2d 731 (3d Dept. 1949) (circus clown); Berman v. Barone, 88 N.Y.S.2d 327, 328 (3d Dept. 1949) (ballet dancer and variety artist). See also In re Sims, 602 N.Y.S.2d 225 (3d Dept. 1993) (finding a sufficient degree of direction and control by a conductor who hired musicians for imposition of respondeat superior liability although supervision was not direct). Here, the performers' agreements contain choice-of-law provisions specifying New York law. CBS Response at Bates-stamped pgs. 168-72, 431-34, 2336-42.

262 2nd Restatement § 228.

263 3rd Restatement § 7.07 ("an employee's conduct is outside the scope of employment when it occurs within an independent course of conduct intended to serve no purpose of the employer."). See also id. ("Alternative formulations avoid the use of motive or intention to determine whether an employee's tortious conduct falls within the scope of employment. These tests vary somewhat in how they articu late the requisite tie between the tortfeasor's employment and the tort. In general, such a tie is present only when the tort is a generally fore seeable consequence of the enterprise undertaken by the employer or is incident to it.").

264 Opposition at 14.

265 Id. at 39-40. CBS relies on section 504(c) of the Act, which provides that the Commission may not use the issuance of a notice of apparent liability in any other proceeding involving that person unless the forfei ture has been paid or there is a final court order for the payment of the forfeiture. CBS argues that the Commission not only must ignore cases in which there has been no final adjudication, but that it must consider CBS's long record of compliance with broadcast standards. Id. at 42.

266 Id. at 41-43.

267 Id. at 43.

268 See Viacom Inc., Order, 19 FCC Rcd 23100 (2004), petition for recon. pending. In light of that Consent Decree, entered into after the NAL, we conclude that CBS's history of past offenses is not relevant to our analysis. We note, however, that we disagree with, and have pre viously rejected, CBS's interpretation of section 504(c). We have made it clear that the Commission may rely on the underlying facts that pro vide the basis for a notice of apparent liability in a separate case. See Forfeiture Policy Statement and Amendment of Section 1.80 of the Rules to Incorporate the Forfeiture Guidelines, Report and Order, 15 FCC Rcd 303, 304-05, ¶¶ 3-5 (1999) ("Forfeiture Policy Statement"), recon. denied, 17 FCC Rcd 303 (1999).

269 See 47 U.S.C. § 503(b)(2)(D) (the Commission "shall take into ac count the nature, circumstances, extent, and gravity of the violation and, with respect to the violator, the degree of culpability, any history of prior offenses, ability to pay, and such other matters as justice may require"); NAL, 19 FCC Rcd at 19237, ¶ 17.

270 See http://www.usatoday.com/sports/football/super/2004-02-02-rat ings_ x.htm (stating that Super Bowl XXXVIII was "most-watched Su per Bowl in history" with estimated 143.6 million viewers and 41.3 na tional rating).

271 See 47 C.F.R. § 1.80, Note to Paragraph (b)(4), Section II, Upward Adjustment Criterion No. 2.

272 See "Viacom Takes Big Write-Down, Creating a Loss," New York Times, Feb. 25, 2005, at C1 (reporting that Viacom, Inc. took a non-cash charge for 2004 to write down the value of its assets by 27%, to $49 billion, and that the company's revenue for the final quarter of 2004 was $6.3 billion); "While Shares Fell, Viacom Paid Three $160 Million," New York Times, April 16, 2005, at C1 (reporting that the company's top three executives received a total of $160 million in compensation for 2004).

273 See Enforcement of Prohibitions Against Broadcast Indecency, Report and 8 FCC Rcd 704 (1993), modified, 10 FCC Rcd 10558 (1995). CBS, Inc. and Infinity Broadcasting Corporation, both of which became Viacom, Inc. subsidiaries, submitted comments in that rulemaking proceeding. Id., 8 FCC Rcd at 712 .

274 Young Broadcasting, 19 FCC Rcd at 1751 (release date of January 27, 2004) .

275 Opposition at 19, 27-28.

276 As we find CBS legally responsible for the indecent broadcast based on both its own willful omission and its vicarious liability for the willful acts of its agents under the principle of respondeat superior, we need not address whether it could also be held responsible under Section 503(b)(1)(D) without a showing of willfulness.

277 Opposition at 65-77.

278 See ACT III, 58 F.3d at 659 (upholding the Commission's inde cency definition against facial vagueness and overbreadth challenges). CBS's arguments about the Commission's discretion focus on the Commission's investigatory practices in cases where a complaint is based on a description of allegedly offensive programming, and not supported by a tape or a transcript. Opposition at 74-76. However, those arguments have nothing to do with this case, in which there was no dispute about what was broadcast and in which CBS issued a public apology to viewers for the violation of its broadcast standards. Simi larly, CBS's contention about delay in the Commission's enforcement process (Opposition at 76-77) is irrelevant to this case. We also note that the D.C. Circuit has previously rejected this argument. Action for Children's Television v. FCC, 59 F.3d 1249, 1261-62 (D.C. Cir. 1995) ("ACT IV"), cert. denied, 516 U.S. 1072 (1996).

279 Action for Children's Television v. FCC, 852 F.2d 1332, 1339 (D.C. Cir. 1988) ("ACT I") ("'serious merit' need not, in every instance, immunize material from FCC channeling authority").

280 ACT IV, 59 F.3d at 1261; see ACT III, 58 F.3d at 666 ("Whatever chilling effect may be said to inhere in the regulation of indecent speech, these have existed ever since the Supreme Court first upheld the FCC's enforcement of section 1464 of the Radio Act.").

281 Opposition at 44-53. In making this argument, CBS generally ignores the specific context of this case, preferring instead to opine about live television coverage of political and other events and even to lament "the end of live broadcasting as we know it." Id. at 48. We reiterate that our decision is limited to the specific context of this case, which involves a Super Bowl halftime entertainment show that was produced by CBS, using performers selected and paid by CBS. For the reasons stated in the NAL and in this Order, there is ample support for our conclusion that CBS failed to take reasonable precautions to ensure that no actionably indecent material was broadcast in this context.

282 Pacifica, 438 U.S. at 742 ("indecency is largely a function of context-it cannot be adequately judged in the abstract").

283 Id., 438 at 750; see id. at 760-61 (Powell, J., concurring).

284 Id. at 750. The D.C. Circuit upheld the Commission's interpreta tion of Pacifica as not imposing such limits. See ACT I, 852 F.2d at 1338 (upholding the Commission's decision to depart from its prior policy of acting only in cases involving "the repeated use, for shock value, of words similar to those satirized in the Carlin 'Filthy Words' monologue. . . . The FCC rationally determined that its former policy could yield anomalous, even arbitrary, results.").

285 529 U.S. 803 (2000).

286 521 U.S. 844 (1997).

287 518 U.S. 717 (1996).

288 Opposition at 53-61.

289 Similarly, in Playbody, the Court distinguished broadcast ser vices from cable due to differences in the nature of those media. See United States v. Playboy Entertainment Group, Inc., 529 U.S. at 815.

290 See Implementation of Section 551 of the Telecommunications Act of 1996, Report and Order, 13 FCC Rcd 8232, 8242-43, ¶ 21 (1998) (news programming, sports programming and advertisements are not included in the V-chip ratings system). Outside of the context of ex empt programming such as sports programming, we agree that the V- chip is an important protection, but it does not eliminate the need for enforcing our indecency rule or undermine the constitutionality of that rule. We note that last year, CBS and the other major networks an nounced their participation with the Advertising Council in an educa tional campaign designed to improve awareness of the V-chip. The announcement stated that less than 10 percent of all parents are using the V-chip and 80 percent of all parents who currently own a television set with a V-chip are not aware that they have it. See News Release, "The Advertising Council and Four Major Television Networks An nounce Unprecedented Partnership to Educate Parents About the V-

Chip," http:// www.adcouncil.org/about/news_033004 (March 30, 2004). In addition, numerous television sets in U.S. households lack V-chips.

291 Opposition at 53, quoting Pacifica Reconsideration Order, 59 FCC 2d at 893. See also Opposition at ix, x, 46, 48-53.

292 47 U.S.C. § 503(b)(1)(B); 47 C.F.R. § 1.80(a)(1).

293 47 U.S.C. § 503(b); 47 C.F.R. § 1.80(f).

294 Forfeiture Policy Statement, 12 FCC Rcd at 17113.

295 Id., 12 FCC Rcd at 17100-01, ¶ 27.

296 47 U.S.C. § 503(b).

297 47 C.F.R. §§ 0.311 , 1.80(f)(4).

298 47 U.S.C. § 504(a).

299 See 47 C.F.R. § 1.1914.

300 U.S. Const., amend. I.

301 Congress has specifically forbidden the broadcast of obscene, in decent or profane language. 18 U.S.C. § 1464. It has also forbidden censorship. 47 U.S.C. § 326.

302 See, e.g., N.Y. v. Ferber, 458 U.S. 747, 756-57 (1982).

303 See FCC v. Pacifica Foundation, 438 U.S. 726, 750 (1978) (empha sizing the "narrowness" of the Court's holding); Action for Children's Television v. FCC, 852 F.2d 1332, 1344 (D.C. Cir. 1988) ("ACT I") ("Broadcast material that is indecent but not obscene is protected by the [F]irst [A]mendment.").

304 See Brief for Petitioner, FCC, 1978 WL 206838 at *9.

305 ACT I, supra note 4, at 1344 ("the FCC may regulate [indecent] material only with due respect for the high value our Constitution places on freedom and choice in what the people say and hear."); Id. at 1340 n.14 ("[T]he potentially chilling effect of the FCC's generic defin ition of indecency will be tempered by the Commission's restrained en forcement policy.").

306 Complaints Regarding Various Television Broadcasts Between February 2, 2002 and March 8, 2005, Notices of Apparent Liability and Memorandum Opinion and Order (decided March 15, 2006) (hereinafter "Omnibus Order").

307 See, e.g., In re Sagittarius Broadcasting Corporation, Memoran dum Opinion and Order, 7 FCC Rcd 6873, 6876 (1992) (subsequent his tory omitted).

308 See Pacifica Found., 438 U.S. at 748-49 (recognizing the "uniquely pervasive presence" of broadcast media "in the lives of all Americans"). In today's Order, paragraph 10, the Commission relies upon the same rationale.

309 See Complaints Against Various Licensees Regarding Their Broadcast of the Fox Television Network Program "Married by Amer ica" on April 7, 2003, Notice of Apparent Liability for Forfeiture,19 FCC Rcd 20191, 20196 (2004) (proposing a $7,000 forfeiture against each Fox Station and Fox Affiliate station); reconsideration pending. See also Clear Channel Broadcast Licenses, Inc., 19 FCC Rcd 6773, 6779 (2004) (proposing a $495,000 fine based on a "per utterance" calcu lation, and directing an investigation into stations owned by other licen sees that broadcast the indecent program). In the instant Omnibus Or der, however, the Commission inexplicably fines only the licensee whose broadcast of indecent material was actually the subject of a viewer's complaint to the Commission. Id. at ¶ 71.

310 See Complaints Against Various Television Licensees Concerning Their February 1, 2004, Broadcast of the Super Bowl XXXVIII Half time Show, Notice of Apparent Liability, 19 FCC Rcd 19230 (2004).

311 In re Infinity Radio License, Inc., Memorandum Opinion and Or der, 19 FCC Rcd 5022, 5026 (2004).

312 In re Complaints Against Broadcast Licensees Regarding Their Airing of the "Golden Globe Awards" Program, Memorandum Opinion and Order, 19 FCC Rcd 4975 (2004); petitions for stay and reconsidera tion pending.

313 In the Matter of Complaints Against Various Television Licensees Regarding Their Broad. on November 11, 2004, of the ABC Television Network's Presentation of the Film, "Saving Private Ryan," Memoran dum Opinion and Order, 20 FCC Rcd 4507, 4513 (2005) ("Deleting all [indecent] language or inserting milder language or bleeping sounds into the film would have altered the nature of the artistic work and dim inished the power, realism and immediacy of the film experience for viewers."). See also Peter Branton, Letter by Direction of the Com mission, 6 FCC Rcd 610 (1991) (concluding that repeated use of the f- word in a recorded news interview program not indecent in context).

314 In the Matter of WPBN/WTOM License Subsidiary, Inc., 15 FCC Rcd 1838 (2000).

315 403 U.S. 15 (1971).

316 Id. at 26 ("We cannot indulge the facile assumption that one can forbid particular words without also running a substantial risk of sup pressing ideas in the process.").

317 See 18 U.S.C. § 1464.

 

 

APPENDIX D

UNITED STATES COURT OF APPEALS
FOR THE THIRD CIRCUIT

No. 06-3575

CBS CORPORATION; CBS BROADCASTING INC.; CBS TELEVISION STATIONS, INC.; CBS STATIONS GROUP OF TEXAS L.P.; AND KUTV HOLDINGS, INC., PETI TIONERS

v.

FEDERAL COMMUNICATION COMMISSION; UNITED STATES OF AMERICA, RESPONDENTS

On Petition for Review of Orders of the Federal Communications Commission FCC Nos. 06-19 and 06-68

Argued: Sept. 11, 2007

Before: SCIRICA, Chief Judge, RENDELL and FUENTES, Circuit Judges.

JUDGMENT

This cause came to be heard on the record from the Federal Communications Commission and was argued by counsel on September 11, 2007. On consideration whereof, it is now hereby

ORDERED and ADJUDGED by this Court that the petition for review is granted, the orders of the Federal Communications Commission are vacated, and the case is remanded for proceedings consistent with this opin ion. Each party to bear their own costs. All of the above in accordance with the opinion of this Court.

 

ATTEST:
/s/ MARCIA M. WALDRON
MARCIA M. WALDRON
Clerk

DATED: July 21, 2008

APPENDIX E

1. 18 U.S.C. 1464 provides:

Broadcasting obscene language

Whoever utters any obscene, indecent, or profane language by means of radio communication shall be fined under this title or imprisoned not more than two years, or both.

2. 47 U.S.C. 312 provides in relevant part:

Administrative sanctions

(a) Revocation of station license or construction permit

The Commission may revoke any station license or construction permit-

(1) for false statements knowingly made either in the application or in any statement of fact which may be required pursuant to section 308 of this title;

(2) because of conditions coming to the attention of the Commission which would warrant it in refusing to grant a license or permit on an original application;

(3) for willful or repeated failure to operate sub stantially as set forth in the license;

(4) for willful or repeated violation of, or willful or repeated failure to observe any provision of this chapter or any rule or regulation of the Commission authorized by this chapter or by a treaty ratified by the United States;

 

(5) for violation of or failure to observe any final cease and desist order issued by the Commission under this section;

(6) for violation of section 1304, 1343, or 1464 Title 18; or

(7) for willful or repeated failure to allow reason able access to or to permit purchase of reasonable amounts of time for the use of a broadcasting station, other than a non-commercial educational broadcast sta tion, by a legally qualified candidate for Federal elective office on behalf of his candidacy.

(b) Cease and desist orders

Where any person (1) has failed to operate substan tially as set forth in a license, (2) has violated or failed to observe any of the provisions of this chapter, or section 1304, 1343, or 1464 Title 18, or (3) has violated or failed to observe any rule or regulation of the Commission au thorized by this chapter or by a treaty ratified by the United States, the Commission may order such person to cease and desist from such action.

* * * * *

3. 47 U.S.C. 503 provides in relevant part:

Forfeitures

* * * * *

(b) Activities constituting violations authorizing imposition of forfeiture penalty; amount of pen alty; procedures applicable; persons subject to penalty; liability exemption period

(1) Any person who is determined by the Commis sion, in accordance with paragraph (3) or (4) of this sub section, to have-

(A) willfully or repeatedly failed to comply sub stantially with the terms and conditions of any li cense, permit, certificate, or other instrument or au thorization issued by the Commission;

(B) willfully or repeatedly failed to comply with any of the provisions of this chapter or of any rule, regulation, or order issued by the Commission under this chapter or under any treaty, convention, or other agreement to which the United States is a party and which is binding upon the United States;

(C) violated any provision of section 317(c) or 509(a) of this title; or

(D) violated any provision of section 1304, 1343, or 1464 of Title 18; shall be liable to the United States for a forfeiture penalty. A forfeiture penalty under this subsection shall be in addition to any other penalty provided for by this chapter; except that this subsection shall not apply to any conduct which is subject to forfeiture under subchapter II of this chapter, part II or III of subchapter III of this chapter, or section 507 of this title.

* * * * *

4. Public Telecommunications Act of 1992, Pub. L. No. 102-356, § 16(a), 106 Stat. 949, provides:

FCC REGULATIONS.-The Federal Communica tions Commission shall promulgate regulations to pro hibit the broadcasting of indecent programming-

(1) between 6 a.m. and 10 p.m. on any day by any public radio station or public television station that goes off the air at or before 12 midnight; and

(2) between 6 a.m. and 12 midnight on any day for any radio or television broadcasting station not described in paragraph (1).

The regulations required under this subsection shall be promulgated in accordance with section 553 of title 5, United States Code, and shall become final not later than 180 days after the date of enactment of this Act.

 

5. 47 C.F.R. 73.3999 provides:

Enforcement of 18 U.S.C. 1464 (restrictions on the

transmission of obscene and indecent material).

(a) No licensee of a radio or television broadcast station shall broadcast any material which is ob scene.

(b) No licensee of a radio or television broadcast station shall broadcast on any day between 6 a.m. and 10 p.m. any material which is indecent.